Reviews
mark.kidel
A small mountain village, tucked away in the foothills of the Rif Mountains, south-east of Tangier. The “smallest music festival in the world”, so it says in the Guinness Book of Records. But this remarkable musical event – more of an encounter than a performance – has none of the usual trappings of the larger events that populate our summers.The Master Musicians of Joujouka play music that’s centuries-old, not as folk revivalists, but in a living tradition that offers healing and transformation as well as sublime entertainment. Since the 16th century, this music – similar in many ways to Read more ...
Adam Sweeting
Scott Turow published his cunningly-wrought legal thriller in 1987, and Alan J Pakula’s powerful movie version, starring Harrison Ford, appeared in 1990. Enough time has elapsed, perhaps, for Apple TV’s revised version of Presumed Innocent for the streaming age.There’s plenty to like about this eight-episode reincarnation, which casts Jake Gyllenhaal in the lead role of Rusty Sabich, a Chicago prosecutor who seems to have enough on his plate coping with the poisonous internal politics of the Prosecuting Attorney’s Office, even before he has to undergo the ordeal of being tried for an Read more ...
Jenny Gilbert
Launching a four-year global project to proclaim the genius of Frederick Ashton might seem unnecessary. His work is the bedrock of what’s widely known as The English Style and rarely absent from any British ballet season, whether at the Royal Ballet (for whom he created much of it), or elsewhere.But the man was prolific, choreographing more than 100 works across half of the last century, and a large number of them deserve rediscovery. No matter that they were made in and for a very different world – a world of evening gloves and Margot Fonteyn and tea with the Queen Mother: today’s audiences Read more ...
stephen.walsh
It’s somehow typical of the Welsh National Opera I’ve known now for the best part of sixty years that it should confront its current funding difficulties with brilliant productions of two of the more challenging works in the repertory.The company’s marvellous Death in Venice is for the time being water under the Bridge of Sighs, but now it has come up with a superb staging of Puccini’s complicated triptych of one-acters, a rarity no doubt partly because of its length and rehearsal and casting demands. Admittedly it’s a co-production with Scottish Opera and was seen in Glasgow just over a Read more ...
Nick Hasted
Benjamin Brewer’s post-apocalyptic, Nic Cage-starring creature feature finds a sombre interest in fatherhood and growing up in screenwriter Michael Nilon’s bleak scenario, after Paul (Cage) gathers up two abandoned babies with black smoke blooming, and a city falling into catastrophe.Fifteen years later, adopted siblings Joseph (It’s lead kid Jaeden Martell) and Thomas (Maxwell Jenkins) live in a farmhouse under Paul’s sternly loving tutelage, foraging by day, and cowering when night brings monsters scratching at their door, much like A Quiet Place or a vampire flick. Arcadian was filmed Read more ...
Bernard Hughes
London’s non-professional orchestra sector is an undervalued asset to the city, and deserves more attention. And so last night I went to hear the Royal Orchestral Society, accompanying horn superstar Ben Goldscheider, and it proved a better way to spend an evening than sitting through another tortuous England football tournament game.The programme was typical of the ROS’s imaginative approach to repertoire under conductor Rebecca Miller. It focused on Ukrainian music – and had an invited audience from London’s Ukrainian community in attendance. (Concerts later this year promise Judith Weir Read more ...
Kieron Tyler
Late summer 1966. Jazz was Margo Guryan’s thing. She was not interested in pop music. This changed when she was played The Beach Boys’s “God Only Knows.” Amazed by what she heard, she tuned in to pop radio for the first time. Her head was further turned by The Beatles and The Mamas & the Papas. A copy of “God Only Knows’s” parent album Pet Sounds was bought.Newly thrilled by a pop she saw as more innovative than a jazz scene she thought too full of Ornette Coleman imitators, she wrote a song titled “Think of Rain.” In tune with the burgeoning harmony pop style, its baroque leanings and Read more ...
Rachel Halliburton
There’s a masterful subtlety to Philippe Herreweghe’s interpretation of Bach’s last great choral work – it shuns blazing transcendence for a sense of serene contemplation that reveals every angle of the mass’s geometrical perfection. Listening to the multiple layers of sound is rather like appreciating the shifting colours in the inlaid mother of pearl on a harpsichord – nothing dazzles, but it draws you in with its meticulous polish and understated beauty.Herreweghe has now recorded the Mass in B Minor three times with the Collegium Vocale Gent, and by general consensus it has improved with Read more ...
Justine Elias
Islands off the coast of southern Chile, to the Spanish and German settlers of the 19th century, represented the edge of the world. To the Huilliche, the people who’ve lived there for centuries, the land and its isolation are only the beginning.In this colonial outpost, though, the newcomers rule. When sheep fall dead in a hacienda meadow, the master of the farm lashes out at one of his indigenous shepherds, setting vicious dogs upon him. The murdered-man’s daughter tries to put a homemade cross on her father’s grave, her employer plucks it out. “He wasn’t a Christian,” says the farmer’s wife Read more ...
Harry Thorfinn-George
A number of films in recent years have added a distinctly local flavour to the folk-horror genre. Mark Jenkin was inspired by Cornish superstitions in the ghostly Enys Men and Kate Dolan’s underrated You Are Not My Mother was ripe with Irish pagan practices and folk tales. The Moor, the directorial debut of Yorkshire-native Chris Cronin, continues in this lineage of imagining local folklore through the eyes of genre cinema. Moorland is a distinctly British habitat and has been the swampy canvas we have projected fears onto for millenia. It’s the home of Grendel-like creatures, Read more ...
Jonathan Geddes
The current trend for package tours with two headliners appears to be growing, and this jaunt presented somewhat unlikely bedfellows – the theatrical angst of Billy Corgan’s crew and Rivers Cuomo’s indie trendsetters united by a shared love for guitar histrionics, 90s nostalgia for those who remember MTV2 and not much else.Fitting both bands in required an early onstage time (pity support act Teen Mortgage, who trundled onstage at 6.30pm), while the night’s format presented a few quirks that resembled a festival, from the heavy turnover of people moving about between sets to a clear need for Read more ...
Helen Hawkins
In Marie Amachoukeli’s Àma Gloria there’s a remarkable performance by a child actor, Louise Mauroy-Panzani. So key is her contribution that It’s fair to say the director couldn’t have delivered the film she had planned without her,.Mauroy-Panzani plays six-year-old Cléo, who lives in Paris with her widowed father (Arnaud Rebotini, pictured below with Mauroy-Panzani) in the care of Gloria, who, like the actress playing her, Ilça Moreno, is a nanny from the Cape Verde islands. And Cléo, very like the director herself, is short-sighted and already wears glasses. But Amachoukeli turns Read more ...