Reviews
David Nice
Whatever else happens on the country opera scene this summer, the golden rose award for sheer chutzpah goes to the ever-ambitious Garsington team in pulling this off in no small style. Planning any production of Richard Strauss and Hugo von Hofmannsthal’s intricate 1911 “comedy for music” is daring at the best of times; in the still-shaky Covid era, the decision to go ahead might have seemed foolhardy. The life-saver would seem to have been Eberhard Kloke’s reduced orchestration of the 100-plus-players original, briefly annoying in places where a piano substitutes for instruments still Read more ...
Joseph Walsh
Back in 2017, a non-speaking autistic teen, Naoki Higashida wrote and published The Reason I Jump. He hoped it would offer some insight into the minds of people with autism. The book was subsequently translated by Keiko Yoshida and her husband, Cloud Atlas author David Mitchell. The book was a publishing sensation featured on US talk shows, and seemed to herald a new day for how we understand neurodiversity. In the simplest terms it argues that, trapped beneath an autistic exterior, lies a rich, emotionally complex interior that can be unlocked. As much as it drew praise, the Read more ...
Adam Sweeting
After appearing in six of Marvel’s Avengers movies, Tom Hiddleston’s Loki (the God of Mischief) gets his own TV series. Never quite enjoying the high profile of Robert Downey Jr’s Iron Man or Chris Evans’s Captain America, Loki has remained a somewhat enigmatic and ambiguous character, which has given him plenty of potential room for manoeuvre in this small(er)-screen incarnation. Hiddleston evidently relished the prospect of exploring further his shapeshifting attributes and gender-fluidity.While the production values here are reminiscent of the uber-budget appurtenances lavished on the Read more ...
David Nice
Why travel to Glyndebourne for a concert? Well, for a start, none of us has heard a Mahler symphony live in full orchestral garb for at least 15 months, and though the Fourth is smaller-scale than some, its innocent beginnings belie the cosmic adventures ahead. Only a handful of us got to see the London Philharmonic Orchestra in the Royal Festival Hall during the semi-lockdown period; its departing music director Vladimir Jurowski had to make do with overwrought film presentation only when he bowed out with Tchaikovsky’s complete Swan Lake ballet score. And any programme which segues from Read more ...
Daniel Lewis
There’s something refreshing about fiction you can easily trace back to the question “what if?” What if this or that existed? What would happen? What could? That question doesn’t have to send you down memory lane, wondering about roads not taken, or into the future, into space. You can stay right here, more or less in the present, in charted territory. And arguably, to adventure there (here) takes as much, if not more of what you might need elsewhere: bravery, imagination, wit, honesty. Better yet, fidelity – to the way things are: not only what could happen but does. It requires a Read more ...
Boyd Tonkin
Not long after the Nazis came to power, Eberhard Arnold sent a manifesto to Adolf Hitler. The Protestant preacher urged the dictator to “embrace universal love”. With his wife Emmy, Eberhard had founded a radical, egalitarian Christian community in the mountains of central Germany. Now the SS and Gestapo had begun to harass them. Unsurprisingly, the Führer was unmoved. The persecution intensified, and the communards of the Bruderhof fled first to Liechtenstein, then England, Paraguay and the US. Eberhard’s innocent idealism may sound pitiable: a flower beneath a tank. Within a decade, however Read more ...
Gaby Frost
To this day, if you take a stroll down Paris’ Boulevard de l’Hôpital, you’ll come across an imposing building: the Hôpital Pitié-Salpêtrière. It’s one of Europe’s foremost hospitals. It’s the place where 20th-century icons Josephine Baker and Michel Foucault departed this world, and its halls buzz with budding young medical students from La Sorbonne. But this is only the most recent chapter in the Salpêtrière’s long history. Dig a little deeper, and it doesn’t take long to discover the building’s violently troubled past. In the 19th century, it served as an institution for mentally ill women Read more ...
Dora Neill
Drawing is the cornerstone of artistic practice, but is often overshadowed by "higher" forms of visual art, such as painting and sculpture. When we walk into an art gallery, we find ourselves gravitating towards the large, impressive oil paintings. They are considered the "main event", the best representation of art and its history – but is this really the case? Drawing is more than just a preliminary step to painting; it can show us an artist’s thought process and ideas, depict deep emotion, expose intimate relationships and be innovative and timeless. A remarkable example of this is Read more ...
Helen Hawkins
Limbo, in Jack Thorne’s latest play, is a room lined ceiling-high with drawers, a sort of morgue rebooted as a vast filing system. It apparently provides comfy accommodation for the souls waiting to pass over, and its activities are run in tight bureaucratic fashion by Five (Kevin McMonagle), a crisp but likeable Scot with a nice line in candour and a squeezebox on which he plays Gershwin melodies. Balloons erupt through the floor of the National's Dorfman auditorium; cherry blossom petals (“made by three little ladies from Northampton”, the operative named Four notes) drift down from the Read more ...
Lydia Bunt
I’m one of the women in the pages of Elinor Cleghorn’s new history of the female body, Unwell Women: A Journey Through Medicine and Myth in a Man-Made World. I’ve dealt with strange chronic pain throughout my early twenties. Still, I’ve always felt like I could articulate fairly clearly what I felt was wrong with my body, at least in my own words, if not in a medical sense, and have been lucky enough to see a series of compassionate GPs, gynaecologists and physiotherapists (all themselves women). Cleghorn’s suggestion that “the answers reside in our bodies, and in the histories our bodies Read more ...
Kieron Tyler
In its first issue of 1979, Melody Maker included an article by Jon Savage on a Los Angeles band named Screamers. “They're ambitious, talented and they want it all NOW,” he wrote. “And they'd sell their grannies (if they have any left) to get it.” He noted their “astute combination of the right proportion of the familiar and the novel, highly, saleable. They're really quite concerned about that particular aspect.”Asked about record company interest, keyboard player Tommy Gear said "Yes, many offers for off-beat kind of things, we don't feel compelled…I mean, why should we? What's having a Read more ...
Jenny Gilbert
The Royal Albert Hall – 150 years old this year and with a commemorative £5 coin to prove it – is a great space for many kinds of spectacle but has done few favours for ballet. I make an exception for Derek Deane’s in-the-round Swan Lake, if only on the grounds of its having been seen by 750,000 people many of whom might never have set foot in an actual theatre. Many more ballet productions – even those carefully refigured for that giant O – have lost the fight with the capacious auditorium.So it was bold of Dame Darcey Bussell to book the venue for her big ballet charity gig. The aim Read more ...