New music
Kieron Tyler
“The best and most confident debut since ‘Anarchy in the UK,’” said weekly music paper Sounds of the debut single by Ultravox! “Dangerous Rhythm” had been released in February 1977. “Cosmic reggae," declared Record Mirror. Melody Maker identified a “rare quality and haunting presence”. The NME said the song was a “reggae abstraction” and “mesmeric”. Ultravox! – the attention-grabbing exclamation mark was ditched in early 1978 – were off to a good start.Soon, though, the wind direction changed. Stranglers’ bassist Jean-Jacques Burnel said they were session musicians put together by Island Read more ...
Thomas H. Green
Once again theartsdesk on Vinyl returns to offer a round-up of the very best available on plastic, covering every style imaginable and, this month, a few that have to be heard to be believed. From albums to 7” singles to boxsets, all vinyl life is here. The ultimate vinyl reviews selection.Various Eleven into Fifteen: a 130701 Compilation (130701)Fat Cat Records were there at the beginning. In many ways it was unsurprising that the label who signed and supported classically influenced Icelandic acts Sigur Rós and Múm would be early adopters of new, accessible trends in classical modernism. Read more ...
Matthew Wright
Californian saxophone phenomenon Kamasi Washington is never knowingly understated. He rocked up for his Proms debut on Tuesday night having led a vast musical entourage on tour across Europe all summer, and delivered an ecstatic, if occasionally verbose, statement of intent. There were problems with both the performance and one or two of the compositions. But as a live experience, it was, in places, euphoric. Only a determined curmudgeon could leave without a grin.We were treated to some highlights of last year’s album The Epic. The title doesn’t disappoint, in terms of ambition, at least. Read more ...
Tina Edwards
Australia and Japan were first to host Björk Digital, but it lands at London’s Somerset House with fresh, never-before-seen work. The immersive virtual reality exhibition collates several digital- and film-based works born from Björk's critically acclaimed album Vulnicura. Arguably her most revealing release to date, Vulnicura – in all its forms – documents the destruction of her marriage, with devastatingly unguarded lyrics.Visitors are greeted by a 360-degree film commissioned by the Museum of Modern Art, Black Lake. Accompanying the track of the same name, the dual-screen panoramic video Read more ...
Thomas H. Green
Britain loves Meat Loaf. Never mind that his 1977 breakthrough, Bat Out of Hell, was once inescapable on pub jukeboxes and in school sixth form rooms throughout the land. Or that “I’d Do Anything For Love (But I Won’t Do That)” was the country’s biggest-selling single of 1993. Let’s talk more recently. Meat Loaf’s commercial clout has globally dropped away, but he remains a bestseller here, his every album of the last 30 years, including ones released in 2010 and 2011, making the Top Five.Braver Than We Are is Meat Loaf’s first album in a decade to feature predominantly the songwriting of Jim Read more ...
caspar.gomez
The Short VersionSet in the grounds of elegant Northamptonshire country house Kelmarsh Hall, Shambala has a wild atmosphere wherein psychedelic hippy antics meet spliff-lovin’ post-hip hop youth. It’s a great party, with a friendly, high-spirited crowd, offering a niche musical menu, mostly across a range of small, well-crafted venues. Friday night headliner Sister Sledge is great fun but Saturday night headliner Beardyman is, unexpectedly, rubbish. Nevertheless, the whole thing joyfully succeeds, whether in blazing sun or monsoon downpour, due to its vivaciousness, colour and imaginative Read more ...
Kieron Tyler
The full credit is actually Soundwalk Collective and Jesse Paris Smith featuring Patti Smith but as her “resonating acoustic instruments” make no identifiably audible contribution to Killer Road, omitting Patti’s daughter Jesse Paris from the header to aid clarity is not the sin it initially appears. Soundwalk Collective was founded by Stephan Crasneanscki and also features Simone Merli and Kamran Sadeghi – plus whoever else Crasneanscki decides is on board. It’s his ship.It’s one which has roamed freely to create in-situ soundtracks for exhibitions and installations, performed live and Read more ...
Martin Longley
The Green Man Festival is blessed by the expansive beauty of the Brecon Beacons, but this year, it was not blessed by the pagan rain deities. For two out of its four days, the downpour dominated, but the positive news was that this only created a very thin layer of mud, situated at strategic intersection points. The Welsh mountain conditions also led to a bewildering variability, with more outfit changes than we ever dreamt of, as deluge switched instantly to burning sun, wispy wet-flecks to windy scorching.The sprawling site is within reasonable bounds, with all of the stages in easy Read more ...
joe.muggs
This is not a standard dance music story. Marquis Hawkes is one of the club music success stories of the past couple of years – since the first release in 2012 on Glasgow's revered Dixon Avenue Basement Jams, there've been many 12" club hits on multiple connoisseurs' labels, and his album Social Housing on the Fabric club's Houndstooth label has soundtracked many people's summer this year, with the artist all the while remaining anonymous. But the reason for that anonymity is that he's a long, long way from the usual neatly-coiffed 20-something house producer you usually see in “breakthrough Read more ...
Lisa-Marie Ferla
While there will, if there is any justice, be plenty written about King Creosote’s Astronaut Meets Appleman, few will probably state what to me is obvious: this is a really, really sexy record. Now, being Scottish, I’m perhaps predisposed to believe that about anything that features what I can only describe as techno bagpipes - but I defy you to listen, really listen, to the sprawling seven-minute album opener “You Just Want” and not feel at least a little shiver. There’s a creak, a craving, to Kenny Anderson’s always expressive vocals, “can I be him?” almost the only variation on a droning Read more ...
Kieron Tyler
In 1969, a tranche of American musicians looked back to the country’s past for inspiration. Bob Dylan followed John Wesley Harding with Nashville Skyline. The Band’s eponymous second album hit the shops. The Flying Burrito Brothers debuted with The Gilded Palace of Sin. The rootsy was a default. But choosing to draw on country and Appalachian traditions did not have to mean playing it straight. On the amazing Farewell Aldebaren, Judy Henske and Jerry Yester used banjo and hammered dulcimer. They also employed the Chamberlain, a Mellotron-like instrument where the keyboard triggers tape Read more ...
Katie Colombus
On first listen, Queen Britney's new album is nothing more than a glorious booty call. I'm no prude, but listening to her sensual requests in musical form feels like earwigging on the soundtrack to a sex tape.In "Invitation", she asks "Put your love all over me". "Slumber Party" has the lyrics "We use our bodies to make our own videos, put on our music it makes us go fucking crazy, oh!". In "Private Show" she purrs "Pull my curtains until they close" and in "Hard To Forget Ya" she quips, “Since I tasted you I got a craving, Shaking in the heat of the night, Oh, yeah, baby you got me Read more ...