Reviews
aleks.sierz
Culture which arrives from the margins to the mainstream is a classic phenomenon. In the case of Sam Steiner’s Lemons Lemons Lemons Lemons Lemons it has taken almost a decade for this two-hander to make the journey from a student production at Warwick University, via the Warwick Arts Centre in 2015 – plus outings to the National Student Drama Festival and Edinburgh Festival – to the West End. Since he first wrote it, the play has been a fringe favourite with several revivals, but this time the two-hander boasts a star cast familiar from TV: Aidan Turner (Poldark) and Jenna Coleman ( Read more ...
aleks.sierz
Do the right thing! But doing the right thing isn’t easy – especially if you are a teen. And a female teen who is being pressurised by your mother and your school teacher. It takes courage to make the best decisions, it’s scary and it’s hard.In Sonali Bhattacharyya’s two-hander, Two Billion Beats, which premiered at the Orange Tree a year ago and now returns with a new cast, 17-year-old Asha and her 15-year-old sister Bettina struggle to behave in an ethical way when confronted by racism and bullying. As Bettina reminds us, most human beings have two billion heartbeats per lifetime so it’s a Read more ...
Graham Fuller
At their best, horror movies reflect destabilisation caused by cracks in the social fabric. The crack indicated in the documentarist Andrey Paounov’s fiction debut January is the widening abyss that, one character fears, will swallow Bulgaria village by village, town by town; the entire world, he says, will eventually succumb to this state of waking death. Maybe it already has?Doomy it may be, but Paunov’s allegorical folk chiller is also a joy – a playful grim fairytale that disturbs the imagination more than the viscera thanks to its evocation of haunted woods, barely seen, that symbolise Read more ...
David Nice
It’s dangerous to claim a sense of absolute rightness about a musical performance; that could mean no more than responding to an interpretation which happens to chime with your own subjective expectations. Yet I’m happy to stick my neck out and say that the partnership of septuagenarian pianist Elisabeth Leonskaja with the young Staatskapelle Quartet of Berlin felt absolutely right in works by Brahms that cry out in every bar for authentic musicianship (★★★★★).Maybe that’s true of all the great chamber works. But Brahms draws on a unique wellspring of original melody and rhythmic ingenuity in Read more ...
Helen Hawkins
Frantic Assembly’s Othello, originally co-developed with the Lyric in 2008, is back in its third iteration, and it’s still not exactly the play you studied at school or saw other companies perform. In some ways, that’s all to the good.Frantic’s strength is its use of co-opting high-energy dance moves into the action. In the 1990s, the company typically performed bespoke pieces, often exploring social issues, where dance added a thrilling layer to the narrative. When the company’s Steven Hoggett and Scott Graham (who directs at the Lyric) decided to move on to Shakespeare, they had to adapt Read more ...
Gavin Dixon
This concert was advertised as the completion of an Elgar symphony cycle, though in the absence of the reconstructed Third, that meant the second of two. Both were planned with interesting concerto couplings. The First Symphony was presented with the Tippett Piano Concerto earlier in the week, and early publicity for this concert promised a new piano concerto from Mark Simpson, with Icelandic pianist Víkingur Ólafsson.For reasons unspecified, that concerto failed to appear, so instead Ólafsson performed the more familiar Schumann. The result was an audience-pleasing combination, though the Read more ...
aleks.sierz
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her Upstairs. No? Well, not to worry – the Royal Court’s latest provides a fabulously extravagant simulation of the experience with its staging of Sound of the Underground, a play written by Travis Alabanza – whose classic Burgerz is coming to the Purcell Room in March – and directed by his co-creator Debbie Hannan.Billed as having “haze, strobe, flashing lights, sudden light changes, sudden and loud noise, strong language, nudity and audience interaction”, so we certainly know what to expect. And Read more ...
Robert Beale
Ben Gernon’s calm and clear way of conducting an orchestra (something he once told me he’d observed in the work of his mentor, Colin Davis) is good to watch and, I would guess, welcomed by those he directs. Since his time with the BBC Philharmonic as principal guest conductor (2017-2020) he’s been a welcome visitor to them in Manchester and Salford, and this programme pulled a good crowd and was indeed very rewarding.That doesn’t mean that everything they did together was perfect, but when it worked, it worked beautifully. Beginning a programme with something that needs instant Read more ...
Kieron Tyler
Reflections on how the past relates to now suffuse The Candle and the Flame. The album’s closing track is “When I Was a Young Man.” When he was 21, sings Robert Forster, “I wrote songs, I was unsung, unheralded and undone”. His figurative brothers David and Lou showed him the way. Now in his mid-Sixties, he has a considerable artistic inventory to look back on. Including The Go-Betweens, solo albums, his writing. Messrs Bowie and Reed would be proud of what they helped initiate.However, this is not the source of such retrospection. The Candle and the Flame’s opener “She’s a Fighter” lays it Read more ...
Kieron Tyler
“Ka Huma” by Ivo Nilakreshna sounds as if a jazz band was taking on rock ’n’ roll. There’s a swing and sway, busy rhythm guitar and a lead female voice singing a yearning melody. An instrument which seems to vibes is in there. But there’s more than the familiar elements. Most of the influences are unrecognisable.Zaenal Combo’s “Tandung Tjina” is an rocking instrumental with a comparable otherness. There’s a kinship with California surf band The Pyramids’s “Penetration” but, again, the primary building blocks are out of reach. Both tracks appear to have sprung from an unfamiliar well.And so it Read more ...
Nick Hasted
Spielberg sometimes directed The Fabelmans through a film of tears, as he recreated his cinema’s origins. Lightly fictionalising his own family history, it turns an autobiographical key to previous films, while being fundamentally different to anything he’s made before.His destiny’s zero hour is October 1, 1952, as nervous six-year-old Sammy Fabelman prepares for his first cinema trip, to see Cecil B. DeMille’s The Greatest Show On Earth. Dad Burt (Paul Dano) tries to demystify moving pictures’ illusion. Mum Mitzi (Michelle Williams) drops to Sammy’s level so he dwarfs her on screen, and Read more ...
Helen Hawkins
A film telling just the story of photographer Nan Goldin’s campaign against Purdue Pharmacy would have been worth the ticket price alone.But Laura Poitras’s documentary All the Beauty and the Bloodshed offers so much more. It moves between two interlocking strands: the twin stories of Nan the activist and Nan the artist, and, fascinatingly, shows how one informed the other. Goldin grew up in New Jersey but at 14, silenced by her older sister’s death, was sent away to reforming schools and was only saved when she ended up at a hippie establishment that didn’t believe in expelling Read more ...