New music
caspar.gomez
Pink Floyd’s David Gilmour once commented that whoever had the idea of synchronizing the 1939 Hollywood classic The Wizard of Oz (with the sound turned down) to his own band’s The Dark Side of the Moon was “some guy with too much time on his hands”. The hippy culture of the Seventies contained many who fitted that description, as well as multiple baggies of what they then called “pot” to help. As the video age dawned, poring over Dorothy and Toto’s adventures soundtracked by Floyd’s prog-angst classic became almost a rite of passage for advanced stoners.By the mid-Eighties I was in my late Read more ...
Russ Coffey
Back in the early Eighties, Saxon made the heavy metal equivalent of home-cooked roast beef and Yorkshire pud. Axe-grinding albums like Denim and Leather and a work-ethic straight from the Barnsley pits made Biff Byford and the lads a loveable bunch. Their meat-and-potatoes approach, however, meant they have always struggled to compete commercially with the likes of Iron Maiden and Def Leppard. The band never seemed to care. Sacrifice sees them complete their 20th album in 34 years. Just. In true Spinal Tap fashion it has arrived two weeks late due to “manufacturing problems”.That’s not the Read more ...
joe.muggs
There's a lot about stoner culture that smacks of earnestness, and The Dark Side of the Moon has been at the heart of a good deal of that. The number of long, dreary, late-night conversations that must have taken place over “doobs” and “munchies” about its themes of life, death, madness, desperation and all the rest doesn't even bear thinking about.But there is a whole other side to the album that was about – yes, really – fun, and also sensual pleasure; as a teenager in the late Eighties/early Nineties, for me DSotM was about giggles and immersion, about getting a stoned friend to drift off Read more ...
Peter Culshaw
There are numerous tribute versions of The Dark Side of the Moon, by everybody from jazzers to electronica merchants, but the Amazon Surf version must be the most esoteric. Amazon Surf music is one of the more curious music phenomenona I've stumbled on. You can get versions of it in Peru (check Los Chinches, the London-based group I played on this week's theartsdesk Radio Show); but a centre for the music is in the state of Para in the Brazilian North of the Amazon. On several full moons a year, you get the longest surfable wave in the world, which is called the Pororoco. Intrepid Read more ...
mark.hudson
In March 1973, John Lennon was 33. Elvis was 38. There was barely a musician, in the sense we understand it, over 40. No one with a mortgage – or hardly anyone – was into rock’n’roll. The Dark Side of the Moon changed all that. It made rock middle-aged. Not because of its creators’ ages – the members of Pink Floyd were still, just, in their twenties – but because the success of its easy listening, suburban philosophising announced that the Babyboomer Generation had reached the pipe-and-slippers phase.Us-us-us and them...I remember going round to a friend’s after school to hear the long- Read more ...
Thomas H. Green
Robyn Hitchcock has mustered some of the most bizarre song titles ever. Solo and with long defunct bands The Soft Boys and The Egyptians he’s come up with corkers such as “Sandra’s Having Her Brain Out”, “The Man With the Lightbulb Head” and “Wading Through a Ventilator”. None of the titles on his latest album quite match these for weirdness, but his penchant for jolly psychedelic tunery and lyrical dementedness remains intact, if mellowed with age. Try this – from “My Rain” – for size: “My rain, it comes, through dark and purple lungs – do you know what I mean?” Frankly, I’ve rarely known Read more ...
james.woodall
In 1973 certain world events carved themselves, a bit like the faces on Mount Rushmore, deep into the landscape of the late 20th century. No sooner had Richard Nixon begun to end the Vietnam War than Watergate broke. In the autumn Allende was overthrown by Pinochet in Chile; Egypt and Syria’s attack on Israel ignited the Yom Kippur war. A global oil crisis was to leave western economies strapped.In Britain industrial unrest forced a tottering Heath government towards the Three Day Week. The IRA began bombing London. It wasn’t, really, a happy epoch; but young, mainly male, slightly self- Read more ...
Kieron Tyler
“Cut Copy me”, the opening track of Petula Clark’s first British studio album in six years, is beautiful. It could have been created by Saint Etienne at their most melancholy. Her voice almost a whisper, it’s the sound of shadows and uncertainty even with what sounds like a light touch of autotune. The title track follows. Similarly assured, it’s sparse and centred around a rippling piano. Then a by-rote, in-the-shadow-of-Adele version of Gnarls Barkley's "Crazy" breaks the spell.Accompanying “Crazy” are versions of “Imagine”, “Love me Tender”, Gershwin’s “He Loves and She Loves” and a Read more ...
Kieron Tyler
Crispy Ambulance: The Plateau Phase/The Durutti Column: LC/The Names: Swimming/The Wake: HarmonyPre-Madchester and before New Order’s breakout single “Blue Monday”, Manchester’s Factory Records was hard to penetrate. This quartet of reissues does a fine job in both dragging some great music out of the twilight and giving voice to the words subsequently written about the label. All are on the Factory Benelux imprint, resurrected to pay tribute to Factory’s Belgian counterpart which had been launched in 1980.The label’s early releases came in abstract sleeves, and most of those on Factory were Read more ...
joe.muggs
Croydon-born Coki – Dean Harris – is without question one of the most important musicians of modern times, but unless you are a close follower of underground club scenes it is unlikely you would have heard of him. He has never been interviewed at any length, and though over the last decade his records have been pivotal in at least two musical revolutions – the birth of dubstep itself, then its subsequent transformation into a fiercer and more belligerent version which has become a global phenomenon – he never sought adulation or took to the DJ lifestyle, instead working a 9-5 office job until Read more ...
theartsdesk
Quite possibly because the sun was shining, even if it wasn’t actually warm as such, this show presented by Joe Muggs and Peter Culshaw got its groove on. There was shuffling about the NTS studio, strangers started dancing. The featured albums, by which we mean more than one track were played were the new one from Bachar Mar Khalifé, who is clearly a major talent, the debut from Los Chinches, a Peruvian Amazon surf band, who started and closed the show and an irresistible new compilation of Latin Psychedelia.The sunny mood kept going through acid house and Forro, Kenyan 45s from the 1970s and Read more ...