New music
theartsdesk
Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why.SIMPLY THE BEST: THEARTSDESK'S FIVE-STAR REVIEWS OF 2017Alan Broadbent: Developing Story ★★★★★ The pianist's orchestral magnum opus is packed with extraordinary thingsArcade Fire: Everything Now ★★★★★ A joyous pop album that depicts a world in tragic freefallAutarkic: I Love You, Go Away ★★★★★ Tel Aviv producer Nadav Spiegel's latest collection is a triumph of head and heartBrian Eno: Reflection ★★★★★ Slow-motion cascades Read more ...
Kieron Tyler
Óttarr Proppé, the stylish chap pictured above, was appointed Iceland’s Minister of Health in January this year. Last Saturday, when the shot was taken, he was on stage in his other role as the singer of HAM, whose invigorating musical blast draws a line between the early Swans and Mudhoney. At that moment, at Reykjavík Art Museum, it was exactly a week on from the declaration of the first results in the country’s Parliamentary election, the second within 12 months.While rare but not unknown for political office and active involvement in rock music to co-exist, Proppé was in what must have Read more ...
Guy Oddy
Nadah El Shazly may have started her musical journey by singing Misfits covers in Cairo’s underground scene, but her debut album offers something altogether more tasty and esoteric – as those who saw her at this summer’s Supersonic Festival will already know. Coming on like an Arabic Björk, Nadah serves up abstract grooves and laid-back rhythms that weld together the ancient and the modern, the Eastern and the Western. Ahwar brings classical Egyptian sounds, jazzy atmospheres and loop-fueled electronica production with abstract time signatures. It’s a beautiful and unexpected treat that has Read more ...
Kieron Tyler
In early 1965, Birmingham’s The Moody Blues topped the British charts with a forceful reinterpretation of Bessie Banks’ R&B ballad “Go Now”. In early 1968, after some line-up changes and a radical musical rethink, they hit 19 with “Nights in White Satin”. Although as moody as “Go Now”, this was a different Moody Blues.“Nights in White Satin” is a staple of oldies radio and, as such, has been robbed of much of its power to astonish. Nonetheless, it was bold. As was its parent album Days of Future Passed. At one stroke, The Moody Blues invented orchestral pop and pointed the way to Read more ...
joe.muggs
It seems to be the season for light entertainers to show us their musical chops, with Nick Knowles, Bardley Walsh and Jason Manford all doing their level best to prove that they are All Round Entertainters. Matt Berry, however, provides a rather different twist on the comedian-troubadour trope. Though he's best known for his appearances in the likes of The Mighty Boosh, House of Fools, Toast of London and so forth, he's already several albums deep in a musical career on a variety of extremely credible labels, touching on various flavours of psychedelia. The real surprise, given Berry's Read more ...
Sebastian Scotney
Pat Metheny recently described quite how much he enjoys just being on stage: “As Phil Woods used to say, the concert, that's for free. What the promoter is paying for is getting on the plane, getting off the plane, to pack your suitcase. The actual gig – you can have that for nothing.”And that is the spirit in which he and the other members of this relatively recently formed quartet are going round the world gigging. This new group first went on the road in the Far East in April 2016 and has been touring since then. One member of the group has an association which goes back more than a Read more ...
Lisa-Marie Ferla
In “Look What You Made Me Do”, the tabloid-level diss track that heralded the arrival of Taylor Swift’s sixth album, the one-time darling of Nashville declares the "old" Taylor “dead”. That song, and its follow-up procession of lukewarm singles in desperate need of a chorus, raised a gloomy prospect: had contemporary pop’s cleverest, wittiest, most sensitive lyricist been killed off in favour of score-setting and clumsy Bonnie and Clyde comparisons?Turns out the "new" Taylor is pretty much the same as the old one, albeit with cut-glass EDM hooks in place of teardrops on her guitar. Reputation Read more ...
mark.kidel
A strange and wonderful moment: the standing area at the rear of The Lantern, the smaller venue at Bristol’s Colston Hall, is suddenly transformed into a corner of Southern Albania.A band plays haunting music, rooted in the firm yet delicate beat of a frame drum, a clarinet swirling above the drone provided by violin and lutes. A stately circle moves around the musicians, with all the grace that would be displayed at a mountain wedding in Northern Epirus. There are smiles and laughter, cries of “Hopa!", and rhythmic clapping, a far cry from the grim autumn night that lies beyond the hall.This Read more ...
Thomas H. Green
The autumnal release deluge is upon us. Vinyl’s thriving and writhing. Raise a glass to it. Do it. However, records that, in another month, would have been reviewed here, music that would have been in the ALSO WORTHY OF MENTION section, has been unfairly passed over. Thus theartsdesk on Vinyl didn’t have space for the likes of Sixties-flavoured popsters The Dials, lone Nine Inch Nail Alessando Cortini, “space mermaid” Johanna Glaza, Dutch-Belgian jazz trio De Beren Gieren, London electro noiseniks Fever Dream, Spanish rhythm’n’blues maestro Julián Maeso, retro soul revivalists D’troit Soul Read more ...
Thomas H. Green
These days Peter Perrett doesn’t rely on the songs of his late Seventies/early Eighties band, The Only Ones, to hold his audience’s attention. At 65, looking and sounding healthier than he has done in years, he’s on a vital late-career creative roll. At the start of his first encore he even plays a new, unreleased song, “War Plan Red”, giving vent to fiery infuriation with global politicking, his band shadowed in ominous scarlet lighting. He may be renowned, primarily, for songs of romance and dissolution, but with lyrics such as “The so-called free world stands for evil incarnate” he clearly Read more ...
Liz Thomson
Fresh from their triumphant return to the Royal Albert Hall last month, the Corrs – one of Ireland’s great Nineties exports – are back with a new album, the second since their 2015 comeback, White Light, and the seventh since their 1995 debut, Forgiven, Not Forgotten, thought it was Talk on Corners (1997) which made them international superstars. Jupiter Calling is produced by T Bone Burnett who presided over sessions that were, said Caroline Corr, “the most freeing experience we’ve ever had in the studio”. The 13 tracks were recorded as live, with minimal overdubs, an approach that Read more ...
Thomas H. Green
Possibly named after a variety of magic mushroom, left-field Glaswegian six-piece Golden Teacher have been turning out their very strange idea of party music since 2013. Initially they did so for local freak-fostering collective Optimo but have since appeared via various outlets, finally ending up on their own eponymous label. Their sound is electronic but also organic, with percussion that rolls and sometimes has a touch of the more polyrhythmic, advanced drum circle about it. Don’t let the words “drum circle” put you off for Golden Teacher are an invigorating proposition.Heavily stewed in Read more ...