New music
Jasper Rees
You could be forgiven if the name had slipped off your radar. Neutral Milk Hotel were indie contenders formed in Athens, Georgia back in the day. There were two full-length albums – On Avery Island and In the Aeroplane Over the Sea – in the second half of the Nineties which intrigued a loyal fanbase with crashing chord structures, instruments plucked from a cabinet of curiosities, and opaque lyrics. And then the rest was silence. Frontman Jeff Mangum retreated from the limelight and the band vanished off the map. For 15 years the closest anyone could get to worshipping at the altar was Read more ...
Lisa-Marie Ferla
I feel as though most recording artists are missing a trick when it comes to seasonal albums. Although the market for Christmas albums is - as we demonstrate here on theartsdesk annually - a growth one, there are thousands of themes out there waiting to be explored. Easter. Eid. That one Wednesday in July when the weather in Glasgow rivals that of the Med and you can only watch in envy from your office window. For her second album, Finnish singer-songwriter Mirel Wagner has produced something not unlike a Halloween album. Not the Halloween of popular culture, cutesy with cartoon ghouls and Read more ...
Tim Cumming
The cover of her new album, I’m Not Bossy, I’m the Boss, has Sinéad O’Connor sporting a black wig and latex dominatrix dress, a glammed-up guitar wrapped in her arms. Well, at least she made the effort. On stage at the Roundhouse she launched her fine new album sans latex or hair, in black t-shirt and trousers, still the shaven-headed siren of unbidden passions and complicated yearnings.From "Nothing Compares" through to new songs such as the floor-pounding single "Take Me to Church", the lush "Vishnu Room", or the closing Tennessee Williams-referencing "Streetcars" – all of them strong Read more ...
Katie Colombus
Entering Wilderness is like stepping into the brain of Baz Luhrmann. It is a kaleidoscope of colours, swirling with noise and feathers, surreal in its array of vintage-bohemian-steampunk spectacle, and magical in its collaboration of the arts and nature.It is a great big fancy dress party – a chance for the middle-class masses to pour themselves into their finest, most psychedelic unitards and bejeweled headdresses, douse themselves in clouds of glitter, swathe themselves in sequins and get utterly decadent, letting their inner exhibitionist run wild for a weekend. They can watch music and Read more ...
Thomas H. Green
Morton Valence are a band that have “cult” written all over them, one to be adored by literate sorts and bedsit weirdos (and Plan B, apparently). They’re a five-piece from London who write story-songs that are as poetic as they are mordant and spiced with detail and humour. Their third album is a treat, once again, dealing out tunes with novelistic detail and authorial pith, but since we appear to currently value singer-songwriters who lyrically major in lame mood verbage, who knows whether Morton Valence will gain any more commercial purchase.The album opens with the near eight-minute “The Read more ...
Russ Coffey
Laura Mvula, despite her exotic-sounding name, is a quintessentially British artist. Not just because of where she comes from – Birmingham – but also how she stays humble and understated while dripping with talent. Her story is equally endearing. Mvula was working as a receptionist when her debut, Sing to the Moon, was released. Overnight, her world was turned upside down and over the next year she was nominated for nearly every major award going, taking home two MOBOs and one Urban Music Award.Still, Mvula is not ostensibly an r’n’b or soul artist. Her voice may owe a debt to the gospel she Read more ...
Kieron Tyler
Cats on Trees are a roaring success in their native France. The Toulouse-based duo Nina Goern and Yohan Hennequin hit the Top 10 there with this, their eponymous debut album and racked up gold-disc sales. Live, Goern plays piano and sings while Hennequin drums. On record though, things are much grander, with orchestration and a sonorous, stadium-sized production.It follows then that as Goern sings in English, the album is ripe for releasing to the British market. Columbia Records might think Cats on Trees could have the impact of Gallic sensations Daft Punk or Phoenix over here, but it seems Read more ...
Kieron Tyler
Various Artists: Front Line – Sounds of RealityA month after The Sex Pistols sighed their last in San Francisco in January 1978, their label boss Richard Branson flew ex-frontman John Lydon and his entourage to Jamaica. Sid Vicious would hurtle towards oblivion while fellow former Pistols Paul Cook and Steve Jones headed to Brazil to trash their legacy by larking with on-the-lam criminal Ronald Biggs. Lydon’s mission was to scout talent for Branson’s new reggae imprint, the Virgin subsidiary Front Line.Front Line was launched in March 1978. Over its less-than two-year lifespan, it Read more ...
Lisa-Marie Ferla
It’s been that long since the Gaslight Anthem could be called a punk band with any sort of seriousness that a good half of the crowd at their last round of UK shows would have balked at the notion. But it leaves the critic/fan with something of a dilemma: how to marry a continued love of the band with a loathing for the Killer Kings of Leon-style stadium rockers that recent releases have drawn comparisons to? The answer comes in those throwaway lines of frontman Brian Fallon; the sort that written down look like the worst sort of rock ’n’ roll cliché but which, combined with just the right Read more ...
Peter Culshaw
Geoff Dyer’s book on jazz But Beautiful predicted the future of jazz would come from places like North Africa and this is a perfect example. Southern Morocco has become a hothouse of cultural fusion, partly due the number of foreign musicians playing and working with Moroccans at the huge Gnawa and Timitar festivals. This is one of the best attempts and came about after top Brazilian jazz pianist Benjamin Taubkin was asked to appear at the Timitar Festival in Agadir and became fascinated by the local music.The result is not an attempt at a 50/50 split between Morocco and Brazil – you won’t Read more ...
Matthew Wright
Pianist Jerry Léonide arrived on the international jazz scene with a splash when he won the Montreux Jazz Festival solo piano competition last year. Born and raised in Mauritius, then transplanted to France at 17 to further his musical education, Léonide’s musical appeal, reflected here with much larger forces, depends on a refreshing blend of Mauritian melodies, jazzed up with the standards Léonide used to play to tourists at home, then filtered through the more cerebral and contemporary sounds of his French academic training, in the form of the keening blend of soprano sax and flugelhorn. Read more ...
Guy Oddy
Sinéad O’Connor has adopted quite a range of personas over the 30 years or so of her singing career. There was the proto-Riot Grrl of her first album, The Lion and the Cobra; the ballad singer of “Nothing Compares 2 U”; the Irish folkie of Sean-Nos Nua; and the pseudo-Rasta of Throw Down Your Arms. In 2014, she presents herself as a romantic lover, but then obscures this by wading into the “Ban Bossy” debate and calling her new collection I’m Not Bossy, I’m The Boss. It was originally to be named “The Vishnu Room”, after one of its songs.While O’Connor has turned out many magnificent songs Read more ...