Reviews
Matt Wolf
The pronouns have it in Alan Ayckbourn's career-defining comedy of spiralling misunderstandings, which has arrived on the West End 46 years after first hinting at the formidable talent of a dramatist who could make of many an "it" and "she" a robustly funny study in two couples in varying degrees of crisis. Far nervier than its study in middle-class mirth at first lets on, Relatively Speaking hands Felicity Kendal her giddiest stage assignment in years, and she is well served by a Lindsay Posner staging that once again gives Ayckbourn pride of place: the man of the moment (to co-opt one of Read more ...
Ismene Brown
People go to see Sylvie Guillem the way they used to go to Isadora Duncan or Anna Pavlova, to see a living legend, a game-changer. Guillem became one of dance’s handful of game-changers not when she was the controversially over-fashioned classical ballerina, nor even when she was the arrestingly individual dramatic ballerina in great British narrative ballets. It was when she left her past imagery behind her and threw herself up into the air qua Guillem, no longer young and classical, but stripped back, au naturel, just her questing mind and her exquisite skills, and damn the tutu.Many Read more ...
Jasper Rees
Circus is a broad church these days. It can be housed on the street, a grand proscenium stage and all points in between. For this latest incendiary reinvention of the form, it makes its way back into an intimate big top where the residual DNA of circus’s regular trappings seem all to be in situ. There’s bendiness and balancing, aerobatics and good old trapezing, fire-eating (pictured below) and sword-swallowing. But before you book for the whole family, be aware that the whole shebang is underpinned by something you never used to get at Billy Smart's: lashings - and I mean lashings - of sex. Read more ...
Sarah Kent
It's 17 years since Helen Chadwick died without warning of heart failure at the tragically early age of 42 and nine years since the Barbican staged a retrospective of her work. Time, then, for a reappraisal and this small but beautifully presented exhibition at Richard Saltoun’s gallery contains enough gems to remind us of the beauty, wit, intelligence and originality that made the artist and her work so very inspiring. Showing total disregard for boundaries, she used anything from flowers and rotting vegetable matter to meat, chocolate, fur, wood and bronze, and from photocopies to Read more ...
Kieron Tyler
Imagine the rising and falling piano cadences of Gershwin’s Rhapsody in Blue. Then plug the gaps between each note with any of those which may have been encountered on the path to the next. Once that’s done, ensure that the playing is constant with each note bleeding into the next. Mesh the result with a similar composition played at the same time and you have some idea of how Lubomyr Melnyk’s “Windmills”, his final piece last night, sounds.Melnyk’s precise music – what he calls “continuous music” – bears some relation to a few minimalist pianists: Charlemagne Palestine comes to mind. But Read more ...
Veronica Lee
He's back - and he's even moodier than before. Jackson Brodie, the private dick for whom the word “brooding” was invented, hasn't been seen on BBC One since 2011, and now there are three 90-minute films to feast on, based on Kate Atkinson's novels and relocated to Edinburgh. Last night's was Started Early, Took My Dog.The story started in Munich, where Brodie (Jason Isaacs) was involved in a child snatch that he was doing solely for the money, as he had just spent two months visiting his daughter Marlee, who now lives with her mother in New Zealand, and that costs. It all went wrong as his Read more ...
Kimon Daltas
In this revival of Richard Jones's 2009 production, the action has been very effectively shifted to post-war Windsor with Sir John Falstaff (Laurent Naouri) as down-at-heel gentry maintaining delusions of superiority, rubbing up against an ascendant middle class. Nannetta and Fenton are presumably about to play their part in the baby boom. Period features abound, from chintz and mock Tudor to soda siphons, troupes of Brownies and a Victrola cabinet.There are witty little touches, which add to the visual appeal of the production, such as the presence of a (not terribly realistic) cat in every Read more ...
Tom Birchenough
You can only marvel at the family intrigues that virtually closed down the legacy of photographer Erwin Blumenfeld in the years following his death in 1969. "Destroy, destruct, separate, divide,” was the emphatic double-phrased imperative with which one of his granddaughters described the “family legacy” in The Man Who Shot Beautiful Women, the BBC Four documentary that’s itself the work of another descendant, grandson Remy Blumenfeld, who wrote and produced this film by Nick Watson.It’s astonishing that it’s the first such screen tribute to a figure of Blumenfeld’s stature: the efforts of Read more ...
edward.seckerson
The Major-Domo promises fireworks during the Prologue of Strauss and Hofmannsthal’s Ariadne auf Naxos. Katharina Thoma, the director of Glyndebourne’s new staging, drops a bombshell - actually several bombshells. Glyndebourne’s wartime history (as a refuge for evacuees) would seem to have chimed with the darker implications of the opera within - namely, the Composer’s opera seria of the title. So here we are, in these darkest of days, occupying the house of a wealthy nobleman for sure but not in Vienna or even Germany but in deepest Sussex. So why, one wonders, is everyone speaking German Read more ...
Kieron Tyler
Scott Walker: The Collection 1967-1970Few pop records possess a beauty taking them into the otherworldly, inexplicable realm where it’s impossible to understand the magic which coalesced in their creation. The Four Tops’ “Seven Rooms of Gloom”, Joy Division’s “Atmosphere”, Billy Fury’s “Halfway to Paradise”, ABBA’s “Dancing Queen”, Suicide’s “Dream Baby Dream”, Sigur Rós’ "Hoppípolla”: all channel something other, rapturously embracing the listener.Another such is Scott Walker’s “Boy Child”, the string-bedded contemplation he wrote which closed side one of his fifth solo album, 1969’s Read more ...
Gary Raymond
There is a glaring irony in that a play about an all-consuming obsession with one thing (fame) has no real idea of what it itself is supposed to be. Say It With Flowers, a purported biography of iconic lounge singer Dorothy Squires, teases at the sequins of the musical, the psychological drama, the tragi-comedy, the biopic, gritty realism, expressionism, and soap opera, but eventually falls between the cracks of all these. It makes for a frustrating two hours.The life of Squires was full of incident, scandal and fractured relationships. She was a star, the spotlight kid, who set off from her Read more ...
fisun.guner
Mariele Neudecker is the lead artist of this year’s HOUSE, a festival for the visual arts which is now in its sixth year and which runs parallel with the Brighton Festival. She's a fitting choice: an immersive exhibition in a beautiful wreck of a Regency house by the sea complements her long-held fascination with the watery sublime.The Düsseldorf-born artist, who now lives in Bristol, became known over a decade ago for her miniature three-dimensional representations of rugged and magnificent land and seascapes. These perfectly realised models suggested paintings by Friedrich, with echoes of Read more ...