Reviews
Veronica Lee
Cuckooed, Traverse Theatre *****Mark Thomas's new show is in the theatre section of the Fringe brochure, but this hour, full of laughs and witty lines as it is, could easily be under the heading of comedy. Indeed, Thomas once made his living as a stand-up, even if his career has long defied any pigeonholing; professional irritant, activist and satirist are just a few job titles that could apply.Cuckooed is a masterful piece of storytelling and in an engrossing hour in which Thomas tells of how he – a master prankster – was duped by "Martin", a former comrade in Campaign Against Arms Trade. Read more ...
Florence Hallett
If the idealised human body forms the heart of the classical tradition in Western art, the close study of nature is its lifeblood. It is inevitable then that artists have sought better to understand anatomy, and there are many examples of artists whose knowledge of the human body was more than skin deep. A century or so ago, Henry Tonks’ early career as a surgeon was essential to the character of his work as a painter and draughtsman, while the corpse in The Anatomy Lesson of Dr Nicolaes Tulp, 1632, is sufficiently accurate to suggest that Rembrandt had first-hand knowledge of a Read more ...
Veronica Lee
Bridget Christie: An Ungrateful Woman, The Stand *****This is the “difficult second album” show for Bridget Christie, despite her having done 10 years at the Fringe. She finally found her voice at last year's festival, deservedly winning the Edinburgh Comedy Award after a raft of five-star reviews for her avowedly feminist show, A Bic for Her - but how do you follow that? With another five-star show, obviously.An Ungrateful Woman starts with Christie “confessing” that she expected last year's show, about everyday sexism, to fail to attract an audience - so then she would have an excuse to Read more ...
Tim Cumming
The cover of her new album, I’m Not Bossy, I’m the Boss, has Sinéad O’Connor sporting a black wig and latex dominatrix dress, a glammed-up guitar wrapped in her arms. Well, at least she made the effort. On stage at the Roundhouse she launched her fine new album sans latex or hair, in black t-shirt and trousers, still the shaven-headed siren of unbidden passions and complicated yearnings.From "Nothing Compares" through to new songs such as the floor-pounding single "Take Me to Church", the lush "Vishnu Room", or the closing Tennessee Williams-referencing "Streetcars" – all of them strong Read more ...
Katie Colombus
Entering Wilderness is like stepping into the brain of Baz Luhrmann. It is a kaleidoscope of colours, swirling with noise and feathers, surreal in its array of vintage-bohemian-steampunk spectacle, and magical in its collaboration of the arts and nature.It is a great big fancy dress party – a chance for the middle-class masses to pour themselves into their finest, most psychedelic unitards and bejeweled headdresses, douse themselves in clouds of glitter, swathe themselves in sequins and get utterly decadent, letting their inner exhibitionist run wild for a weekend. They can watch music and Read more ...
ellin.stein
Director Ari Folman burst onto the scene with his brilliantly realised, quasi-autobiographical Waltz With Bashir, an animated feature that navigated between dreamscapes and reality to explore the personal trauma arising from witnessing the massacres at Lebanon’s Shabra and Shatila refugee camps as an Israeli soldier. His follow-up feature, The Congress, is highly original and fizzing with ideas. But without a similarly gripping central narrative to keep it anchored, it remains somewhat emotionally uninvolving, instead provoking the head-scratching conceptual interest of Inception or The Read more ...
geoff brown
Some things that spread like wildfire, like ebola and wildfire itself, are not good news at all. But performing Nielsen’s symphonies? That’s another matter entirely. In the next concert season, the BBC Symphony Orchestra and the Philharmonia both begin Nielsen symphony programmes, while the LSO several years ago cycled through one of their own with Sir Colin Davis. Yesterday, the BBC National Symphony of Wales and their current Danish conductor – will it ever be someone Welsh? – bit off one of the mightiest in the set, the battle-scarred Fifth, with its disruptive side-drum. At this rate, Read more ...
Veronica Lee
Rona Munro's history cycle may take some liberties with the facts, as the writer admits in the programme notes, but its broad narrative sweep has been talked about as a state-of-the-Scottish-nation trilogy. It's the first joint production of the National Theatre of Scotland and the National Theatre and the timing of its premiere at the Edinburgh International Festival couldn't be more pertinent – just a few weeks before Scotland votes on 18 September in the independence referendum. The plays, which cover a turbulent period of Scottish history in the 15th century during the reigns of three Read more ...
Ismene Brown
This was the most eagerly anticipated programme of the Mariinsky visit - something old, something borrowed and something new. The old, that colourful fairytale of Stravinsky’s lush, melodious youth, The Firebird; the new, a recent acquisition by the Londoners’ favourite Russian, Alexei Ratmansky; and the borrowed, something from English ballet legend, Frederick Ashton’s Marguerite and Armand, once kept under glass with the Fonteyn and Nureyev myths, but eventually released from the museum by Sylvie Guillem and Nicolas Le Riche a decade ago.The Ashton has now suffered the fate its Read more ...
Christopher Lambton
If you want an image that defines, for this writer at least, the essence of the Edinburgh Festival, it is the sight of Greyfriars Kirk full to capacity at 5.30 pm on a blustery Monday afternoon. At other times of year this sort of event might be hopefully billed as a “rush hour concert”, sparsely attended by commuters en route to the suburbs, but at festival time Edinburgh has a whole new demographic. Fighting its way past the tourists photographing Greyfriars Bobby (pictured below) could be seen an enthusiastic international audience to whom the prospect of an hour-long concert is one sure Read more ...
Adam Sweeting
There was a brief moment back in the day when Sylvester Stallone thought he ought to be a serious actor (remember Cop Land?), but posterity will surely recall him as the King of the Franchise. As if Rocky and Rambo weren't enough, the 68-year-old Stallone is now enjoying a major string of paydays with The Expendables, and this third instalment will merely whet the global appetite for more.The plot (cooked up by Stallone) is the usual clunkily serviceable farrago of action clichés, designed to travel to its destination via a string of ever-more-catastrophic set pieces. Barney Ross (Sly) and Read more ...
Lisa-Marie Ferla
The role of women during the First World War has been heavily mythologised in a way that has cast them as both the angels of the home front and a force for positive political change. What made this documentary, written and presented by revered war correspondent Kate Adie, so fascinating was that as well as providing a comprehensive guide to the many roles played by women during the conflict, it blew some of those myths wide open.For example, although the lives of most women in 1914 were defined “more by what you couldn’t do than what you could”, the history books tend to leave out the Read more ...