New music
Lisa-Marie Ferla
I suspect that, a good few years after a dodgy couple of albums, Ryan Adams has reached a stage in his career where they’re all going to be dubbed a return to form. I seem to remember writing something similar about 2011’s Ashes and Fire – but here we are, three years on, and I couldn’t tell you the last time I listened to it (I should probably mention that I’m writing this not just as a critic, but as somebody with his artwork tattooed on my arm).There are a few things about Ryan Adams – the album, not the man – that make the story. Firstly there’s that self-titled thing, which will always Read more ...
Kieron Tyler
Various Artists: Calypso CrazeIn 1956, calypso battled it out with rock ’n’ roll to become America’s hottest musical craze. As the year ended, newspaper reports quoted pundits predicting it would wipe Elvis and his like out. One such was Reverend Norman O’Connor, a “Catholic chaplain at Boston University and a jazz authority”, who said “rock ’n’ roll is on the way out.” Showbiz trade mag Variety concurred in December, proclaiming calypso “the exterminator of rock ’n’ roll” and “the hot trend.” They seemed to have a point. Pop’s first million selling album became Harry Belafonte’s Calypso, Read more ...
Matthew Wright
The genteel north London of the Roundhouse isn’t the obvious venue for a ladtronica and bloke rock band. Especially one that’s recently come from headlining Glastonbury and is used to open horizons, and sound systems more dangerously ramped-up than Primrose Hill house prices. By giving a performance that wowed an audience of mainly young couples, Kasabian showed a character and identity that’s more nuanced than the standard hairy bloke depiction allows.They played two sets, with a first set that seemed deliberately lower-key and less spectacular than the second, as if they were supporting Read more ...
joe.muggs
A fleetingly interesting exercise with this album is to try and imagine it as an instrumental record. Would it pass muster for its high production values and neat fusions of Celtic folk, bluegrass, West African sounds, blues, prog, some U2 widescreen action and a little bit of Nineties mainstream electronica? Or would it just seem like glib, WOMAD-tastic fusion, or perhaps the sort of thing that successful session musicians might fling together to soundtrack a high-class travel documentary?There's no question it's exquisitely mixed and structured, and there are certain instrumental breaks, Read more ...
Nick Hasted
There’ll be no Lady Gaga tonight. Tony Bennett’s most public performances over the last 20 years have been in duets with such lesser talents, or in Glastonbury’s borderline ironic old-timers’ slot. The crackly recording of Sinatra calling him “the greatest singer in the world” which precedes him has introduced the 88-year-old for decades now, as if he still needed the recommendation of the long-gone Chairman of the Board. But these days, Tony Bennett stands alone. The “saloon singer” Sinatra called him is a vanishing art he embodies. His two nights at the Royal Festival Hall, instead of one Read more ...
Katherine McLaughlin
Karen O’s first solo outing is an intimate confessional full of short, lo-fi, angst filled songs which mark a period in her life when she “wasn’t sure I’d ever fall in love again.” Recorded in private over 2006-2007 after a break-up with Spike Jonze the year previously, the album leaves the listener to ponder not only her mind-set at that time but the reasoning for making this heartfelt debut available now. Released under Julian Casablanca’s label Cult, and accompanied by a tour of small gigs, the Yeah, Yeah, Yeahs' extraordinary front woman is currently showing no signs of despair. Read more ...
Matthew Wright
The swamp, all grime and alligators, is not somewhere most jazz or rock fans will expect to spend much time, a soggy Glastonbury aside, and it’s a puzzling title for a work of reflective delicacy and sympathetic instrumental colouring. Partisans have now been playing together for 18 years, and this album, their fifth (a leisurely work-rate indicative mainly of how busy the players are elsewhere) is a sensitive tonal portrait and quiet trove of electronic loveliness. The sweetness of Robson’s guitar and Thad Kelly’s bass, singing and growly, is layered with Siegel’s reeds, from piping soprano Read more ...
Tim Cumming
In Budapest, when your building turns a century old, you’re invited to be part of Budapest 100, a city-wide birthday celebration-cum-open-house invitation. It’s a direct way of experiencing the applied, lived-in artistry of the city, past and present. The absent friend’s apartment I’m writing this from was built in 1913, in Ferencváros, the city’s 9th District, in what was then a working-class area, home to the city’s biggest football team, and one of the flashpoints of the 1956 uprising against the Soviets. I’m a few blocks down Mester Utca on the south side of Pest, a half-hour walk Read more ...
Lisa-Marie Ferla
Five albums down, and it seems that The Pierces are yet to stop dressing up their music in different, albeit recognisable, clothes. If 2011’s You & I was the big pop album that with any justice would have made Allison and Catherine household names, then its follow-up finds them going full Stevie Nicks. The sisters have made much in interviews of enlisting the help of a shaman and the hallucinogenic tea ayahuasca to get them in touch with their “spiritual” sides before recording Creation – and certainly these compositions make for a heady brew, even if the basic premise of the musings Read more ...
Kieron Tyler
The 13th Floor Elevators: Live Evolution Lost“I lost control of my body. I looked up and Tommy and Roky were turning into wolves, hair and teeth. And in my mind I was hearing the echo of space, and rays of light were shooting through the roof. All of a sudden there was a vision in light that we were wolves and we were spreading drugs and Satanism into the world. These angels walked into the room and they had light shining on them.”Stacy Sutherland, The 13th Floor Elevators’ guitarist’s subsequent memory of the events surrounding the live show caught on Live Evolution Lost were vividly Read more ...
Russ Coffey
Ms Bush walked on in a black, tasselled tunic with the slight air of an aging hippy. Her feet were bare and her tousled hair was half tied-back. And that – for anyone who had managed to avoid the papers all week – answered the first question: what she would look like. That just left us to see for ourselves what she would sing and do.One would have thought a couple of days’ distance from the first night hype would have made it easier to appreciate the concert for what it was, rather than how people felt about her. But, from the moment Kate’s silhouette appeared in the wings and the entire Read more ...
Kieron Tyler
“It looked like Dresden after the bombing.” Blondie’s Chris Stein may be a member of one of pop’s most-loved bands, but he also has a way with words. Describing 1970's New York City in this way is offensive to the memory of the 25,000 who died in the World War II air raids on Dresden. More pertinently for New York-dweller Stein, his comment also chimes badly with the destruction of the twin towers of Manhattan’s World Trade Centre in 2001.Blondie’s New York and the Making of Parallel Lines unquestioningly celebrated the band’s massive-selling, breakthrough third album but some care could have Read more ...