Reviews
aleks.sierz
After months of watching theatre on screens large, medium and tiny, I definitely feel great about going to see a live show again. Of course, it’s not the usual theatre experience, you know, the one with crowds milling around the bar, people breathing down your neck and elbowing you while you’re watching, but at least it’s three-dimensional.With COVID-19 restrictions, the audience is all masked up and socially distanced, but there is still a buzz at the Bush about this piece. Harm, which has already been screened on BBC Four with Leanne Best, is a new monologue by Bruntwood Prize-winning Read more ...
Tim Cumming
Back in the mid-Eighties, BBC television started broadcasting The Rock'n' Roll Years, one of the first rock music retrospectives. Each half-hour episode focused on a year, with news reports and music intermixed to give a revealing look at the development of rock culture against the context of current affairs.That is more or less the basic template employed by the makers of Apple TV+’s new eight-parter, 1971 - The Year that Music Changed Everything, ballooning that half-hour to around about six hours of great music, incredible footage, and more great music. It’s loosely based on David Read more ...
Thomas H. Green
The idea live music is back is worth shouting about. Indeed, the BBC News has been doing just that about this gig. In reality, though, while it’s a joy to be out (this is my first major venue concert for a year-and-a-half), Live is Alive is a stepping stone towards a ‘proper’ gig, rather than the real deal. The Brighton Dome is less than half full, the moshpit set with cabaret-style tables, everyone socially distanced. As the event’s MC, local radio presenter Melita Dennett, explains at the start, we are to stay seated, no dancing – “you can wiggle your bums!” - while drinks can be obtained Read more ...
Sarah Kent
David Hockney has a new toy, an app designed specially for him that allows him to work on an iPad with fine brushes. He spent the first five months of lockdown In Normandy making daily records of the coming of spring; the results are displayed in a large show at the Royal Academy (★★). Seamless animation turns his still images into a continuum. As you watch the gradual transition from bare branches to full flowering, it’s as if you were looking over the artist’s shoulder while he works, which is fascinating.Then come the inkjet prints of the iPad pictures; they have the uncanny luminosity of Read more ...
Saskia Baron
This pallid chick flick limps out on release having changed its title since its Berlinale 2020 debut; in the US it's known as My Salinger Year, but perhaps market research in Blighty decreed that name-checking the author of The Catcher in the Rye wouldn't play as well here. Based on novelist Joanna Rakoff’s 2014 auto-fiction, it’s an account of the period she spent working for a legendary literary agent in Manhattan in the mid-90s. While Rakoff’s book has some appeal for readers interested in publishing or nostalgic for accounts of ambitious young graduates trying to Read more ...
Adam Sweeting
With a track record which includes both Sicario movies, Hell or High Water and Wind River, Taylor Sheridan packs some muscle in the action-thriller department, though Those Who Wish Me Dead can’t match those previous highlights. Nonetheless, it’s the kind of great-outdoors adventure flick featuring some bankable names that’s been largely AWOL during the pandemic hiatus, which could prove tempting to movie-goers. It’s adapted from Michael Koryta’s novel by Sheridan and Charles Leavitt, and Sheridan directs with pragmatic efficiency.Having said that, Angelina Jolie wouldn’t be everybody’s first Read more ...
David Nice
Angels and birds throng the inner life of tragic heroine Katya Kabanova, very much centre-stage in Nikolay Ostrovsky’s The Storm and achingly so in Janáček’s musical portrait. Director Damiano Michieletto takes the feathers, adds cages and claustrophobic white walls, and makes the symbolism the thing. Trouble is, both play and opera insist on some equivalence of the milieu – stifling life in a conventional merchant’s house ruled with melodramatic harshness by a dragon mother-in-law versus the open air, be it summer in a garden at night or the call of the Volga. The human drama is insisted Read more ...
Adam Sweeting
It’s crazy, but could it possibly work? Writer Nida Manzoor (a veteran of Doctor Who and BBC Three’s sitcom Enterprice) grew up in a Muslim family, but that didn’t stop her being a fan of punk rock, Blackadder and This Is Spinal Tap. She also writes songs, so creating a sitcom about the female Muslim punk band Lady Parts wasn’t quite such a stretch as it might seem.Her smartest trick here, though, is to have used the device of the band to cast a wry and hilarious eye over not just Muslim life but common preconceptions of it, and its complicated interactions with the secular West (it’s not all Read more ...
alexandra.coghlan
This isn’t an opera review, because Current, Rising is not an opera. What it is, however, is the most convincing example yet that Virtual Reality arts might not just be possible, but desirable – an experience that glances beyond gimmick towards genuinely new territory.Billed as “the world’s first hyper reality opera”, Current, Rising is a 15-minute, walk-through installation housed in the what the makers have nicknamed the “opera tardis” in the Royal Opera House’s Linbury Theatre. The credits give some sense of the scope of a project that brings together a university, software developers, Read more ...
Markie Robson-Scott
Fern (a luminous Frances McDormand) used to work in HR. Now, aged 62, she’s harvesting sugarbeets, hauling rocks, cleaning toilets in a trailer park and doing shifts in an Amazon warehouse. And she’s living out of her camper van, a shabby, lovingly restored RV she calls Vanguard. “I’m not homeless, I’m houseless,” she says, driving through vast Western landscapes under spectacular skies.Chloé Zhao’s hypnotically beautiful, multi-award-winning third feature builds on the same docu-fiction MO as her extraordinary The Rider (2017) and Songs My Brother Taught Me (2015) where she used non- Read more ...
Matt Wolf
An attractive and likeable cast remains the principal drawing card of Trying, the Apple TV+ romcom centred around the efforts of a 30something couple to adopt a child. Following on from the first season aired last spring, Andy Wolton's creation gives pride of place to a terrific assemblage of actors, who carry the day even when the piece itself seems to tread faintly overfamiliar ground.You feel, for instance, as if you've already heard the sort of badinage that bonds Nikki (Esther Smith) and Jason (Rafe Spall), the affectionately sparring duo who may debate the age your shoulders drop (not Read more ...
Matt Wolf
Emotions don't come in half-measures in Rare Beasts, with which Billie Piper makes a commendably edgy debut as writer-director onscreen while affording herself a stonking star part. Dedicated., we're informed, to "all my friends and all their woes", this self-described "anti-romcom" may be too stylistically indulgent for some.But see out its excesses and you emerge with a potent look at three very different relationships amidst our rancorous, chaotic times. And Piper, back in our midst for the first time since I Hate Suzie, here confirms herself as a huge talent who never chooses the easy Read more ...