New music
Kieron Tyler
“Off we jolly well go.” With that, The Flamin’ Groovies’s Chris Wilson announced the arrival of “Shake Some Action”, the band’s classic evocation of rock ‘n’ roll swagger. In 2013, 40 years after it was first recorded, it's still magnificent, a headlong rush of chiming, descending chords and soaring vocals. “If you don't dig what I say, then I will go away,” sang Wilson. And without a mass audience, The Flamin’ Groovies had gone away. Wilson left in 1981 and the band fizzled out in 1992. Now, they’re back.Beginning last night with a ragged version of 1973’s “Let Me Rock” was a statement. This Read more ...
graeme.thomson
Blondie are one of a handful of bands capable of producing a set list which renders rational critical argument all but obsolete. If they play the hits and they play them straight and true, there’s not really much to complain about. Last night in Edinburgh the six-piece line-up (half original members, half relative newbies) played (most of) the hits, and well, but let’s break it down to specifics.Five things you want to see at a Blondie concert1. Debbie Harry. A vision in peach with voice and sass intact, she remains a tough-but-tender front woman par excellence with charisma to burn. 2. Read more ...
Lisa-Marie Ferla
Every so often, an album comes along that reminds you why you love the medium: not because it’s a simple collection of individual songs, no matter how good they are, but because it’s a carefully curated statement of artistic intent. Taken individually Emily Barker’s clear voice and pretty melodies are pleasant enough, but what sets her fourth album apart is its immersive flow.It’s there right from the album’s seductive opening notes: Barker, close to unaccompanied, intoning the album’s title and opening words; crooning and cajoling the “dear river” to lead her away from her Australian Read more ...
Adam Sweeting
"Queen Elizabeth Olympic Park" is a wonderfully grand name for the venue for this summer's Hard Rock Calling festival, but the reality doesn't quite match up. Rather than basking in the glory (and shiny new stadium architecture) of Mo and Jessica's triumphs from last summer, music fans found themselves a few hundred yards away on a drab swathe of stony wasteland, temporarily covered with artificial grass. Still, at least the sun blazed down and they'd got the beer tent sorted, with thirsty punters bundled in and out, several banknotes lighter, at unprecedented speed.Bruce Springsteen has Read more ...
Nick Hasted
“It was a bit leary,” Georgie Fame recalls of a 1960 visit to Glasgow. “They had these cast-iron ash-trays at the Empire...” Teddy boys offended by Fame’s starry effect on the local girls led to these being skimmed at the band, bisecting a cymbal, he explains almost fondly, of the night police with dogs were needed to ensure that he at least left the city intact.That stereotypical picture of a Glasgow crowd was of course unlikely to recur now Fame is a respected 70-year-old, headlining the Glasgow International Jazz Festival’s penultimate night. In steep contrast, this festival's fans are Read more ...
joe.muggs
The part-Japanese Brit Maya Jane Coles displays elaborate asymmetric hair, interesting piercings and enormous tattoos in her moody photoshoots, makes sounds that are uniformly smooth and high-gloss, and has a sonic palette that takes in populist trance, chillout and straight-up pop music as well as more nerd-cred underground sounds. And in an era of techno that's been dominated by Berlin-centric cosmopolitanisms – by sophisticated internationalist crowds with creative haircuts and intricately-knotted scarves as well as sometimes tediously tasteful musical minimalism – it'd be very easy to Read more ...
Tim Cumming
Fly into Morocco on Royal Air Maroc, and as in-flight entertainment on the overhead screens you’re treated to Charlie Chaplin shorts from the 1910s, still sharp as a tack, the little guy goosing authority, the law, the rich, the powerful. The Little Tramp must remain a figure with resonance in Morocco: the base of operations for legendary band Nass El Ghiwane was the back room of a tailor’s shop in Casablanca dominated by a poster of Chaplin.Their songs were about the same "little guys" that Chaplin’s comedy immortalises, the struggle of poor Moroccans and the search for poetry in a new urban Read more ...
Peter Culshaw
“The boy looked at Johnny – he was surrounded by white and blue tiles, in the medina.” Patti Smith was improvising on her classic album Horses in her first, compelling, gig in Morocco. Smith has a history of Moroccan connections: she knew the Tangier-based writer Paul Bowles and plugged into that pre-punk Beat generation, but there were some raised eyebrows as to what exactly she was doing at a “sacred” music festival. “Birdsong is sacred,” she said when challenged on this, surrounded by the twitter of birds at the open courtyard of the Riad Sheherazade where she gave her press conference the Read more ...
Thomas H. Green
What’s the point of Harry Connick Jr in a world where Michael Bublé exists? Twenty years ago Harry Connick Jr was the Bublé of the day. He was among the first to run a comprehensive and commercially successful update of swingin’ Sinatra schtick, adding youthful sex appeal. Suave, good looking and a charmer, he also had other strings to his bow. An easy presence as an actor – which led to a parallel career on TV and on Broadway – has been matched by a connoisseur’s appreciation of jazz. The latter led to an interest in the musical history of his native New Orleans, resulting in a number of Read more ...
Kieron Tyler
Giorgio Moroder: Schlagermoroder Volume 1 1966-1975 / On the Groove Train Volume 1 1975-1993 / On the Groove Train Volume 2 1974-1985 / Son of my FatherSo far, this year has been good for Giorgio Moroder. He’s been integral to Daft Punk’s world-conquering Random Access Memories. “I Feel Love”, the timeless, pulsing synth-dance fantasia he fashioned for Donna Summer, opened the Liberace biopic Behind the Candelabra. At once, he’s evocative of a particular era and his influence is shaping the contemporary. The voyage through these seven CDs (three doubles and a single) shows how hard he’s Read more ...
Peter Culshaw
“It’s a good way of letting of steam,” said Reda Allali, the lead signer from Morocco’s leading rock band Hoba Hoba Spirit, referring to the the Timitar Festival. “It’s a step in the right direction anyway – although there are many steps ahead.” The Timitar Festival in Agadir, which finished last night, is at the root a celebration of Berber culture, a culture that has been historically undervalued in these parts, even though the majority of Moroccans are Berbers and are the indigenous population, the origins of their music and artistic expression going back millennia. There have been Read more ...
Adam Sweeting
It's four years almost to the day since The Duckworth Lewis Method released their first album, a whimsical batch of songs about the myths and mysteries of cricket. It earned them a kind of nichey notoriety among cricket fans and was an eccentric treat for devotees of the duo behind the project, The Divine Comedy's mastermind Neil Hannon and Thomas Walsh of Dublin-based pop band Pugwash.Their debut was released to coincide with 2009's Ashes series against the Australians. This summer the Australians are back, and so are The Duckworth Lewis Method - named, as you will doubtless already know, Read more ...