Reviews
Thomas H. Green
Hip-hop soul, chart rave and Balearic beach-pop with a 1990s flavour, synthesiser-led space-rock, a localised Goth-electronic revolution, Kenyan Kamba beats, an eccentric attempt at bringing opera into pop, and vibrations from dubstep's deep roots. As ever, theartsdesk's singles round-up takes you round the houses, up some dead-end alleys, down the docks and along sweeping avenues you never knew existed, hopefully dropping you home exhausted but happy with a selection of strange and evocative new music in your pockets. We aim to please.Aloe Blacc, I Need a Dollar (Epic)
The potential Read more ...
Veronica Lee
One of the great pleasures of being a critic is watching a career develop, and Stewart Lee’s is one that I’ve had the pleasure of, so to speak, for many years. I’m not a Stewart Lee completist but I enjoyed his early days on television with comedy partner Richard Herring in Fist of Fun (just about to be released on DVD for the first time) and This Morning With Richard Not Judy, his solo stand-up shows, his work on the wonderfully subversive Jerry Springer: The Opera and much, much more in between.I missed him in the early Noughties when Lee took a rest from stand-up and rejoiced when he Read more ...
Adam Sweeting
Australia's cricketers used to call batsman Mark Waugh "Afghanistan", because (compared to his brother Steve) he was the Forgotten Waugh. It was a reference to the Soviet campaign against the Mujahideen during the 1980s. But few wars in recent-ish memory have been so deprived of the oxygen of damaging publicity as France's brutal struggle to hang on to colonial Algeria.It was a conflict that had been bubbling up since the end of World War Two, during which Algerian and other colonial troops had fought with the Free French. They reckoned that had earned them some control over their own destiny Read more ...
Ismene Brown
Catalan dance is one of Sadler’s Wells’ themes this spring, though I’d love to know how much of what Tap Olé does can really be called Catalan - this is a tap fusion company that owes its germination to Riverdance, Tap Dogs and the efforts in New York recently to revive rhythm tap. Attaching tap class skills to Spanish guitar makes what’s on at the Peacock this week more a tap show in a tourist-trail tapas bar than a theatrical dance production worth a detour.This appears to be the object. Tap Olé launched eight years ago by two efficient tap dancers who’d done the Riverdance/Tap Dogs/ Read more ...
Adam Sweeting
In a week unfeasibly packed with new drama across the BBC and ITV, the three-part Exile may prove to be the one that lingers longest. It was a thriller and a detective story, but what gave it its formidable grip was the way the central mystery was intricately entwined with the painful personal story of Tom Ronstadt (John Simm) and his father Sam (Jim Broadbent).Simm's character was a burnt-out journalist from the fictional London-based Ransom magazine. Until he got the sack, he had specialised in high-octane sleaze, his dirt-digging zeal cranked to a frenzy by drink and drugs. His Read more ...
howard.male
London-based trio Les Triaboliques should perhaps be grateful that Wikipedia hasn’t included them in their entry on supergroups. There you will find a comprehensive list of so-called supergroups with leadenly histrionic names like Isles and Glaciers, Shrinebuilder and How to Destroy Angels (not to mention the super-supergroups that started it all such as Cream, Humble Pie and Crosby, Stills, Nash and Young. But Adams, Edmonds and Mandelson are, I suppose, the alt-supergroup, representing something of an evolutionary jump forward - if for no other reason than they are musically co-operating Read more ...
Veronica Lee
As the audience files in, James Bond title songs accompany a looped clip from On Her Majesty’s Secret Service, which was George Lazenby’s sole outing as 007. There’s a reason, as this funny, touching but wholly unsentimental show is a sort of comic tribute to Des Bishop’s father, Mike, who auditioned for the role after Sean Connery hung up his Walther PPK in 1968.A strikingly handsome man, Mike Bishop was a model before he became an actor, and those of a certain vintage will remember him as “the Condor man” in 1970s advertisements for the pipe tobacco. But as he started married life he Read more ...
Ismene Brown
Can one enjoy watching a film supposedly about dance in which competition and being Number One is all and the word “artistry” is not mentioned once? And in which performers are nameless numbers? And the documentary-maker shows not a scintilla of curiosity about why this might be? One might, if it were handled with a twisted sense of humour and cutting observation.Unfortunately, Jig doesn't have that. Sue Bourne's film enters a dance-movie genre that has lately become surprisingly well stacked, but it lacks any of the imaginative lyricism of Wim Wenders’ Pina, the dramatic exhilaration of Read more ...
Matt Wolf
Hanna begins with a bang, and there will be those for whom the excitement never lets up – especially if you like your action movies all but bereft of chat. The young assassin of the title scarcely needs words when her days are given over to taking careful aim. Sure, her father makes a case for the need for language, but determination and a good eye take the feral Hanna infinitely further than pleasantries such as “Hello”.Admirers of Joe Wright’s work on Atonement and Pride and Prejudice may ponder whether the English film-maker is atoning for those movies’ period pleasures this time out. Read more ...
graeme.thomson
It may not be a particularly popular statement, but the financial black hole rapidly consuming the music industry undoubtedly has its fringe benefits. Five years ago Shelby Lynne would have toured the UK with a session band and played for perhaps 70 minutes. Last night, in the draughty deconsecrated church she immediately transformed into an intimate supper club, Lynne played for two hours with just a guitarist for company – and was spellbinding. Long may the pennies pinch.It’s over a decade since Lynne released I am Shelby Lynne, less a conventional album and more a delta where all the great Read more ...
Adam Sweeting
ITV1 really, really loves that succulent two-hour slot in the middle of Sunday evening, and anything that goes in there has the legacy of Morse, Lewis, Frost, Miss Marple et al to live up to. The latest cunning plan for Detective Sunday is to recruit the rather excellent Brenda Blethyn to play DCI Vera Stanhope in adaptations of Ann Cleeves's novels, set in the author's native North-East.In fact, with the lineage of TV detectives now long enough to stretch to the moon and back several times, choice of location is becoming critical as a means of telling them apart. Vera is well served by its Read more ...
Russ Coffey
Two cult singers on the same bill. A stirring prospect in itself, but last night they were both also at watersheds in their careers. The headliner, Ron Sexsmith, was looking to cultivate a more mainstream audience. He’s had his moments over the years, such as when he was covered by Chris Martin, Rod Stewart and Curtis Stigers. But last night he seemed to want the fans to have another look at him. On one song he styled himself as a “late bloomer”, but he didn’t need to convince this crowd.Even though producer Bob Rock has done a good job putting some AOR sheen on the new record, the songs are Read more ...