Reviews
Jenny Gilbert
If there is a more striking, more moving, more downright enjoyable way to experience Shakespeare’s second-from-last play, I have yet to see it. The Winter’s Tale, originally a “romance” in five acts, is widely regarded as a problem play, not only because of its lack of poetic blank verse or cheerful rhymed couplets, but because of its lurching narrative tone, the first three acts filled with bleak psychological drama, the last two comic and frothy. And then there are those challenging stage directions: a statue that mysteriously comes to life, a breathless chase across land and sea, and Read more ...
Robert Beale
Manchester Collective have come a long way since their early days of chamber music in dark and dingy Salford basements and former MOT test centres. But they haven’t forgotten what made those pioneering performances special: the sense of a unique experience, and a readiness to chat to the audience as well as playing.Now, with the virtuoso chamber choir Sansara, they’ve given four shows in a week, in London, Leverkusen, Antwerp and Manchester, with a trio of world premieres in the setlist (as they like to call it), each commissioned by themselves and all invited as responses to Morton Feldman’s Read more ...
Demetrios Matheou
Italian director Alice Rohrwacher (The Wonders, Happy as Lazarro), ploughs a charmingly idiosyncratic furrow that might be described as magical realism, combining as it does vivid depictions of rural communities with shafts of fantasy and fable.Her latest, La Chimera, again defies easy categorisation. Its difference is beguiling, the playfulness and mysteriousness accompanied by warmth and wisdom, and a performance by Josh O’Connor that, alongside his turn in the very different Challengers (directed by another Italian, Luca Guadagnino) confirms him as one of the most Read more ...
Heather Neill
In Shakespeare's day theatre was regarded as "wanton" by those of a Puritan disposition who feared boys dressed as girls could engender wicked thoughts of same-sex love in players and audience. But such ideas are, of course, part of the story, especially in comedies such as As You Like It and Twelfth Night. Director Owen Horsley here celebrates the queerness rather than leaving it to the perception of the audience.There are pluses and minuses to this idea. The action now takes place in a queer café, designed by Basia Bińkowska and named for the diva who owns it, Olivia, and bearing her name Read more ...
Saskia Baron
This long, fascinating documentary was apparently intended as the centrepiece of last autumn’s BFI celebration of the films of Michael Powell and Emeric Pressburger. But Made in England was delayed while Martin Scorsese (executive producer, presenter, and narrator) and his editor Thelma Schoonmaker (Powell’s widow, who also gets a credit as an executive producer) put the finishing touches on Killers of the Flower Moon. It’s a shame in some ways that the expectation of screening Made in England meant that the BFI season didn’t include the excellent BBC Arena Read more ...
Gary Naylor
We open on one of those grim, grim training rooms that all offices have – the apologetic sofa, the single electric kettle, the instant coffee. The lighting is too harsh, the chairs too hard, the atmosphere already post-lunch on Wednesday and it’s only 10am on Monday. We’ve all been there – designer, Rosie Elnile certainly has. Where we haven’t been is a war zone which is where our keen, but wary trio, marshalled by a slightly on-edge facilitator are heading. It’s a Médecins Sans Frontières type NGO doing good work within a White Saviour framework, somewhere in the Arabic- Read more ...
Gary Naylor
Legions of Ghibli fanatics may love the heartwarming My Neighbour Totoro and the heartbreaking Grave of the Fireflies, but they revere Spirited Away, their, our, The Godfather and The Wizard of Oz rolled into one. Totoro has been magnificently staged in London, setting the bar high, but it’s a simpler story, a simpler aesthetic and it’s obviously an easier gig to adapt a great film rather than an all-time great film, first winner of the Academy Award for Best Animated Feature. Waiting for the curtain, I gulped back contradictory thoughts: I was so excited about them getting it right and Read more ...
mark.kidel
One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born sculptor’s work since 1995, provides an exhilarating and in many ways definitive perspective on one of the founding figures of 20th century modernism.“Beaubourg”, as the great tourist attraction is known, will undergo major changes in 2025, including a new setting for Brancusi’s studio, which the artist gave to the French state, along with all his papers, sketches and studio contents, when he died in 1957. In the meantime, we are given a Read more ...
Adam Sweeting
To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll, Disney+ have served up this sprawling four-part documentary which tells you more about Jon Bon Jovi and his band of brothers than you ever needed to know. Or, possibly, wanted to.One has to conclude that it has been created in the image of Jon Bon himself, in all his obsessive, control-freak glory. Far from a hell-for-leather rock’n’roller, too fast to live and too young to die, he comes across as a sober, thoughtful workaholic who has maintained a steely grip on his career virtually since he learned to walk. He Read more ...
L'Olimpiade, Irish National Opera review - Vivaldi's long-distance run sustained by perfect teamwork
David Nice
In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest in most of its demands, with one notable exception, and Irish National Opera’s track record in exemplary casting across the board gave us a relay race from an ideal team, keeping the work’s trajectory from modest introductions to greater depth and fire in the set pieces stylishly on course.The guiding hands are Peter Whelan’s both on the harpsichord, in crucial recitativo secco dialogue with the inventiveness of Pablo FitzGerald on archlute. So they were in Read more ...
Adam Sweeting
Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air travel. This time, North China Air’s Flight 357, from London to Beijing, hasn’t been hijacked, but it has become the scene of a string of inexplicable murders, carried out by unknown assassin(s) as it cruises at 40,000 feet.At the centre of the drama is Dr Matthew Nolan (Richard Armitage), a vascular surgeon who has been attending a medical conference in Beijing. However, the usual litany of talks, meet-and-greets and 47-course meals is rudely interrupted by Read more ...
Kieron Tyler
West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too far from The Ivy League’s “Funny How Love Can be” and The Rockin’ Berries’ “He’s in Town” – each of which were hits in, respectively, 1965 and 1964. All three bands were on the Pye label and its associated imprint Piccadilly.“Some Other Someday” wasn’t a hit, but it did pick up play on the pirate station Radio Luxembourg. On the single’s flip, the similarly luscious “Look Back.” The topside was co-written by Tony Macaulay, who had signed the band to Read more ...