Reviews
Jasper Rees
Sarah Waters’s highly praised novels have marched from the page to the screen with regimental regularity and no apparent sacrifice in quality. Tipping the Velvet and Fingersmith, with their big Victorian brushstrokes, were built for television no less than Dickens is. With The Night Watch, adapted last night, her subject was still the love that dare not speak its name. But two things were different. This time Waters’s sweeping saga was compressed into a single film. And it was brought forward in time to the Blitz, when a modern lady’s drawers could be whipped off in a flash.As usual with Read more ...
aleks.sierz
Until quite recently, plays about sport were as rare as British Wimbledon winners. Then, over the past couple of years, came a whole slew of plays about various sports, led by punchy stories about boxing, from Roy Williams’s Sucker Punch to Bryony Lavery’s Beautiful Burnout. Now this growing list of recent fixtures is joined by Wexford-playwright Billy Roche’s bitter-sweet and humorous play, which originally premiered in Dublin in 2008 and opened last night in north London with several Roche veterans in its new cast.Set somewhere in rural Ireland in the 1960s, Lay Me Down Softly is concerned Read more ...
fisun.guner
Does James Fox fancy himself as the Niall Ferguson of art history? I ask because clearly this latest addition to the growing pantheon of television art historians wants to do for British art what Ferguson sought to do for the British Empire. He wants us to stop apologising, and to admit that we’re simply the best, better than all the rest. And though I grant you he is similarly photogenic (with a touch of that swarthy, swaggering arrogance, too) the ratio of plausible statement to incredulity (my own, whilst spluttering and tweeting my incredulity) was considerably weighted towards the Read more ...
Thomas H. Green
Kew the Music - the umbrella name for a series of outdoor concerts - did not look promising upon first arrival and, indeed, for quite some time afterwards. It was clear as soon as I walked through the gates that this was a day out for monied London, not the usual gig environment. Before the stage, in front of Kew Gardens' Victorian Temperate House, a large section of grass had been sealed off for those with pre-booked picnicking space and everywhere about people sat with hampers swigging half bottles of Veuve Clicquot and using cocktail sticks to pluck exotic varities of marinated Read more ...
judith.flanders
What is a "good" death? How do most of us want to die? These are not questions that we often stop to ask, particularly in the theatre, where deaths tend to be either heroic or sordid. Two years ago, however, the playwright Nell Dunn’s partner of three decades died slowly, painfully, of lung cancer. On his last day he felt as if he were drowning, but of the five NHS professionals who visited him at home, all were trained to prolong life, none to ease the suffering of the dying. Home Death, therefore, is her story, and those of others, about dying at home: good deaths, bad deaths.The 11 Read more ...
Jasper Rees
So. That’s it then. It’s taken just shy of 20 hours to work through the lot, a gestation spread across a decade. Every British actor in the firmament has visited the Leavesden set to chew on some of the computer-generated furniture. Several trillion techie hours have been racked up on achieving SFX which wouldn’t have been even a twinkle in a geek’s eye when JK Rowling first conceived the seven-part tale of a boy wizard. And a trio of young actors cast before puberty have missed out on a decade’s worth of regular schooling. Instead they’ve been boarding at Hogwarts School of Witchcraft and Read more ...
Marina Vaizey
Down the stairs the visitor enters a sequence of galleries gleaming with gold, seemingly illuminated by softly filtered evening light and flickering candles: here be a treasure house of stories in paint: saints, sinners and the narrative of the divine made flesh, from the Annunciation to the crucifixion. Some 40 Italian altarpieces, from the 13th through to the 15th centuries – some whole but most just fragments – are theatrically displayed to suggest the atmosphere of late medieval and early Renaissance Italian churches, monasteries and convents.Along the way we are told of patrons and Read more ...
james.woodall
It is resonantly famous, picking up plaudits from the off, with one Sight & Sound commentator claiming in 1962 that it was the "greatest film ever made", for which he'd been waiting "during the last 30 years". That now seems slightly hysterical, as it evidently isn't the greatest film ever made, and wasn't then. In it, nothing happens, many times, as opposed to Beckett's Godot - first seen eight years before - often vilified for tedium and in which at least, as critic Vivian Mercier pointed out, "nothing happens, twice". Beckett was a funny Irish poet-playwright. Robbe-Grillet (the Read more ...
Marina Vaizey
Gleaming, shimmering, full of pizzazz, glitz and unashamed bling, although of the 18th-century sort, as befits its role as the most cheerfully mixed up and glittering show of baubles in Bath, the Holburne Museum reopened in May after three years' closure. At a cost of £11.2 million the museum has been expanded, rebuilt, refurbished and renovated. Much more of the collection, newly installed after extensive conservation, is also on view than hitherto. The whole works a treat. As many visitors have turned up in the first month as normally come in a year.The architect Eric Parry has Read more ...
graham.rickson
This week’s reviews include a generous Liszt anthology played by one of the 20th century’s most fondly remembered pianists. There’s a reissued box of Beethoven symphonies performed on modern instruments by one of the classiest European orchestras. Heading further north, we've a repackaged set of Sibelius symphonies with some essential extras.
Beethoven: The Symphonies Czech Philharmonic Orchestra and Chorus/Kletzki (Supraphon)
This lovely box set feels naughtily indulgent after the bracing, clean textures of Emanuel Krivine’s recent period-instrument Beethoven cycle. Paul Kletzki, born in Read more ...
Russ Coffey
It’s not so much cultural differences that have hindered Death Cab for Cutie’s UK profile, it’s more the difficulty of making a name when “there just couldn’t be less scandal surrounding the band”. Or so guitarist Chris Walla feels. In the States their beautiful, emotionally muted music goes platinum and is featured in huge shows like the OC. But just as US audiences were hard to persuade of the charms of Pulp or Suede, so Death Cab’s strangely moving introspection has been here, by and large, niche. You’d never have known it, though, from the legions of fashionably dressed devotees at the Read more ...