Film
Veronica Lee
David O Russell's multi-Oscar-nominated film is a romcom with a difference, dealing as it does with mental-health issues. Bradley Cooper, more usually found parlaying characters with arrested adolescence, here plays Pat Solitano, a man with a condition for which he hates taking his meds because they make him both physically bloated and mentally foggyPat returns home after a spell in an institution, having lost his marriage, his home and his job, and he hopes to win back his adulterous wife. But Tiffany (Jennifer Lawrence), herself troubled after the death of her husband and who has been self- Read more ...
Demetrios Matheou
Latin Americans are the current masters of minimalist cinema, films in which nothing much seems to be happening on the surface, but a world of emotion and meaning bubbles beneath. Such films require a little patience and investment, for sure, but offer considerable returns. And like last year’s award-winning Las acacias from Argentina, the Chilean Thursday Till Sunday signals the debut of a filmmaker with the skill to match her cinematic convictions.Both films are road movies, not in the "wham bam", eventful sense of a Hollywood road movie, but modest, small-scale, quiet journeys, involving Read more ...
Jasper Rees
Richard Griffiths, who has died at the age of 65 from complications during heart surgery, will be remembered above all for three performances, two on screen and one onstage. In Withnail & I (1987), he embodied in Uncle Monty a predatory homosexual who, according to the film’s director Bruce Robinson, was based on Franco Zeffirelli. Many years later Griffiths found himself playing a character parked on the same spectrum in Alan Bennett’s The History Boys (2005). As Hector, the teacher with a roving mind and wandering hands, he bagged a notable brace of awards in the form of an Olivier and Read more ...
Jasper Rees
There is an arresting moment towards the start of In the House when a character looks the camera – and by extension, the audience - directly in the eye. A warm trusting face and a slight squint hint at vulnerability (see clip below). His name is Rafa, and he is the best friend of Claude, who regularly visits Rafa's house after school to help him with his maths. But we soon learn that Claude’s furtive intention is to infiltrate an ideal suburban home as part of an observational writing assignment.Among the piles of vacuous contributions from his classmates, Claude’s account of what he did on Read more ...
Kieron Tyler
If you go down to the woods today, it’s possible a Huldra might be encountered. A Norwegian wood, that is. She goes by other names across Scandinavia, but this be-tailed woman is to be avoided. Men lured into her lair are never seen again. Thale turns the legend on its head and tells the tale of Thale, a Huldra who’s been captured by a man and imprisoned in his basement. The story of the Siren-like Huldra is one that’s ripe for a film treatment, especially after Norway’s Troll Hunter became an international hit. Unfortunately, Thale is somewhat undercooked.Thale’s just-over-70 minutes opens Read more ...
Tom Birchenough
In his 1970 television documentary for Granada, I Was a Soldier, British filmmaker Michael Grigsby was one of the first to look into the experience of US soldiers returning home from Vietnam. “Vietnam syndrome” may have been a few years away from any formal diagnosis, but Grigsby caught the mood of three young Texans – David, Dennis and Lamar – back from the conflict and struggling to re-engage with a society that has become alien to them.Grigsby returned to the town of Brady and its Texas environs 40 years later, and the result is his new film We Went to War (co-directed with Rebeka Read more ...
Karen Krizanovich
It begins with two gunshots. Lee Marvin is a guy who just wants his $93,000. "I want my money" is the mission statement for Point Blank, a film that is as timelessly entertaining as it is influential. But putting it that way doesn’t grab the sensation of watching a film that is so exciting you may forget to breathe for all 92 minutes of it.Beginning as a film editor and then moving up through TV, Boorman, who also made Deliverance, Excalibur and Hope and Glory, wrote in his 2003 memoir Adventures of a Suburban Boy about the “essential mysteriousness of movies” - and Point Blank is an Read more ...
Nick Hasted
Thomas Vinterberg made his name with Festen’s queasy social discomfort, but has struggled to match his Danish compatriot and Dogme 95 co-founder Lars von Trier’s iconoclastic career. The Hunt’s stomach-knotting intensity as an innocent man is accused of paedophilia restores him to the front rank.Mads Mikkelsen is Lucas, a small-town nursery worker coming back to life after a bruising divorce, and loved by the kids in his charge. Klara (Anikka Wedderkopp, pictured right), the daughter of his childhood friend Theo (Thomas Bo Larsen), is an imaginative, sad-eyed child. Hurt by Lucas’s chiding of Read more ...
emma.simmonds
Pulsating and cinematically proud with an opulent urban palette, Trance positively storms onto the screen. Fast becoming a national treasure (if he hasn't broken through that particular ceiling yet) Danny Boyle is also one of the few directors with the visual chutzpah to make a film this bombastically exciting set in the UK. A heist thriller located in a so-chic-it's-barely-recognisable London, Trance features the handsome trio of James McAvoy, Rosario Dawson and Vincent Cassel. Whilst not quite the mind-fuck it purports to be, it nevertheless challenges you to keep apace with its surging Read more ...
Demetrios Matheou
François Ozon is one of France’s most mercurial directors, his country’s equivalent, in some respects, to our own Michael Winterbottom – prolific, and constantly on the move between genres. He’s made a musical (8 Women), a marital drama (5x2), a murder mystery (Swimming Pool), a period melodrama (Angel), political satire (Potiche) and a poignant drama about a young man coping with his imminent death (Time to Leave), among others. The common denominators are the director’s intelligence, daring, élan and, when called for, a delicious sense of humour.All these traits are on display in his latest Read more ...
Emma Dibdin
When Craig Zobel’s true-life thriller Compliance played at Sundance, it was met equally with critical praise and audience outrage. There were walk-outs, complaints, shouting matches. At the London Film Festival last year, reaction was similarly polarized – one indignant viewer attempted to lead a mass walkout, rising from his seat during a particularly troubling scene with the rallying call of “Okay everybody, I think it’s time to go now!”It’s not impossible to understand the response – to say that Compliance is a tough watch is to vastly understate the skin-crawling, clammy-handed Read more ...
Jasper Rees
When Tess was released in 1979 much was made of the fact that Hardy’s western England had become Polanski’s northern France. Also, that he had cast a German actress in the title role with a wobbly Wessex burr. All these years on, Nastassja Kinksi’s performance looks as ravishing as ever, and doesn’t sound too bad either. An extra layer of otherness is added to her portrayal of a beautiful young country girl passively buffeted by fate – and seduced, possibly raped by a powerful male - with the recent revelation that her father Klaus Kinski abused her half-sister and tried it on with her too. Read more ...