Reviews
Jasper Rees
We’ve heard a lot about the American experience of Iraq: the internecine politicking in Green Zone, the deadly combat of The Hurt Locker, the tedium of camp life in Jarhead. In the cinematic reproduction of tumult in Iraq, one thing you never see a lot of is Iraqis. They are walk-on players in their own land, exiled to the margins of a national narrative which is all about high-tech kit and the travails of the liberators. The winners get to shape the way the story is told. "You won the world!” an Iraqi driver screams at a helicopter puttering overhead in Baghdad in Son of Babylon. Well, they Read more ...
alexandra.coghlan
It was Leonard Bernstein who declared of English music that it was “too much organ voluntary in Lincoln Cathedral, too much Coronation in Westminster Abbey, too much lark ascending, too much clodhopping on the fucking village green”. Fey, whimsical and faintly patterned with chintz – English music doesn’t always get the best press. In the hands of the Britten Sinfonia however, it defies any notion of pastel prettiness, stepping out in only the feistiest and most glorious Technicolor.Any half-decent orchestra can start a note convincingly – just watch your local amateur symphony in action of a Read more ...
alexandra.coghlan
We are spoiled for choral choice in Britain. With the likes of The Sixteen, The King’s Singers, Polyphony and I Fagiolini just the start of the roster of talent, and an amateur choral scene of serious heft, the temptation is to look no further than the Channel for our choral kicks. Such is the growing presence of the Baltic nations however (and particularly Estonia, with its greatest musical champion, Arvo Pärt), that this rival tradition is increasingly making its presence felt. Greatest among a nation of choirs is unquestionably the Estonian Philharmonic Chamber Choir, who last night took Read more ...
howard.male
As a world music critic one gets used to the stream of superlatives that generally arrive in the wake of whatever big new act is being plugged. World music promoters have a particularly hard job because they don’t just want to preach to the converted; they also want to try to get some new listeners to widen their musical horizons a little. So even before I’d heard a note of the Creole Choir of Cuba I knew that they’d gone down a storm at the Edinburgh Festival, that Jools Holland’s producer wanted them for Later..., and that they were booked to do various BBC radio sessions.The predictable Read more ...
Ismene Brown
Every February the Sadler’s Wells flamenco festival summons the illusion of Spanish sun onto our chilled, grateful backs - this year singers are getting almost as much prominence as dancers. But what sun, I ask, at Estrella Morente’s dark, often remote evening, opening the fortnight last night? (And why, still, after years of urgent requests, no subtitles for these pungently melodramatic lyrics?)Morente has a long record despite her young age - she’s only 30 - and was Penélope Cruz’s singing voice in the 2006 Almodóvar film Volver. A past visitor to Sadler's Wells, she is the child of Read more ...
fisun.guner
London’s literary world must be as small as it was in the 18th century. Or at least that’s the impression you get when you watch book programmes on the BBC, for it’s the same old characters that keep cropping up. Martin Amis, Will Self, Jenny Uglow – like minor players in a picaresque novel in which the novel itself is the hero devouring new experiences, you’re sure to encounter at least two of their like in quick rotation, ubiquitous with their insights and wisdom. And so it was with BBC Two’s Faulks on Fiction and BBC Four’s Birth of the British Novel. The first aired on Saturday Read more ...
Kieron Tyler
Two Roxy Musics took to the stage at the O2. One the art-rock retro-futurist outfit that redefined Seventies pop from 1971 to 1976, the other the airbrushed high-sheen machine of 1979 to 1982. They weren’t a comfortable fit, but this by turns perplexing and wonderful show offered more than enough evidence for what a weird, inspirational and wilful band Roxy Music were and are.The final concert on the seven-date For Your Pleasure tour, this first jaunt round the UK in over 10 years coincided with the band’s 40th anniversary. Taking its billing from the band’s second album was telling – it was Read more ...
Adam Sweeting
Henry Hathaway's 1969 version of True Grit famously won John Wayne his solitary Oscar for Best Actor. Jeff Bridges, remaking the role of battered, boozing, one-eyed lawman Rooster Cogburn in the Coen brothers' new incarnation, is nominated for the second year running after last year's triumph with Crazy Heart. Look out Colin Firth, because Bridges is in such barnstorming form that we could conceivably see him roaring off into the Hollywood night clutching another statuette, swigging moonshine and firing his six-gun in the air.But despite its services to the Duke, Hathaway's film also raised Read more ...
alexandra.coghlan
A whiff of excrement hangs around DBC Pierre’s Booker Prize-winning Vernon God Little. It’s a novel that likes to get right up into the crevices of society and then inhale deeply. Written in an anarchic, freewheeling American patois, it’s the inner voice of Vernon himself (and Pierre’s brutal way with a simile) that plays shock and awe with the reader, delighting many and appalling more. The loss of narrative voice would seem enough to deter any would-be theatrical adaptor, but in 2007 Tanya Ronder and the Young Vic took up the challenge. The result (newly revised) now makes a return – Read more ...
Veronica Lee
At first sight, “Afghanistan cricket team” might be labled along with “The kosher guide to cooking pork” or “How to keep your promises, by N Clegg”. But in 2008, Taj Malik, an Afghan player passionate about the game, decided to try to take his national team into the world’s elite level and this film (part of the Storyville strand), by three young film-makers, Tim Albone, Leslie Knott and Lucy Martens, followed their efforts over two years.As you might expect, Malik and co were not starting from a level playing field. As the gentle, ever-smiling coach (who rather touchingly believed the answer Read more ...
Adam Sweeting
They've remade everything else, so what took them so long to get around to Hawaii Five-0? Maybe the exotic Hawaiian locations of JJ Abrams's Lost helped to trigger flashbacks of Steve McGarrett & co, which would explain why Abrams's henchmen Alex Kurtzman and Roberto Orci are co-producers of the new Five-0. And why Daniel Dae Kim, who played Jin in Lost, reappears here as Chin Ho Kelly.The refreshing thing about Five-0 (revisited) is that while it has been given a brisk 21st-century spring clean, with international terrorism, people-smuggling and a blast of ultra-modern spook Read more ...
josh.spero
Aptly for a programme whose title invokes a show which is all style, no substance, the subject of Ronald Reagan: American Idol is image. What was Reagan really like? How much of his career as a Hollywood star did he carry into office? And why have certain images of Reagan endured? The first question, alas, is the one neither the film nor his biographers nor his family and friends have come close to answering.The film, directed by Eugene Jarecki and shown to coincide with Reagan's centenary, opens with an ancient clip of Reagan talking about the fictionality of what follows. This tactic Read more ...