Reviews
Rachel Halliburton
We enter the Barbican Pit as if visiting an apothecary. On the walls of the passage approaching it there are scientific diagrams and documents, while the stage itself is set up with glass cases filled with different potions and experiments.A figure lies prostrate on the floor lit by diagonal slants of light; next to the figure a lutenist regards the audience with a meditative gaze. In the background recorded voices deliver snippets of observation on the state of melancholy. To be ill at ease, according to Robert Burton's The Anatomy of Melancholy, was quite literally to be in a state of Read more ...
Boyd Tonkin
During the final act of Tamerlano, James Conway’s new production for English Touring Opera has the titular tyrant lead a captive king around the stage on a chain. Given the oppressive, deadlocked mood of Handel’s opera and this interpretation, you may recall Pozzo and Lucky in Beckett’s Waiting for Godot: that frozen dialectic of master and slave in which power traps its holder as much as its victim. Conway’s farewell gift to ETO, after two decades of high achievement as artistic director, Tamerlano is sung with terrific verve and dramatic credibility by an impressive young cast. This Read more ...
Adam Sweeting
Irregular warfare has proved to be a speciality with the British armed forces. This new six-part series, based on Ben Macintyre’s 2016 book, tells the story of the chaotic birth of the Special Air Service during the war in North Africa in 1941, and it's a rollicking ride.The screenplay is by Steven Knight, who has repeated his Peaky Blinders trick of using an ahistorical soundtrack to soup up the on-screen action. However, where the Brummie gangster odyssey unfolded against a backdrop of the White Stripes, Nick Cave and Leonard Cohen, this time Knight has gone rockier. The narrative is Read more ...
Kieron Tyler
“You Turned my Bitter Into Sweet” sounds like a hit. The 1965 Mary Love single was issued by the Los Angeles-based Kent label and had a Motown flavour and a hint of The Supremes’s “Come See About me”, from the previous year. “You Turned my Bitter Into Sweet” was a killer 45.However, the single escaped widespread attention until 1982 when it became the opening cut of For Dancers Only, a top-drawer compilation of dancefloor-friendly soul sides. Its inclusion recognised that “You Turned my Bitter Into Sweet” had become a UK club staple when played out. In 1983, it reached even more ears by Read more ...
Markie Robson-Scott
The artist Hilma af Klint, born in 1862, was way ahead of her time. A Swedish mystic who believed that spirits were guiding her hand, she was a contemporary of Kandinsky and Mondrian but her abstract art remained unrecognised. She didn’t fit in to the male-dominated art world.Not that she sought fame: she stipulated that her abstract work (she also painted portraits and landscapes to make money) should not be shown for 20 years after her death. She was more or less ignored until she was celebrated in a ground-breaking show at the Guggenheim in New York in 2018 (and there’ll be an exhibition Read more ...
Bernard Hughes
I’ve not heard a didgeridoo in concert before so was grateful to the Australian Chamber Orchestra for giving me the opportunity, as part of a busy programme at Milton Court last night. Didgeridoo virtuoso William Barton was put alongside Beethoven, Janáček and others as the touring string orchestra, led by Richard Tognetti, settled into a three-day Barbican residency.The ACO has a reputation for innovative programming and last night’s was a good example. The eclectic range of music on offer had several strands – perhaps too many for complete coherence? – but the playing was excellent and the Read more ...
Gary Naylor
I’ll confess to a certain schadenfreude when the American televangelists who seemed so foreign to us Brits were led away to be papped on their perp walks, ministers in manacles: One big name after another skewered on their own hubris, gulling the gullible out of their savings and shoe-horning right-wing ideologues into political and judicial office. Thank God (ironically) that we’re too smart for that kind of nonsense in Europe. How’s that turning out then? Perhaps it was the lockdown; perhaps it was the recent excellent film, The Eyes Of Tammy Faye; or perhaps it was just getting Read more ...
Robert Beale
Though billed as a “concert performance”, this was really much more than that. With the resources of their own theatre, Opera North’s team present a staging that employs a big, built-up and raked floor, with a simple platform in the centre and a starry-night black back-cloth, and their principals and chorus move and act in simple but effective style.There are costumes, there is theatre lighting, and there are sound effects – thunder and rushing wind noises tell us we’re visiting the land of the dead and abode of the Furies (as well as Gluck’s music, of course). I’ve seen poorer production Read more ...
Helen Hawkins
It lasts only an interval-free 60 minutes, with an upright piano as its only prop, but Anoushka Lucas’s one-woman show Elephant in the Bush’s Studio space prompts an epic trigger warning. It will discuss “racism, Empire, colonialism, classism, animal cruelty” and there will be "infrequent references to the consumption of drugs”. (Note, no expllcit sex.) There is no warning, though, that Lucas (main picture, and below) – a standout Laurey in the recent Young Vic Oklahoma! – will steal our hearts as the beguiling Lylah. And the piano is no mere prop but a crucial player Read more ...
Kieron Tyler
There’s a song by Kevin Ayers called “The Lady Rachel”. It was on his 1969 debut solo LP Joy Of A Toy. Play it alongside “This Still Life”, the second track on the second album from Ireland’s Aoife Nessa Frances and the aesthetic kinship is clear. The differing genders of the singer-composers aside, one could swap with the other and snugly fit onto either release.It’s not that the Kerry-recorded Protector sounds like it seeks to recreate the past, but that Frances has a sensibility – whether innate and instinctive or intentional – tapping into a seam of archetypal yet idiosyncratic Read more ...
David Nice
Festival punters who eagerly return to this pleasant haven in south-east Ireland are happy to take a risk on the three rare operas served up each year. As a Wexford virgin, I knew I wanted to come here this autumn for Dvořák’s last opera Armida, revealed on recordings as a glorious score at every turn, even when the dramaturgy falters, and for Irish soprano Jennifer Davis, already a world-class Elsa in Wagner’s Lohengrin, as the eponymous lovelorn sorcerer.Ancipation was duly rewarded, even if the path to Dvořákian triumph proved arduous at times, at least in terms of getting out of the wreck Read more ...
Jon Turney
Scenes that stay in the mind: Arnold Schwarzenegger as the Terminator peeling back the skin on his forearm to reveal the gleaming machinery within; a beady-eyed, new-born Alien bursting from John Hurt’s abdomen; that all-species bar in Star Wars; the spaceship’s long-awaited descent in Close Encounters.You probably have your own selection, from films, from computer games or, perhaps, from Disneyland’s 14-acre Star Wars themed park-within-a-park in California, Galaxy’s Edge. Science fiction, once a minority sport, has been mainstreamed in recent decades via popular media – and above all by Read more ...