Reviews
Barney Harsent
Seven and a half years ago, Loop frontman Robert Hampson retired the band's back catalogue in front of a live audience. “You won’t hear these old songs again,” he told the audience at Islington’s Garage.As shocks go, it might not have been up there with Bowie handing Ziggy Startdust – and most of his unsuspecting band – their P45s live on stage, but it was still a searing statement of intent. It signalled Loop as a continuing concern, but one determined not to trade on past glories.With Sonancy, Hampson has made good on his promise. While some might hear the muscular riffing and relentless, Read more ...
Gary Naylor
We open on “Seventeen is Swell”, the antithesis of Janis Ian’s 70s angsty anthem, “At Seventeen”. Megan is living it large as the cheerleader’s leader with her football captain boyfriend, two loving if strict parents and a golden future of all-American domestic bliss ahead. In short, she has all her pom poms in a row.Well, except she doesn’t really enjoy the more intimate moments with the dim jock, Jared; she has pin-ups of Eva Herzigová where Johnny Depp should be; and she’s, horror upon horrors, a vegetarian! In the kind of Midwest town where you might expect Louis Theroux to turn up to Read more ...
Sarah Kent
The Barbican’s Postwar Modern covers the period after World War Two when artists were struggling to respond to the horrors that had engulfed Europe and find ways of recovering from the collective trauma.Perhaps inevitably, a considerable amount of sturm und drang was produced by artists such as Alan Davie, Eduardo Paolozzi and Francis de Souza. Melodrama may have seemed appropriate as an expression of the despair and fatigue they experienced, but the work has weathered badly and now feels decidedly overblown.You could say that, as people emerging from a global pandemic, the last thing we need Read more ...
Thomas H. Green
“As you’ve noticed, I’m really terrible at talking between the songs,” announces Melt Yourself Down singer Kushal Gaya, two-thirds of the way through the gig. He is. But it really doesn’t matter; the genre-uncategorizable London six-piece smash through their hour-and-15-minute set with a lean, giddy forward propulsion that brooks no pause. Consequently, the small, sold-out, low-ceilinged club venue gradually becomes a wriggling, sweaty rave-pit.A lot has been written about the London jazz resurgence of recent years. Names such as Shabaka Hutchings, Nubiya Garcia and Seb Rochford bandied about Read more ...
Nick Hasted
Robert Pattinson’s Batman is lean and aquiline, his Bruce Wayne an obsessive recluse. Matt Reeves’ reimagining is similarly handsome and cerebral, much like his genre craft on the Planet Of The Apes franchise. But superhero reboots have become tellingly frequent, as if being jolted back to life by increasingly desperate electro-shocks. For all the consummate care expended on The Batman’s beautiful surface, its substance subsides through familiarity.We’re in Batman’s second year on the job, no one having the stomach for another origin yarn (though you can’t help thinking – not for the last Read more ...
Saskia Baron
Don Letts, the film director, musician and DJ responsible for so many of the iconic images of punk and reggae artists, executive produced this documentary portrait. The result is a warm and generous chronicle that occasionally veers on the hagiographic side. But Letts has led such a dynamic life that the lack of any critical voices is forgivable, especially when there’s a wealth of great archive (much of it from Letts’ own collection) and good anecdotes from the likes of Mick Jones, John Lydon and Daddy G.Born in Brixton to parents who had come over from Jamaica in the mid ‘50s to work on the Read more ...
Veronica Lee
Few critics become playwrights, but Tim Walker has done just that with Bloody Difficult Women, his debut. It's taking a risk; should any of his less generous critical colleagues wish to take a shot at the poacher turned gamekeeper, it's open season. On the other hand, it could place a friendly critic in an uncomfortable position; what if it's awful? Full disclosure: I used to deputise for Tim Walker at The Sunday Telegraph (he now writes for The New European) but before this press night we had met only once, so I think it's safe to proceed.The play follows the clash between anti-Brexit Read more ...
Sarah Kent
The Whitechapel Gallery's exhibition opens with Cell IX, 1999 (pictured below) one of the wire cages that Louise Bourgeois filled with memories of her dysfunctional family. This one contains a block of marble carved into hands. A tender portrayal of the mother-daughter bond, it is under scrutiny via three circular mirrors.The sculpture embodies Bourgeois’s dilemma as an artist. While paying tribute to her main source of inspiration – her childhood – it also proclaims her need to protect her memories from prying eyes. Once, when Alan Yentob probed her with questions for a television programme Read more ...
David Nice
In Ibsen's last and shortest play, further cut here, four people nominally climb a mountain, but actually seem to be crossing waste land towards the land of Samuel Beckett. It’s an amazing play in which reality is symbolic and symbols are real, where not one character is likeable and all speak with hallucinatory directness. The Norwegian Theatre Company, very much welcome back to the Coronet Theatre, do much of its strangeness justice.Everyone who’s seen either the play or the film of Willy Russell’s Educating Rita will remember the protagonist’s response to the essay title “Suggest how you Read more ...
aleks.sierz
Football stories are never just about a game — they are also about life and how to live it. In Tyrell Williams’s Red Pitch, his debut play now getting an enthusiastically staging at the Bush Theatre after a shorter version wowed audiences at the Lyric Hammersmith in 2019, three young black teens meet at a five-a-side pitch in South London. They have different characters, but are united in a singular vision of what success means: being a star footballer and buying the best car in the neighbourhood. But, just as they are beginning on the journey to realise their dreams, that neighbourhood is Read more ...
Boyd Tonkin
It’s no surprise that the theme of fakes and forgery appeals so much to writers, who traffic in plausible illusions and often believe (in María Gainza’s words) that truth is “just another well-told story”. From the age of Balzac and Zola to modern iterations in the novels of authors such as Michael Frayn, Donna Tartt and Maylis de Kerangal (in her recent Painting Time), shelves of fiction have drawn their plots around the fine pencil line that divides authenticity from imposture in art. In this, Gainza’s second novel, the Argentinian author – and former art critic – adds a fresh item to a Read more ...
Veronica Lee
Sarah Millican is clearly glad to be back on stage, and the noisy reception she gets at the Winter Gardens in Margate suggests her fans are glad to have her back too. Bobby Dazzler is a crowd pleaser in much the same vein as her previous shows – unflinching honesty about women's bodies, and scatological filth.The first half of the show is mostly taken up with chatting to the audience about some of their dafter lockdown hobbies – knitting and yoga being two of the shout-outs. It's always a risk that people will be shy or that everyone did the same thing – knitting and yoga – but in Margate Read more ...