New music
Kieron Tyler
One marker arrived on 1 August 1981, when MTV began broadcasting. With its format based around screening pop videos, American radio had a competitor and would lose the edge it once had. And due to the lack of local product, a significant proportion of the videos seen by US TV viewers were British rather than American – America had some catching up to do if it is was going to compete with the UK’s dandified, polished and television-ready exports.Another marker was the arrival of digital instruments, digital recording and – with the CD – digital playback. Vinyl hung in there but daft formats Read more ...
Barney Harsent
Collaboration clearly suits Neneh Cherry. From co-writing with husband Cameron McVey, to projects with Youssou N’Dour, her band cirKus, The Thing and RocketNumberNine, the give-and-take of partnership has produced some stunning work that has always seen the singer give as much as she has taken. Cherry is an honest, open performer and that translates to her vocal style. Much attention has been focused on the involvement of Keiron “Four Tet” Hebden as producer on this project, and his trademark sparkle is much in evidence with carefully controlled clatter and subtle rewinds sitting behind Read more ...
Katie Colombus
The first release from Jess Glynne’s new album, “I’ll Be There” confirmed the North London singer as the first ever British female artist to have seven no.1 singles in the UK Chart.She’s been winning MOBOs, Grammys, Brit, Ivor Novello and MTV Awards for the last four years, and while some of the above successes have come from collaborations (major hits with Clean Bandit’s "Rather Be" and Route 94’s "My Love", for example) Jess has become a household name in her own right, with a distinctive sound of big vowels, mad vibrato, gospel underlay and a housey beat. Which is clearly a reliable Read more ...
Thomas H. Green
Kurt Vile is a cult artist with growing commercial heft. He’s gained this without making concessions to mainstream sensibilities. Ever since Walkin’ on a Pretty Daze in 2013 he’s become an unlikely contender, mustering sales. His last album, a collaboration with Aussie fuzz-troubadour Courtney Barnett, almost made the UK Top 10. He’s not yet in the league of his old pals and band-mates The War on Drugs but his latest album, a step forward and slightly to the left, won’t do his career trajectory any harm.Bottle It In is Vile’s eighth solo album. It is long and unafraid, every now and then, to Read more ...
Kieron Tyler
Out of Touch hinges on the yearning “Conceptual Mediterranean (Part 1)”, the seventh of its ten tracks. At this point, over two-thirds of the way into the album the yacht rock via early Eighties, late-night blue-eyed soul amalgam has bedded in to such a degree it’s become possible to home in on the song rather than its conceptual foundations. Way back, decades ago, the track could have passed for a Hall & Oates demo but here in the early 21st century it’s a triumph of putting theory into practice.Finland’s Jaakko Eino Kalevi certainly knows what he’s doing and Out of Touch is an assured Read more ...
Ellie Porter
Tom Morello is an angry man – and he has a lot to be angry about in these "interesting times". From the righteous rap, metal and rock of Rage Against the Machine and supergroup Audioslave to folk protest songs in the guise of The Nightwatchman (and more of the same, with Bruce Springsteen) and more supergroup action with Prophets of Rage, Morello has barely paused for breath as he commits his fury to record. The Atlas Underground is Morello's first official solo project, which sees him collaborate with rappers, DJs, guitarists, and singers including K.Flay, Rise Against’s Tim Read more ...
Kieron Tyler
Stanley Kubrick’s use of music in his films has been inspirational. In 1999, The Caretaker – a nom-de-musique of Jim Kirby – issued Selected Memories From the Haunted Ballroom. While his alter-ego openly acknowledged the director’s film The Shining, the album’s music reconfigured vintage recordings of bands in tribute to the film’s haunted ballroom scenes.Kubrick has affected how music is heard. Until 1972, “Singin' in the Rain” was inseparable from the 1952 film of the same name. A song of joy, it exulted the shared belief that obstacles were there to be overcome. However, with the release Read more ...
Barney Harsent
There are people who do and say awful things in the name of honesty. It can be used as a cover for rigorous appeasement of our own worst impulses, or as a thin veil to disguise needless personal attacks on those around us. With singer-sonwriter John Grant, however, it’s impossible to see it as anything other than a colossal strength. Throughout his career (Love Is Magic is his fourth album) Grant has marked himself out as one of the foremost lyricists of his generation. His literate approach, peppered with laugh-out-loud humour and a predilection for the dark underbelly of human emotion Read more ...
Thomas H. Green
There’s been a lot of conjecture over the last couple of years about HD Vinyl. It is, we’re told, a more precise and rounded analogue experience, taking record-listening to the next level. The company’s Austrian MD Guenter Loibl has explained that the process uses “a laser-cut ceramic instead of electroplated metal stampers” to achieve results that add 30% more audio information to a record. Sounds great. Bring it on. Just don’t go all CD on us and charge the earth. Because that old vinyl still sounds very good, both the new ones that arrive at theartsdesk on Vinyl each day and the ones that Read more ...
Sebastian Scotney
The songs of They Might Be Giants have an irresistible way of combining the playful, the childlike and the absurd. The band’s major label debut album, Flood from 1990, which was most people’s entry point into their music, is full of quick-witted humour. Songs from it such as “Birdhouse in Your Soul” and “Istanbul Not Constantinople” (a cover of the 1953 song from The Four Lads, and clearly in a lineage from “Puttin’ on the Ritz”) brought happy cheers of recognition from a willing audience in a packed Barbican last night.The most madcap sequence of last night’s show consisted of the macabre Read more ...
Thomas H. Green
I come to this band from the perspective of one who’s only seen the words "YOU ME AT SIX" on endless T-shirts passing in the street. I’m no connoisseur, then. From the cultural detritus that’s wended my way during their 10-year career, they just seemed a band who had no “thing”, no breakout song, no look, no cultural space or loudly impressed belief. Just five normal-looking guys who tour a lot, hard-working meat’n’potatoes rockers (who’d bridle at that cliché). As their sixth album hits my ears, though, I can see why those T-shirts sell.My ignorance is relatively inexcusable, given that You Read more ...
Guy Oddy
Releasing albums of re-recordings of an artist’s work is not a new concept, and it’s one that has been done to great effect in the past. Live albums, remix albums, new versions of poorly recorded songs and even stylistic re-imaginings have all been done very well. From the Only Ones’ BBC recordings, Darkness and Light to Massive Attack v Mad Professor’s No Protection and Bob Marley and the Wailers’ Live at the Lyceum, there have been plenty of successful artistic retreads. Echo and the Bunnymen’s The Stars, The Oceans & The Moon, however, is a completely different kettle of fish.Taking Read more ...