The easy thing would have been for Omar to come back trading on nostalgia, made his seventh album a nice smooth jazz-funk set and reminded everyone what made them fall for his biggest hit, "There's Nothing Like This" from 1991. Indeed you might even think that's what he's doing, with a new recording of that song appearing here. The moment you put the album on, though, there is no question at all of a man resting on his laurels.OK, "Simplify" is kind of smooth in its way, but as Omar's voice cruises in on a cloud of harps and strings, it sounds rather a lot more like the rich and strange Read more ...

The Meltdown Festival has always been a fascinating proposition, getting a living legend in their field to curate their own personal festival line-up, and present all of their idiosyncratic choices to London in the refined and retro-futuristic surroundings of the Royal Festival Hall. It throws up some fascinating curation, and while Yoko Ono has clearly had a hand in presenting some of the more agit-pop and esoteric acts on the bill this year (think Peaches, the ferocious Bo Ningen and a newly reformed Cibo Matto) it is clearly her son Sean Lennon who has taken it upon himself to populate the Read more ...

It’s the cross Lloyd Cole has to bear more than any songwriter of his vintage. His first album landed squarely in the record collections of sensitive young brainiacs in the Eighties and, at least to that constituency, nothing has ever quite matched up. To anyone who’d had their fill of chaps in eyeliner plinking on synths and was seeking a Dylan for the Thatcher age, Rattlesnakes - with its jingle-jangle cod-philosophical noodlings fed through Cole’s gorgeously cracked larynx - was profoundly seductive.Funnily enough, Standards is the product of a commission to review the septuagenarian Dylan Read more ...

"Don't say it's over," wailed Neil Young at the end of "Hey Hey, My My", his raging anthem against the dying of the light which still sounds as bellicose and cantankerous as it did in 1979. And happily it isn't over yet, because on this evidence the 67-year-old Young still looks fighting fit and raring to run round-the-clock heavy metal marathons.He'd packaged the show with some wacky dramatic trappings that seemed to specifically reference the Rust Never Sleeps era from which "Hey Hey..." sprang. Back then he toured with a bizarre crew of "Road-Eyes", while here they were dressed in zany Read more ...

Equal parts prodigiously talented musician, consistently funny comedian, auteur, theatre performer, free thinker and writer, Reggie Watts is nigh on impossible to pigeonhole. He is a hurricane of furious creativity operating completely in his own lane, hurtling full-speed towards Parts Unknown. Primarily known for his inimitable blend of improvisational music and comedy, each show he performs is completely original, never to be repeated.Utilizing a looping effects pedal and keyboard (and very little else) Watts creates on-the-fly songs in a variety of sublimely lampooned musical styles, Read more ...

For starters, Middle Class Rut is a great name for a band. It sounds irritated, punky, full of fighting spirit. Happily the duo from Sacramento California, live up to it. Their second album is an impassioned roar, occasionally a howl of disgust, grounded somewhere between punk and heavy rock, but smeared with distortion and MCR’s own take on the wall of sound.What really sets them apart are their drums. Sean Stockham attacks his kit with ferocity but also precise rhythmic bite. At least half the songs recall the Beastie Boys’ use of Led Zeppelin’s “When The Levee Breaks”. They’re not hip hop Read more ...

 Dr. Feelgood: Taking No Prisoners (with Gypie 1977-1981)The departure of Wilko Johnson in April 1977 ought to have finished Dr. Feelgood. More than their guitarist and songwriter, he was vital to their stage persona and as much frontman as singer Lee Brilleaux. Yet after roping in temporary fill-ins for already scheduled live dates, by the end of April they had new guitarist John Cawthra on board. Quickly rechristened Gypie Mayo, he was on the road in May and soon forced to become a songwriter. This handsome box set is the full story on the Mayo-era Feelgoods.Spread across four CDs is Read more ...

Kveikur is really the first new album from Sigur Rós since 2008’s Með suð í eyrum við spilum endalaust. Their last, 2012’s Valtari, only had two fresh tracks and was otherwise redone offcuts or previously shelved material. The creative process leading to the appearance of Kveikur further differs from its predecessor as the band are now a three-piece, after the departure of keyboard player Kjartan Sveinsson. Thankfully, they have not plugged the gap by using an outside producer, a choice which made Með suð í eyrum við spilum endalaust so unsatisfactory.By belatedly serving up entirely new Read more ...

“We’re Chelsea Light Moving, we’re from London.” Coming from Thurston Moore during the first UK outing of his post-Sonic Youth combo, that’s amusing. Not only are the rest of the quartet American, Moore himself remains the definition of New York cool. And Chelsea Light Moving sound as American as apple pie with his trademark slash-and-dive guitar and conversational vocals. “It’s Sonic Youth,” declared a voice to my left.With Sonic Youth on hiatus after the break-up of his marriage to band and life partner Kim Gordon, Moore’s new band adds another string to his already hard-working bow. Solo Read more ...

Blackmore’s Night was once described as “the most ridiculous real-life Spinal Tap situation ever”. It's easy to see why. The band play in medieval costumes, their musical style owes a debt to Clannad, and they came into existence as the result of guitar-god Ritchie Blackmore's romantic involvement with a blonde with a penchant for New Age. Yet, if Blackmore’s whimsy is a little ludicrous, it’s still surely more interesting than anything his former band mates in Deep Purple are currently doing.If you are not familiar with Blackmore’s Night’s oeuvre, it helps to start with what they’re not. The Read more ...

“The reason we’ve been away so long,” explained Fran Healy halfway through last night’s gig, “is we wanted to take time off to enjoy our kids.” Such non-rock’n’roll sentiments are, of course, the sort of thing you might expect from a band once dubbed the “nicest in the world”.  What I hadn’t anticipated, however, was the amount of fire and passion that would surface during the night. Really.Travis have often been described as a sort of late-Britpop predecessor to Coldplay. Faint praise indeed. Chris Martin even calls himself a “poor man’s Fran Healy”, which hardly improves the compliment Read more ...

Katie Stelmanis of Austra has a voice that will send many listeners running to the hills. It is at once precocious and pretentious, running the gamut from quavering through a mouthful of marbles to operatic to cutesy, like the mutant offspring of La Roux, Paloma Faith and Knife/Fever Ray front woman Karin Dreijer Andersson. However, although it might take a moment or 10, once the ear has adjusted to her warbling theatrical style, there’s much to enjoy in Austra’s music.The Toronto six-piece is Stelmanis’s vehicle, and includes her longterm band-mate, percussionist Mary Postepski, as well as Read more ...