Reviews
Helen Hawkins
Alice Childress’s Wedding Band has arrived at the Lyric Hammersmith like an incendiary bomb, a weapon that casts a bright light over its target even as it ferociously burns it. It’s a piece about conflict – between racial groups, but also within them. The date is 1918, as the US is settling into its role as a combatant in the First World War. But it’s also the story of other wars hotting up in the year the play was written, 1962, a violent decade for Americans both in southeast Asia and, increasingly, on the home front. In both arenas, Blacks will be disproportionate participants, Read more ...
Simon Thompson
Edinburgh is lucky to get a lot of high quality musicians coming to perform, not least during the summer festival season, but the most high profile musical visitor to the city this weekend was none other than Taylor Swift. Everyone is talking about her: she was even mentioned by one party in the general election campaign. The streets are thronged with visitors who have come to see her, and on my way home from this concert I met hordes of smiling fans dressed in cowboy boots and sparkly tops.Pianist Simon Trpčeski might not quite be in that league of superstardom (yet), and I didn’t notice any Read more ...
Kieron Tyler
“Moving Away from the Pulsebeat” is the final track – barring the locked-groove return of the two-note guitar refrain from “Boredom” – of Buzzcocks’ March 1978 debut album, Another Music In A Different Kitchen. At five minutes 40 seconds it didn’t cleave to the short, sharp punk template. Also, it was largely instrumental. And it had a drum solo.Buzzcocks had emerged with punk yet weren’t going along with it or, rather, what it had been reflexedly characterised as. Their label, United Artists, had faith in “Moving Away from the Pulsebeat” and pressed it onto a one-sided promotional-only 12- Read more ...
Justine Elias
Live-action movies for the under-12 set are rare. Rarer still are those that capture the anarchic spirit of middle-grade children gone wild. Writer-director Weston Razooli made a splash at the Cannes and Toronto film festivals last year with Riddle of Fire, an adventure tale that draws inspiration from Disney’s earnest, spirited TV fare of the 1970s.Set in the mountains of Wyoming, it follows three young friends as they rage around the great outdoors on dirt bikes, armed with paintball guns and plenty of ammo. They begin with a warehouse heist, in which best pals Alice, Jodie, and Hazel steal Read more ...
Veronica Lee
Five years ago, Rachel Parris tells us, she never thought she would one day be married, a mother and a home owner. Now she's all three – and a stepmother as well – and this year is about to turn 40. It's quite a journey, which she talks about in her new show, Poise.But it's not all personal as there's a fair amount of political humour here too. After all, she did get her big break on the BBC's satire show The Mash Report, which transmogrified into Late Night Mash on Dave and was cancelled by both channels. She says it was because of the shows' left-leaning slant, so she's keen to balance Read more ...
David Nice
No-one in the musical world could possibly surpass the communicative skills of Abel Selaocoe – pushing the boundaries of cello and vocal technique in a myriad of voices, all cohering in works of staggering breadth, getting the audience to sing at the deepest of levels.Amazingly, though, the next day’s act in the Dublin International Chamber Music Festival actually matched him: accordionists Dermot Dunne and Martin Tourish (pictured below - Tourish left, Dunne right) in the city’s first neoclassical building, the jewel that is the Casino in Merino, playing every note of Bach’s Goldberg Read more ...
Ismene Brown
Times change, people don't. Does a knighthood sit well on a man who shags anonymous strangers in the Blue Lion out of hours? Emlyn Williams played his own fruity lead when his play Accolade premiered in 1950 - Bill Trenting, a hugely successful writer of seamy bestsellers who (improbably) is about to be knighted and (still more improbably) won the Nobel Prize for Literature, but who will be publicly exposed for his double life enjoying promiscuous stranger-sex in Rotherhithe bars, if he doesn't pay his blackmailer. Sir William, as everyone must now get used to calling him, is on arguably Read more ...
Adam Sweeting
New York in the 1980s is the setting for Abi Morgan’s new six-part drama, and it’s a city riddled with squalor, homelessness, racism and rampant crime. The Aids pandemic is also beginning to rear its hideous head. It’s here that the brilliant puppeteer Vincent Anderson (Benedict Cumberbatch) has masterminded his children’s TV puppet show Good Day Sunshine, which bears a striking resemblance to such Jim Henson creations as Sesame Street and The Muppets.You might think that Vincent would be happy with his life, since he’s hailed as a genius in his field and Good Morning Sunshine isn’t just a TV Read more ...
Mark Sheerin
Two shows at Jupiter Artland, one in a barn, one in a ballroom, showcase two Scottish artists, whose work shares a sense of lightness and joy. The sun was out, there was happiness all round. Laura Aldridge had painted the walls of her barn space a buttercup yellow and applied translucent film to the windows so that to spend time in her bijou show was like being in a solarium. Andrew Sim, on the other hand, offered a suite of cheery pastel works depicting plants, which echoed the decorative plasterwork of his ballroom ceiling to create another totalising space.Whereas Aldridge bathes her work Read more ...
Thomas H. Green
Towards the end of the encore, Deap Vally bring on their friend Solon Bixler. Frontwoman Lindsey Troy hands him her guitar. Despite this being their farewell tour, these two songs, she tells us, are new. The duo, now briefly a trio, go ballistic, a punk rock explosion ensues. Drummer Julie Edwards attacks her kit like Animal from The Muppets, Troy stomps like a glam rock loon before rolling about the floor, and Bixler scissor-kicks his way to stand aloft the bass drum.They’re burning with the right stuff. They have been all night.If life was fair, which we all know it isn’t, this month I’d be Read more ...
David Nice
Recreating Handel’s Egypt with a first-rate cast on the summer opera scene could have been the exclusive domain of Glyndebourne, bringing back its revival of David McVicar’s celebrated Giulio Cesare in July. Yet over the Irish sea, in the grounds of a castle with exquisite gardens above the lushly wooded valley of the river Blackwater, they’ve pulled it off. This is a singular triumph of which Caesar would be proud.Modest budgeting means a spare but effective and unfussy production from Tom Creed which brings out the best in everyone, and the Irish Baroque Orchestra under Nicholas McGegan, no Read more ...
Markie Robson-Scott
“Begin the mission and the funds will come,” says feisty, tubercular nun Francesca Cabrini (Christiana Dell’Anna; Patrizia in Gomorrah) to Pope Leo XIII (Giancarlo Giannini) in 1889. She specialises in defying expectations, especially when men tell her she should stay where she belongs. She became the first American saint, canonised in 1946.Directed by Christian conservative Alejandro Monteverde, whose Q-Anon-approved movie Sound of Freedom about child sex-trafficking was, disquietingly, a controversial hit last year, this biopic is overlong, sanitised and sepia-toned, awash with angelic Read more ...