sun 23/02/2025

piano

BBC Proms: Ax, Chamber Orchestra of Europe, Haitink

"O, reason not the need!” cries Shakespeare’s King Lear, insisting on certain unquestioned rights. The phrase came to me listening to Bernard Haitink conducting Brahms’s Second Piano Concerto and Fourth Symphony last night. The 82-year-old Haitink...

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ELF. Eales, Lee, Findon. Piano, Horn and... Flute?

Some things just don’t seem to belong in a pairing. The flute and the French horn both have their distinct sonic personality. It wouldn’t be going out on a limb to suggest that the average listener tends to lean towards one or the other. Even Mozart...

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BBC Proms: Lazić, Lloyd Webber, BBC Philharmonic, Sinaisky

Vassily Sinaisky: searching out delicate colour and arching line in Elgar

Several Prommers fainted, possibly out of boredom, in a longer than ever first movement of the Brahms Violin Concerto. The boredom, palpable around me, came not from pianist Dejan Lazić transcribing the fiddle part for his own pleasure - a...

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Yevgeny Sudbin, Wigmore Hall

Yevgeny Sudbin: shining a brilliant light on complex works

Older pianomanes may lament the passing of the great Russian schooling that gave us the likes of Sofronitsky, Yudina and Richter. I'm not so sure. The younger generations may have dropped the mystic torch, but their more even-tempered approach can...

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theartsdesk in Verbier: A Cable Car Named Inspire

I’m standing with my feet on peaks and my head in clouds, looking down steep Alps at the tiny chocolate-brown chalets of little Verbier way below on the green slopes. It’s ravishing up here on the top of Fontanet, and I tarry, gloating over the...

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BBC Proms: Schiff, Hallé, Elder

It was partly as penance for having missed the previous evening's Czech festival that I arena-prommed for last night's Moravian finale, to be happily strafed by the nine extra trumpets of Janáček's Sinfonietta. I hadn't quite expected to be so on...

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Classical CDs Weekly: Beethoven, Liszt, Sibelius

Osmo Vänskä's accounts of Sibelius's published symphonies are regarded by many as definitive

This week’s reviews include a generous Liszt anthology played by one of the 20th century’s most fondly remembered pianists. There’s a reissued box of Beethoven symphonies performed on modern instruments by one of the classiest European orchestras....

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Elisabeth Leonskaja, Wigmore Hall

Profound experience of 2010? For me, unquestionably, portions of the great Russian pianist Elisabeth Leonskaja's first-time journey through all the Schubert sonatas at the Verbier Festival. I was lucky to catch three out of nine recitals, and to...

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Joanna MacGregor, Wigmore Hall/ Sol Picó, Sadler's Wells Theatre

Joanna MacGregor: She turned Bach and Shostakovich into something like electronic piano music

The two-course evening out is made possible by the Wigmore Hall’s late Friday-night concerts, so if you get out of a central-London show - or dinner - by, say, 9.30, you can add a second layer of entertainment at 10. In my case, a ferociously poor...

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Pires, London Symphony Orchestra, Haitink, Barbican Hall

Pires and Haitink: Two artists with a deep rapport and a pellucid touch in Mozart

It was Groundhog Day. Murray Perahia, due to play the Schumann Piano Concerto last night under Bernard Haitink, was indisposed and at the last minute Maria João Pires rushed in with Mozart 27. Just the same happened in 2006, strangely enough, with...

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Barenboim, Staatskapelle Berlin, Boulez, Royal Festival Hall

What next - Boulez and Daniel Barenboim in Tchaikovsky and Rachmaninov? The two numbered Liszt concertos are probably as far as they're going to go in lacier romantic repertoire, and last night it didn't feel far enough to justify the predictable...

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Ingrid Fliter, Queen Elizabeth Hall

Argentinian pianist Ingrid Fliter has 'an engineer's feel of logistics, a circus entertainer's eye for variety and a bombardier's sense of timing'

We all make mistakes. I was absent for the start of Ingrid Fliter's Tempest sonata at her Queen Elizabeth Hall debut. Fliter was absent (mentally speaking) for much of the final movement of the Appassionata. The parts of Fliter's recital that we...

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