Punctually, following a tension-building countdown, Elbow entered the blue-lit stage at London’s legendary Roundhouse, beers in hand, and gestured the 1500-strong audience into a mass toast. With his slight stoop, soft Manchester accent and wayward estate-agent appearance Guy Garvey’s frontman persona takes more from familiar folk Daddies like Loudon Wainwright III than from the styled superstars also headlining at the iTunes Festival.And yet, opening with "Charge" from the new album The Take Off and Landing of Everything, their sound was a mighty urban wash of deep, bassy organ and slick Read more ...

Sam Sweeney’s Fiddle: Made In The Great War is the first solo project from one of the vibrant British folk scene’s most exciting players. Sam Sweeney made his name in Bellowhead, as a duo with Hannah James, in The Full English, in Jon Boden’s Remnant Kings, and Fay Hield’s band, and in Kerfuffle, alongside other regular and irregular groupings.It’s his fiddle that’s the real star of a thoughtful, moving and intimate account of its maker, its making, and its afterlife. Made but not assembled by one Richard Howard in 1915, a young working-class man from Leeds who made his own instruments and Read more ...

When a person approaches a Barbra Streisand album, they would be a fool to go in carrying the same expectations as with, say, the forthcoming collaboration between experimental frontiersmen Scott Walker & Sunn O))). Or even, in all honesty, the new Jesse Ware album, the new Marooon 5 album, or some such. This applies most especially to music journalists, so often obsessed with the vanguard, with what’s coming next, and dismissive of mainstream, comfortable or rehashed sounds. So let’s approach the 72 year old actress-diva-legend’s latest in the knowledge that her debut album appeared 51 Read more ...

Swathes of this year’s final Late Night Prom were so invertebrate, amateurish even, that I was tempted to go home and throw out my Want One and Want Two CDs. I won’t, of course: Canadian American singer-songwriter Rufus Wainwright has written some fabulous songs, and developed a unique vocal style to deliver them. But if the act of “hammering out a tune” is, as he puts it, "cosmic", as, very often, are the results, last night’s performance was aquatic, and not in a good way. Swimming around in front of an over-amplified orchestra – a much-expanded Britten Sinfonia conducted by Canadian Opera Read more ...

The voice no longer soars with easeful power, nor does it possess that tingling, honey-coated purity that gave hits such as “Bridge Over Troubled Water” such emotional force. This should hardly come as a surprise, since Art Garfunkel is now 72. Away from Paul Simon, from whom he split in 1970, Garfunkel has had a long, stop-and-start solo career, occasionally writing and recording his own songs but mainly singing other people’s, including those unforgettable Simon hits.But it’s not just age that has affected his vocal cords. The last three and a half years saw Garfunkel suffering vocal cord Read more ...

Sometimes you don’t escape. Even for those of us with a sturdy frame and a good track record, every now and then, enjoying the ride means taking the pummelling. Thus, 36 hours after Bestival I sweat saline syrup over the keys, my back muscles spasm, poisoned, the inside of my head has been scoured as if by wire wool, my throat’s caustic, wrecked, my nose drooling putrefied gunk, my lungs hacking dustbowl bellows, my hands clawed into arthritic knots, my stomach bilious, my mind overcome with an aching desire for sleep, as well as the certain knowledge that all my dreams and ambitions are but Read more ...

Aside from the title track, there are pieces here called “Febrile,” “Red Sex,” “Drowned in Water and Light,” “Kin to Coal.” You might not be surprised to learn, then, that this is not a set of jaunty singalongs. But neither is it the techno the young Bristol producer has become known for, either. If you wanted the point hammered home that this isn't an easily accessible record, the sub-two-minute opener “Febrile” appears to be an improvised jam between death metal drummer, road drill and police siren, punctuated with long silences, while the following instrumental “Red Sex” is a seasick Read more ...

Aaron Copland was an unlikely musical portraitist of the American plains and prairies. Son of Jewish immigrants from Brooklyn and student of modernism with Nadia Boulanger in Paris, he nonetheless created the quintessential American orchestral sound with a series of popular (“vernacular” was his phrase) works in 1930s and 1940s. Last night three of his most popular pieces were paired with two new pieces inspired by jazz, that other great American twentieth-century music. While the first half of last night’s concert, three Copland pieces, was charismatic if a little scrappy, the second, the UK Read more ...

The story is a familiar one: four lads rattling through three-minute garage rock songs full of sweary, lovelorn couplets. With the exception of the name (a tribute, apparently, to a busker that frontman Van McCann met as a child) there’s little to set Llandudno four-piece Catfish and the Bottlemen apart on paper - but there’s something about their debut album that makes me smile. Clocking in at just under 40 minutes, making it the perfect length for my walk home from work, The Balcony is the aural equivalent of orange squash: drunk too often it tastes cheap and a little bit sickly, but Read more ...

Tricky has consistently displayed the genius of the self-taught DIY music magician and his latest album, a varied collection of sounds sombre, mysterious, melancholy and ceaselessly surprising, proves his continued worth as one of the most creative of the ground-breaking musicians who emerged from Bristol in the 1990s.In giving the album his real name, “Adrian Thaws”, he once again proclaims his mixed-raced roots, the Knowle West boy who turned his wounds – the loss of his poet mother when he was a young child, asthma and eczema so serious he was often kept away from school – into a source of Read more ...

Dream Your Life Away is the debut album from Vance Joy, a pop-folkie whose style suggests Ed Sheeran without the cloying niceness. These songs of young love and of a young man spreading his wings are pretty much created out of little more than vocals and an acoustic guitar. There is occasional support from other musicians, but this is understated and the rolling groove that characterises much of Dream Your Life Away is pretty much just Joy singing and strumming along.Most of the first half of the album is mellow and laid-back but still manages to swing from time to time. The previously Read more ...

I suspect that, a good few years after a dodgy couple of albums, Ryan Adams has reached a stage in his career where they’re all going to be dubbed a return to form. I seem to remember writing something similar about 2011’s Ashes and Fire – but here we are, three years on, and I couldn’t tell you the last time I listened to it (I should probably mention that I’m writing this not just as a critic, but as somebody with his artwork tattooed on my arm).There are a few things about Ryan Adams – the album, not the man – that make the story. Firstly there’s that self-titled thing, which will always Read more ...