Film
Tom Birchenough
The wish to go back into your past, and change things with the knowledge you have in the present, must be a universal one. It’s the subject of Israeli-US director Dana Lustig’s A Thousand Kisses Deep, which manages to make fantasy come alive for its heroine Mia (Jodie Whittaker, outstanding in the role). With the help of time travel.Coming home from a nursing shift to her London mansion block home one morning, Mia witnesses an old lady leaping to her death from the same building, holding in her hands torn photographs, one of which Mia recognises as that of her former lover, jazz musician Read more ...
Veronica Lee
Nicely timed to coincide with London 2012, Fast Girls is a kind of athletic Bend It Like Beckham, although I doubt it will have that film's impact, either at the box office or on the careers of its stars. While the leads, playing a group of young female sprinters, are likeable and engaging, the film is a rather predictable story of overcoming hardship and conflict through sporting endeavour.Shania (the excellent Lenora Crichlow, from Sugar Rush and Being Human) lives in a rough part of London; her mum is dead, her dad long gone, and she sleeps on her auntie's sofa with her sister Tara (Tiana Read more ...
Tom Birchenough
In the English-speaking world we know most about France's Ursuline possessions of the 1630s through Aldous Huxley’s 1952 The Devils of Loudun, and of course through Ken Russell’s 1971 film The Devils. But a decade before Russell’s scandalous work, Polish director Jerzy Kawalerowicz treated the same subject in his 1960 film Mother Joan of the Angels, now re-released from Second Run in a restored version.Kawalerowicz was at the height of his powers, heading up the Kadr state film unit, which was the effective central axis of the Polish film school, that took off from the mid 1950s as political Read more ...
Graham Fuller
“A dirty fairy tale” was one of the encomiums lobbed at The Apartment in June 1960, nine months before it won Billy Wilder and I A L Diamond the Academy Award for Best Original Screenplay and Wilder the Oscars for Best Picture and Best Director. Although The Saturday Review’s influential Hollis Alpert was critically off the mark when he disparaged Wilder’s serious adult comedy, he was right to describe it as a fairy tale. A prince does rescue a princess after an ogre’s cruel treatment of her has caused her to fall into a fatal sleep.The “dirty” part is more complex. The premise is undeniably Read more ...