New music
Thomas H. Green
A couple of months ago the release of “Smile More”, the first song from Deap Vally’s new album, made it clear the female Los Angeles duo hadn’t mellowed. Almost all women hate it when blokes – especially blokes they don’t know – say, “Smile, love, it might never happen.” The song is a snarling response to such inanity. “I don’t want to be your reflection,” runs the chorus, “I don’t need your direction”. And if those clunky chancers didn’t get the point: “Everybody trying to tell me what to do/It makes me want to break some shit and sniff some glue.” The song boded well.Deap Vally’s debut, Read more ...
Kieron Tyler
In 1969, the Australian band Tamam Shud improvised as a film was projected onto the wall of a recording studio. The results were heard on the Evolution album. Playing original music live to accompany a film screening isn’t commonplace these days but eyebrows are no longer raised when it happens. Pere Ubu have played along with Carnival of Souls and It Came From Outer Space. Mogwai have done the same for the documentary Atomic. Of course, this was no surprise in the silent era and in the early Eighties Bill Nelson echoed the past by playing his soundtrack for Das Kabinett as the film Read more ...
Guy Oddy
While Nick Cave and the Bad Seeds’ last album, Push The Sky Away might almost be described as the closest to Easy Listening that the band are ever likely to find themselves, their new opus, Skeleton Tree is a different beast altogether. Written and recorded around the time of the tragic death of one of Cave’s teenage sons, it exudes all the hurt, terror and desperation that may be expected of such an erudite lyricist. Backed by droning blues that are loaded with apocalyptic imagery and creeping dread and piano ballads with ambient loops and down-tempo shuffles, Skeleton Tree sees Cave come to Read more ...
Markie Robson-Scott
Lead singer and frontman Ed Robertson launches into a BNL-in-London rap, extolling the Roundhouse, “where they used to turn trains”, as well as the glories of Camden Market’s liquid-nitrogen ice-cream bar. The crowd, with its distinctly Cold Feet demographic, goes wild for the Ladies – if you’re not familiar with them, there are no women in this Canadian band – and their new album, Silverball, named in honour of Robertson’s pinball obsession, has been hailed as a buoyant return to form.The BNLs, who've been going for 27 years, are known for their melodic tunes and quirky, caustic lyrics, Read more ...
Kieron Tyler
Despite culminating with “Orphic Hymn”, a musical setting of Ovid’s text, Jóhann Jóhannsson’s Orphée is not a literal interpretation of the Orpheus myth. Instead, the album uses retellings of the story – quoting the press release – to inspire “a meditation on beauty and the process of creation.” The result is a mutable series of 14 instrumental pieces preceding “Orphic Hymn” which describe the entire arc of Jóhannsson’s artistic character.Recognisably Jóhannsson’s work, Orphée – with its strikingly similar cover image to the 2010 ...And They Have Escaped the Weight of Darkness album by fellow Read more ...
Matthew Wright
Pianist Morten Schantz has been a prominent and pioneering figure on first the Danish, then international jazz and fusion scene for more than a decade. With saxophonist Marius Neset and drummer Anton Eger, also members of his new trio, he founded ground-breaking quintet JazzKamikaze in 2005, playing an exhilarating fusion of jazz, rock, funk and hip hop. Since then he has composed and performed across the full range of jazz-related fields, with ensembles including Unicorn, playing North African music, and Segment. He has recently formed a new trio, Godspeed, with long-standing Read more ...
joe.muggs
One of the great things about club music is that it deals with ageing in very different ways to rock – and as such can offer fantastic creative rebirths. Witness theartsdesk's recent startling Q&A with Mark Hakwins aka Marquis Hawkes, who'd been around the artistic block and back a good few times before achieving his current success. Or Sean Dickson – the singer with Scottish indie band The Soup Dragons, who went from Eighties psychedelic janglers to Nineties baggy-clothed ravers, then faded away. Dickson, though, took fully to clubland, is still a jobbing DJ, and has slowly and Read more ...
james.woodall
It could be a book, film, TV or radio piece, essay or exhibition. If it’s about or based on The Beatles, the question is always the same: how on earth can anything new be said? In the case of Ron Howard’s Eight Days a Week: The Touring Years, surprisingly quite a lot, is the answer.Factually, there’s little with which the Apollo 13 and A Beautiful Mind director can grab even the most noddingly acquainted. Four boys from very modest backgrounds test themselves as a band in the early 1960s in Europe’s raciest city (Hamburg), get noticed in a scuzzy Liverpool basement by a posh shopkeeper (Brian Read more ...
Lisa-Marie Ferla
Johnny Lynch – the artist otherwise known as Pictish Trail – is one of the country’s most intriguing musicians. In 2010, he upped sticks and moved into a caravan on the remote island of Eigg, ensuring every appraisal of his work evermore would refer to him as a “hermit” or a “recluse”. And yet, despite the geographical challenges, Lynch somehow remains the life and soul of any party he cares to put his name to: festival curator (they come to him); label boss (releasing music into the world on the back of postcards, with coordinates rather than catalogue numbers); purveyor of the finest space- Read more ...
Kieron Tyler
The Beach Boys signed with Capitol Records on 24 May 1962. Early the next month, their first single for the label became “409”/”Surfin’ Safari”. It was not their debut release. The “Surfin'”/ “Luau” single had been issued in November 1961 by Candix.Before Capitol, Hite and Dorinda Morgan had brought them into a recording studio. The former was a music publisher known by Murry Wilson, the father of Beach Boys’ Brian, Carl and Dennis. When the Morgans first encountered the band, they were known as The Pendeltones. Without being asked, they were renamed The Beach Boys for the release of "Surfin Read more ...
Katie Colombus
This album is the rebuilding of KT Tunstall - in a spiritual sense if not a musical one.It’s not a huge departure from the norm in terms of sound. She's kept the distinctive zazzy guitar pop and poetic lyric, imbued with a style of music that skirts the peripheries of folk but remains pop at its core. Drawing inspiration from Californian classics such as Joni Mitchell, Neil Young, Tom Petty and Fleetwood Mac (Tunstall took a two year time out in LA to reflect, relax and complete a Sundance film composers lab) there is a laid back, sunsetty shimmer to almost all of the tracks. They are Read more ...
Bernadette McNulty
Back in February, M.I.A. released the first single “Borders” from this her fifth and allegedly last album, taking a powerful aim at the refugee crisis engulfing the world. The video was as stark and simple as the track, with still, almost painterly long shots of M.I.A. sat among a boatful of motionless migrants or surrounded by bodies clinging onto barbed wire fences, staring with her trademark fierce poker face down the eye of the camera.This wasn’t new territory for the always geopolitically polemical singer, herself a child refugee from the civil war in Sri Lanka, and as she said on Read more ...