Reviews
alexandra.coghlan
Sir Thomas Allen: Still master of a magical head-voice croon
In a world obsessed with the next big thing, I was surprised not to see a larger crowd at last night’s Samling Showcase. Since this masterclass programme for young professional singers started 14 years ago, alumni have included Jonathan Lemalu, Anna Grevelius, Christopher Maltman and Toby Spence – a roster that speaks for itself and for the finely honed ears at work within the organisation. Joined by patron and course director Sir Thomas Allen as well as pianist Malcolm Martineau, four of the current Samling Scholars took to the Wigmore stage last night to present themselves and a full Read more ...
alexandra.coghlan
Welcome to the stinking, sprawling Bayou Mansions – the thorn in a prosperous city’s side, the “short-and-curly hair in the mouthful of sponge cake”. So cramped there isn’t even room to swing a rat (and there are plenty), so corrosive that everything here starts life as a bad smell. Forget the enchanted worlds of fable and fairy tale, this is a dystopian childhood fantasy masterminded by the select team of Kurt Weill, Kafka and the Wicked Witch from Snow White. As delicious as it is delicately malevolent, The Animals and Children Took to the Streets is a strychnine-laced gumdrop of a show, Read more ...
Ismene Brown
What a stunning show Matthew Bourne has created in his Blitz-era Cinderella - truly a magical ride created from what was in its original 1997 form a pumpkin waiting to be transformed. This must be the most heartwarming and sophisticatedly rewarding Christmas show in London, filled with a huge love of the city and a moving homage to humanity in wartime. Old newsreel, an eye for Powell and Pressburger style, some stunning sets, and - Bourne’s masterstroke - a brilliantly filmic recording of Prokofiev's score in sound-surround with much atmospheric enhancement all make this an exceptional Read more ...
Sam Marlowe
Ding dong, merrily on high! Christmas is almost upon us, and those girding themselves for a ghastly family get-together, complete with forced good cheer, paper hats and booze-fuelled bust-ups can see all their worst domestic nightmares enacted in Alan Ayckbourn’s bilious tragi-farce. Painfully funny and piercingly desolate, it’s a side-aching, heartbreaking depiction of loneliness, self-delusion and misery in middle-class suburbia. And Marianne Elliott’s excruciatingly fine production is as sour and dyspeptic as a Boxing Day hangover.It’s the early Eighties, and at the home of Belinda and Read more ...
Adam Sweeting
Jacob Bronowski: Mathematical genius, inspirational TV presenter and strategic bombing expert
It seems like an aeon ago that we had people who dared to make television series with names like Civilisation or The Ascent of Man. The notion of TV as a forum for vigorous intellectual debate and for taking the philosophical measure of human progress has come to seem almost as quaint as the Reithian newsreader being compelled to wear a dinner suit. I don’t think QI really counts, does it?But in My Father, the Bomb and Me, Lisa Jardine – eldest daughter of emigré Polish polymath Jacob Bronowski, who created and presented 1973’s aforesaid Ascent of Man – hacked some chips off the old block Read more ...
Matt Wolf
A lot of ink gets spilled about the quest for the next great new British musical, which results in pedestrian endeavours - you know who you are - being elevated beyond all common sense. And now, along comes Matilda, a holiday entertainment about a surpassingly smart young girl who is capable of magic, and guess what? The show itself is as smart and magical as its pint-sized, eponymous heroine, and something more than that, as well. Indeed, watching as playgoers left last night's Royal Shakespeare Company premiere on a bitingly cold Warwickshire night, I was struck by the sight of many a child Read more ...
Veronica Lee
Even as a confirmed fan of the soap, I would be lying if I said I tuned in to Coronation Street for great acting. Fantastic comedy, yes; brilliant writing - certainly. But routinely fine exposition of the dramatic art? Nah, although there are honourable exceptions when the occasion demands. But by crikey, did most of the cast pull it off last night in an hour-long live episode to mark the show’s 50th anniversary, part of a week entitled “Four Funerals and a Wedding”, involving a gas explosion, a tram crash on the iconic viaduct and an attempted murder.There were only the tiniest, blink-and- Read more ...
neil.smith
One would like to think a great deal of thought goes into which leading man pairs up with which leading lady in a big-budget Hollywood product. Yet the practicalities of Hollywood movie-making – scheduling, financing, availability and so on – mean it’s far more likely you cast whoever you can get, and afford, and hope for the best. One can only assume it was random happenstance which saw Johnny Depp combined with Angelina Jolie in The Tourist, there being little else to connect them beyond their status as slightly left-of-centre box-office draws.He, after all, is Mr Eccentric – a bag of Read more ...
emma.simmonds
Two members of Thet Sambath’s immediate family were murdered during the Khmer Rouge’s time in power in Cambodia. His father was killed when he objected to the organisation's seizure of his property, while his mother was then forced into marriage with a Khmer Rouge militia. She died soon after following complications in childbirth. His older brother, who had witnessed the brutal murder of his father, was also later executed. Enemies of the People, a documentary made with Rob Lemkin, is Sambath's illuminating, admirably restrained insight into a brutal regime.Sambath has spent the past decade Read more ...
mark.kidel
Swallows and Amazons is a quintessentially English story: a heart-warming hymn to decent values, the codes of sailing and the youthful spirit of adventure. Set in 1929, at a time when the country faced financial meltdown, it is perhaps not surprising, in our equally uncertain times, that Arthur Ransome’s feelgood Lakeland classic should have been adapted for the stage. Tom Morris’s production of a very well-handled adaptation by Helen Edmundson with music and songs by Neil Hannon - better known as The Divine Comedy - fizzes with spirit and sparkles with invention.The original book, about a Read more ...
Ismene Brown
Cecilia Bartoli invites you to her party, she stands on stage beaming and welcoming you as her guest, about to serve up a banquet of song. This is what last night’s concert felt like in the glowing warmth of this remarkable Italian mezzo-soprano’s company, singing one of her favourite composers, Handel, ranging from the sunlit laughter that seems embedded in her voice to some of the most tragically moving singing I’ve heard.The picture above gives an idea of the extravagantly opulent figure she likes to cut on stage - the generosity of her figure and smiles, the flamboyance of her dressing-up Read more ...
james.woodall
It's the right season for a frosty Lear. With people being frozen on the open road by temperatures rarely visited upon the land, we're reminded that nature can be our greatest adversary, that we're placed in the universe as much to fight its innate physical savagery as we are to fight each other. With the exception of The Winter's Tale and As You Like It, with which King Lear keeps close thematic company, Shakespeare's plays don't really address the wild outdoors. Uniquely, his most searing tragedy combines feral human feuding with the unkindest forces nature can unleash. The mix can make Read more ...