Reviews
Adam Sweeting
The part played by Polish fighter pilots during the Battle of Britain has hardly gone undocumented, and the Hun-zapping exploits of the Polish 303 Squadron will be familiar to anyone with a historical interest in the subject, so you’d have to say that calling this film The Untold Battle of Britain was a wee bit of an exaggeration. Guy Hamilton’s 1969 Battle of Britain movie must be due for its umpteenth TV airing soon, and does of course feature the RAF’s Polish contingent, depicted as itching to get into action but being held back by grouchy group captains and sarcastic squadron leaders. Read more ...
David Nice
I'll admit that many of us were spoiled by the last revival of Boccanegra at Covent Garden - also of Verdi's most often heard and masterly revision, like the current staging, but using Ian Judge's production of the original version - boasting a near-perfect quartet of principals who all meshed with each other. The only survivor from that team to be seen in the latest showing is Ferrucio Furlanetto (pictured with Domingo above), whose Prologue aria as the vengeful father of Boccanegra's ill-fated love was cheered to the rafters then but barely made an impact this time, oddly over-acted and Read more ...
joe.muggs
Looked at from a certain angle, Michael McDonald, who supported Al Green at the O2 on Sunday, couldn't be cooler. A key part of Steely Dan's notoriously virtuosic circle of session musicians, the man who turned the Doobie Brothers from hoary rockers to sophisticated R&B hit machine, and latterly the business partner of The Dude himself, Jeff Bridges – the Missouri-born McDonald epitomises a certain kind of laid-back but massively aspirational attitude. It's the attitude associated very much with 1980s Hollywood and mountains of cocaine, and is summed up in the phrase often used to Read more ...
Russ Coffey
On the face of it, comparisons could be drawn between Dawn Kinnard and fellow preacher’s-offspring-cum-country-singer, Diane Birch. Except Birch’s music comes from every musical advantage, whereas Kinnard still has a day-job as a hairdresser. Moreover, her voice remains totally unproduced - a glorious mix of Tom Waits and Marge Simpson. This summer, for the second time in three years, she has put her savings on the line to try to make it here. Last time round, Kinnard, then staying chez Cerys Matthews, enjoyed a barnstorming session on Later with Jools Holland. Last night things Read more ...
Adam Sweeting
It was the Danny Sugerman-Jerry Hopkins biography, No One Here Gets Out Alive, that kicked off the Doors death cult 30 years ago, at a point where the band's reputation was wallowing low in the water. Previously it had been quite acceptable to regard much of their work as cheesy pseudo-jazz with stupid lyrics, and their posturing vocalist Jim Morrison as a tedious drunk with a Narcissus complex.Then suddenly The Doors were propelled into Classic Rock nirvana, their collective efforts elevated to "Great American Band" status and Jim Morrison canonised as sage, seer and sex god. There they Read more ...
Veronica Lee
If you happen to be in Trafalgar Square in London any time soon, you should take a close look at the friezes that adorn the ground portion of Nelson’s Column. For there you will find, most unexpectedly, that one of the sailors depicted is a black man, one of 1,400 non-British seamen among the 18,000 who took part in the Battle of Trafalgar on 21 October, 1805.That striking factoid comes from The Untold Battle of Trafalgar, the first in a four-part season, Bloody Foreigners on Channel 4, which aims to show how foreigners were at the heart of some of Britain’s most important historic events. Read more ...
Jasper Rees
It doesn’t often happen that a new sitcom is born perfectly formed. The Royle Family, it was instantly clear, would do no wrong. And there was nothing much the matter with those things by Ricky Gervais. (I'd also make a case for The IT Crowd.) But maybe Rev has a harder trick to pull off. Unlike comedies which achieve their effects by formal daring, Rev operates within narrower strictures. It is in all essential respects a deeply traditional sitcom. It’s about a vicar, for goodness’ sake, who since Moses came down from the mountain has been more or less the ideal sitcom protagonist, being Read more ...
Sarah Kent
Last week I watched a tiny tot being photographed by her father, on a beach in southern Turkey. There was no girlish giggling or splashing about in the sea; rather than a show of carefree happiness, she delivered a studied pose. She assumed an expression of supreme indifference and, with hand on hip and weight on one leg, twisted her body into a seductive coil. The four-year-old was imitating a supermodel! I didn’t see the pictures, of course, but I would still classify this kind of premature sexualisation as child pornography.The American photographer, Sally Mann was accused of kiddy porn in Read more ...
Peter Culshaw
The story starts promisingly with a love story between a prisoner Gomatz and Zaide, the favourite concubine of the tyrant Soliman. The two lovers escape with the help of Allazim. They are re-captured. Then Mozart gave up. His sources for the story, by Sebastiani and Voltaire’s Zaïre, ended it by the dubious plot twist that Zaide and Gomatz are actually brother and sister and that Allazim saved Soliman’s life some years earlier and he lets them all free. The strongest bits of the unfinished opera are a few arias, notably “Ruhe sanft” – which has become a concert staple. Perhaps Mozart Read more ...
stephen.walsh
Watching and hearing this revival of WNO’s now eight-year-old production of Verdi’s Rigoletto, it’s hard to remember he composed it only a year or two before La Traviata, that most psychologically believable of all his operas. In Rigoletto nothing makes sense: the hunchback’s pretty daughter, her apparently willing incarceration, Rigoletto’s hoodwinking (literally) into helping her abduction, her final self-sacrifice – all palpable nonsense. Yet the piece never seriously fails. In a sense it’s music drama at its purest: the plot is an appendage to the music, what Wagner later called “deeds of Read more ...
Jasper Rees
Aeons ago, and in another place, I had a sense-of-humour malfunction. A sitcom about three priests marooned on a remote Irish island took its bow. I didn’t crack a single smile, and said so firmly. Turned out I was in a tiny minority, and just needed time for the flavours of Father Ted to make themselves known. Later, when it came back for a second series, I duly gave myself a very public flagellation. No such need with The IT Crowd, which last night began its fourth series.The common denominator of the two shows is Graham Linehan, the Irishman who co-wrote Father Ted but conceived, scripted Read more ...
judith.flanders
It takes a lot of work to make a show look as unconsidered and chaotic as this one: thought and care and time and attention all have to be paid before something so random can be achieved. But as so often with Tillmans, the nagging questions persist: is randomness, are the offhand and the casual, valid as ends in themselves? Because Tillman’s über-hip affectless cool has become very tiresome indeed. Even worse, it’s becoming predictable and dull. Tillman's eye, as ever, remains wonderful, but I remain doubtful about the form in which he chooses to convey his ideas.Some of the most recent Read more ...