Reviews
David Nice
“If this is love, then why have I fought it?” The stock romantic-comedy prevarications had a Greenwich Village setting in Bernstein’s Wonderful Town at Opera Holland Park less than two weeks ago. Last night, the place was nominally Alsace but the style totally Italianate. To adapt another line from the same Bernstein song, “You know it when you hear it” – and with OHP’s utterly dependable and authentic Italian tenor Matteo Lippi as the hero of Mascagni’s light-hearted but still passionate love story, that was guaranteed. More of a surprise was the utterly idiomatic style of the City of London Read more ...
Laura de Lisle
Last Easter has become a lot more relatable since it was forced to postpone this run at the Orange Tree Theatre, originally scheduled for 2020. It’s about a group of theatre-makers – an actor, a drag performer, a prop-maker, and a lighting designer – getting through tough times by leaning on each other, but Bryony Lavery wrote it in 2004, way before the lockdowns and the theatre closures and the months of Zoom productions. Now that it’s made it to the stage, Tinuke Craig’s production is timely, if strangely off-putting.June (Naana Agyei-Ampadu, pictured below) is dying of breast cancer, and Read more ...
Daniel Baksi
“On the Ordinance Survey map, it has no name”, writes Andrew Michael Hurley, of the wood that nevertheless gives its name to his essay. “Clavicle Wood” provides the first chapter in the Test Signal: Northern Anthology of New Writing. It is a mediation on meaning, bountiful in its praise of a place that is, above all else, a repository of memories: “We’ve come to call it Clavicle Wood, my family and I, on account of my eldest son breaking his collarbone there twice when he was younger". Like all the writing in Test Signal, it belongs to the contemporary. Amid the terror of the Read more ...
David Nice
The heading may be a bit misleading. There were no vocalists at this year’s ingeniously adapted East Neuk Festival – live events held exclusively in the big space of the Bowhouse, St Monans, to a compulsorily limited audience – and the only rain was that which pelted down on the roof of the venue during the most intimate moments of Beethoven’s D major Quartet, Op.18 No.3, with the Castalian Quartet valiantly persisting. But all the players in the six concerts I heard sang from the heart, as any good instrumentalist should, and the weather was wildly varied, with four seasons in rapid Read more ...
Adam Sweeting
A joint production between Channel 5 and Australia’s Network 10, the four-part mystery Lie With Me didn’t do itself many favours by kicking off with its least persuasive episode. However, if you stuck with it, hidden layers began to reveal themselves, and the final instalment delivered a satisfyingly malevolent twist.Channel 5’s press pack for journalists supplied some background detail about the characters which wasn’t seen on screen and would have added some helpful light and shade to the story, so maybe it was originally planned as a longer series. There were also a couple of characters, Read more ...
Robert Beale
Harnessing the enthusiasm of youth has always been what Clonter Opera, on a farm in Cheshire, is about with its summer productions. The house is relatively small (there’s always a reduced orchestration as accompaniment), and the idea is that promising young voices can get a chance to try their luck with an audience and learn in the process.It's been notably successful in the past, as star after star has taken the first steps towards a durable career under the care of Clonter’s music staff and directors. This production was no exception: in fact the maturity of the lower male voices on display Read more ...
Zehra Kazmi
For a slim book of some 100 pages, Batlava Lake by Adam Mars-Jones is deceptively meandering. The novella is narrated by Barry Ashton, an engineer attached to the British Army troops stationed with the peacekeeping forces during the Kosovo War. Barry admits to us that he is not good on the phone, or on paper, and he struggles putting things into words face to face. However, Barry always will “tidy up, get things orderly, enjoy fixing things, rehang a door without mentioning it.” He presents himself as one of the boys, though the reader begins to see through that lad façade as the story Read more ...
Mark Sheerin
As Karla Black’s first retrospective opens to the public, the institution she has paired with, Fruitmarket, also reopens with a new £4.3 million extension. In lockdown, the Edinburgh gallery has had the builders in. And from the fragile yet powerful works in this new show, it would appear, despite peaking covid rates in the Scottish capital, that the art scene might have survived the worst.Black is avowedly a sculptor, and the first two exhibition spaces are given over to sculptural objects assembled into the type of exhibition one might have seen pre-lockdown. The works conform, loosely, to Read more ...
Peter Quantrill
Much has been made of the raison d’etre for this King Lear as the slowly gestated, Covid-delayed brainchild of the director Keith Warner, assembling a company of acting singers who have made their names on the opera stage. How this played out on the first night, in the first half of a fairly full text, was a reluctance to hold the stage on the part of everyone except John Tomlinson’s Lear, a tendency to rush lines without the bridle and support of a musical texture, and an excessive mindfulness of others around them as though plotting their way through a Mozartian act finale.Music is shrewdly Read more ...
Markie Robson-Scott
“Do you have a problem with old dykes?” demands Nina (the superbly ferocious Barbara Sukowa) of a bland, nervous young estate agent, halfway through this wonderfully original first feature from director Filippo Meneghetti. No, he stammers. “You see, no one gives a damn, except you, Mado,” she hisses at her secret lover Madeleine (Martine Chevallier).Two of Us – the French title, Deux, is a more elegant fit – is a story of closed doors, peepholes and passion. Sukowa, known for her youthful roles in Fassbinder’s films, and Chevallier, both in their early seventies, shine as a closeted lesbian Read more ...
Adam Sweeting
The extraordinary story of motor industry executive Carlos Ghosn is a heady combination of power, money, corruption and international politics, with a Mission: Impossible-style ending that carries it over the finishing tape in dramatic style. It might be considered a cautionary tale, except that Ghosn’s experiences and personality were so unique that a repeat performance could never happen.Nick Green’s Storyville film tells Ghosn’s story with the pace and punch of a thriller, illustrated with interviews with various key participants and observers, its disturbing atmosphere enhanced by eerie Read more ...
Simon O'Hagan
The domestic realm has moved to the forefront of our lives in recent times. It’s been doing service as our place of work and our place of entertainment. Eating in has replaced eating out. Our hopes and dreams have been largely limited to what’s attainable within our four walls.It’s probably fair to say that Ben Nicholson was a big fan of the domestic realm long before circumstances required the rest of us to re-think our relationship with it. When all the cups of tea and coffee one makes come out of one’s own kitchen and not the office canteen or a branch of Pret, we may find ourselves Read more ...