Reviews
Robert Beale
Nicola Benedetti and Sir Mark Elder are both in the enviable position of being able to take audiences with them into music territory that might scare some away. So it was a gratifyingly near-capacity house that heard Szymanowski’s Second Violin Concerto last night as – on the first occasion they have worked together – they presented it to the Hallé audience.It’s long been a favourite of gifted solo violinists, because of its combination of folk-style energy and lyricism (and the cadenza movement, which was written by its first soloist Pawel Kochański and divides the work roughly in two, Read more ...
Bernard Hughes
The obstacles that have faced Noah Max in the five years since he resolved to make an opera of John Boyne’s Holocaust novel The Boy in the Striped Pyjamas would have stymied someone less determined. Not just the usual fundraising and logistical challenges that every opera has to deal with, but also Covid – and the demand from the story’s rights holder for £1 million for their permission.This was amended down to a manageable amount after the public involvement of, among others, the Jewish Chronicle, and so the project has finally reached fruition in a sold out two night run at the Cockpit Read more ...
David Nice
Amanda Majeski pushed the boundaries as Janáček's tormented heroine for director Richard Jones at the Royal Opera. Here there were confines – no “concert staging” this, but a laissez-faire affair with scores and music stands, occasionally obscuring the stage directions – but she still conveyed the essence in front of Simon Rattle’s throbbing, luminous London Symphony Orchestra and flanked by other cast members of uniform excellence.Not for Majeski the composer’s definition of Russian playwright Ostrovsky’s Katya – the opera is performed in Czech, of course, but the LSO gives the Russian Read more ...
Markie Robson-Scott
Unlike the black and white Bait, Mark Jenkin’s highly acclaimed previous film, Enys Men (stone island in Cornish) is full of colour. Strange, saturated colour that doesn’t look quite real: a deep blue sea, a bright red raincoat, yellow gorse against brown bracken. And the flowers around which this abstract plot revolves don’t look real either. Such elongated stems and waxy white petals look like they come from outer space, not a windy Cornish coastline.Jenkin says the film, though not a direct homage to low-budget horror films of the 1970s, was created using a similar production process, and Read more ...
Gary Naylor
We’re reminded, in a grainy black and white video framing device, that, as late as the summer of 1941, the USA saw World War II as just another European war. As brilliantly illustrated in Phillip Roth’s The Plot Against America, not only was such indifference to the rise of fascism more widespread than feels comfortable to reflect upon, but so, too, was a sympathy extended to the Nazis in their psychotic mission to make Germany great again.It was against that complacent background that Lillian Hellman wrote Watch on the Rhine, a seductive call to arms that knew its audience of New York’s Read more ...
Rachel Halliburton
The adrenalin was in full flow yesterday lunchtime at the Wigmore Hall as the dynamic young Mithras Trio delivered a vigorous, toned performance featuring Beethoven, Bridge and an electrifying new work by Joy Lisney. The trio, who have been together for just over five years, are part of Radio 3’s New Generation Artists scheme and dispatched the repertoire with an intensity and expressive range that was often as beguiling as it was exhilarating.Frank Bridge’s Phantasie Piano Trio in C minor provided a tempestuous start to the concert, with a double forte opening that made it feel as if it Read more ...
Graham Fuller
Sam Mendes assembled most of the ingredients necessary to make Empire of Light a wrenching English melodrama with a potent social theme. The stars are Olivia Colman, Colin Firth, Micheal Ward and Toby Jones. Mendes teamed with his usual cinematographer Roger Deakins, whose elegant panoramic images lend a grandeur to Margate’s faded glory. The town’s art deco Dreamland Cinema provided the main location of a movie admirably modest in scale. Fatefully, what the production didn’t have was a screenplay that ensured a consistent tang of verisimilitude. Though a heartfelt and well- Read more ...
Kieron Tyler
A strange new single went on sale in Britain’s record shops in April 1962. Credited to Ray Cathode, “Time Beat” combined a metronomic rhythm with peculiar, otherworldly sounds. It was not a standard pop record. The flipside, “Waltz In Orbit”, was also about its tempo and was just as weird. Not many copies were sold.The Ray Cathode single was issued seven months before The Tornados’s equally unearthly “Telstar” and was, in time, recognised as a ground-breaking combination of studio-created sounds and pop music. The Ray Cathode handle masked a collaboration between the BBC Radiophonic Workshop’ Read more ...
Saskia Baron
There are going to be people who enjoy A Man Called Otto I’m sure, but it’s definitely not a film for hardened cynics or Tom Hanks' finest hour. It’s a remake of 2017’s Swedish black comedy, A Man called Ove – itself based on a popular novel. The original movie cast Rolf Lassgård (better known as detective Wallander) as a depressed, misanthropic widower whose various attempts to kill himself fail with comic effect. Tom Hanks stars in the American version, and also executive produced it. The film is very much a family affair. There’s a juicy role for his son Read more ...
Kieron Tyler
Carvings is recorded so it sounds as if Juni Habel is adjacent to the listener’s ear. The Norwegian singer-songwriter may as well be inches away. Such intimacy can be disconcerting, especially as Carvings evokes a reflective melancholy. Its eight crepuscular songs evoke twilight and wintertime, when introspection is never far.Habel’s second album is the follow-up to summer 2021’s All Ears. That was a mood piece drawing from influences including Vashti Bunyan and Jessica Pratt. Carvings is less about the atmosphere created but more about the form of the song itself, and rising and falling Read more ...
Adam Sweeting
A disclaimer in the opening credits confessed that some scenes in this three-part history of disgraced Labour MP John Stonehouse had been “imagined for dramatic purposes”, but there was no need. The man’s life story fell comfortably into the “you couldn’t make it up” zone, and there wasn’t really much that screenwriter John Preston needed to add.It was indeed true that Stonehouse was given a job as a junior minister of aviation, that he negotiated a technology agreement between Britain and Czechoslovakia, and that he was later found to have been spying for the Czechs (he was depicted here as Read more ...
David Nice
In precarious times, musical wonders never seem to cease – for now, at least. Who would have thought during lockdown that we’d be back so soon and so frequently to the kind of massive orchestra needed to play a cosmic blockbuster like Richard Strauss's Also sprach Zarathustra? Of the three live performances I’ve heard since September 2021, last night’s, the biggest and youngest (160 players aged 14 to 19), was also the freshest and most exciting.To hear young people in the National Youth Orchestra of Great Britain playing a supremely challenging work which used to be second nature to hardened Read more ...