Reviews
Heather Neill
There is a promising production struggling to get out of this muddled concept. Creation Theatre (here partnered with Watford Palace) is well known for innovative, site-specific pieces, one of which –The Tempest – was adapted for the screen, including interactive elements, last year. I missed this, but reviews suggest it worked well.That is not the case here. This may be because of the nature of the play: is it really possible to subvert the tragedy and bring about a happy ending? Or make any meaningful contribution to it? Promised a choose-your-own-adventure, I did make some decisions, but Read more ...
Veronica Lee
Heckling at a drive-in gig is rather pointless, don't you think? The audience, mostly listening through their car radios, will be unable to hear the interruption, while the comic can deliver a slam-dunk put-down that we can all enjoy. And so it proved at Mark Watson's Carpool Comedy Club as it pulled into Culden Faw Estate, between Henley and Marlow on the Oxfordshire-Buckinghamshire border.The heckler was annoyed at headliner Nish Kumar's political gags, which were as bracing as the unseasonal weather. And whether or not you share them, fair play to the guy for sticking to his beliefs while Read more ...
Kieron Tyler
With the Spiral Scratch EP, Buzzcocks became the first British band of the punk rock era to issue a do-it-yourself seven-inch. Everything was organised and paid for by the band: the recording session, the manufacture of the record and its sleeve, its design. It hit shops in January 1977.Four months on, in May 1977, The Outsiders became the first British band of the punk rock era to issue a do-it-yourself album. It was as significant a move as that taken by Buzzcocks, but is less lauded. The label the Wimbledon-based three-piece created for their records was named Raw Edge Records and Calling Read more ...
New York City Ballet 2021 Spring Gala online review - Balanchine and Robbins shine in a dark theatre
Jenny Gilbert
It’s official. Masks are coming off across America while theatres remain dark. Over here, theatres are about to re-open and masks must be worn. An identical situation gives rise to different responses prompted by local preoccupations. Local preoccupations are at work in ballet too. Witness the 2021 Spring Gala performance put out digitally by New York City Ballet. Nothing says NYCB like the mid-20th-century choreography of George Balanchine and Jerome Robbins. And nothing says NYCB like having Chanel sponsor your first-ever digital Spring Gala, and a Hollywood name direct it.Happy to relate, Read more ...
Bernard Hughes
The Royal Northern Sinfonia handed its players artistic control of the programme for this livestream from the Sage, Gateshead and if the result lacked coherence it certainly had the variety and diversity missing from the Wigmore Hall Nash Ensemble recital I reviewed last month. Centred around Piazzolla’s popular Estaciones Porteñas, in the composer’s centenary year, it also featured music by Germaine Tailleferre, Daniel Kidane, Dobrinka Tabakova and – incongruously – Haydn. But if the latter’s Sinfonia Concertante felt like an interloper from another programme, a breezy and generous-spirited Read more ...
Adam Sweeting
Darkest Hour may have been director Joe Wright’s finest hour, but we can say for certain that, despite its impressive cast, The Woman in the Window isn’t. Concocted from A J Finn’s titular novel with a screenplay by Tracy Letts, it’s a perplexingly derivative thriller which gives leading lady Amy Adams precious little on which to unleash her considerable talents. Predicting the outcome is merely a matter of totting up which scenario scores highest on the PlayItAgainSam-ometer.Adams plays child psychologist Dr Anna Fox, who’s separated from her husband and child and lives in a cavernous Read more ...
Adam Sweeting
Ancient Rome has always been a popular playground for film and TV, whether it’s Ben Hur, Gladiator or the 2005 TV series Rome. This Italian-made series for Sky Atlantic was shot at the renowned Cinecittà Studios in Rome, where Visconti, Leone, Scorsese and Bertolucci have all worked, but sadly none of that old-time movie magic has rubbed off on it.We are transported back to 40BC or thereabouts, and it’s the aftermath of the assassination of Julius Caesar. Caesar’s son Gaius (Tom Glynn-Carey, pictured below) and Marcus Antonius (Liam Garrigan) are revolting, and also planning a power grab. Read more ...
Markie Robson-Scott
It’s not until the final moments of End of Sentence that Frank (John Hawkes) lets himself laugh – he’s swimming in the icy waters of an Irish lake - and what a relief it is to hear. Icelandic director Elfar Adalsteins’s debut feature (Sailcloth, a wordless short starring John Hurt, won several awards in 2011) is a study in family shame, masculinity and keeping things inside.In this father and son road movie, set in the US and Ireland with a script by Michael Armbruster (Beautiful Boy), we slowly find out why Frank is so buttoned-up – he never takes his shirt off, not even in bed. His Read more ...
Boyd Tonkin
In 1992 Martin Amis published a story, “Career Move”, in which the writers of sensational screenplays with titles like Decimator and Offensive from Qasar 13 read their work to empty rooms in shabby pubs. Meanwhile, wealthy and fêted poets pen verses entitled “Composed at – Castle” or “To Sophonisba Anguiscola” and their agents immediately juggle megabuck offers from LA: “In poetry, first class was something you didn't need to think about. It wasn’t discussed. It was statutory.” Dead Souls, the first (almost) conventional novel by poet Sam Riviere, shares Amis’s engagement both with male Read more ...
Veronica Lee
In the UK, we usually get a peek inside The Villages in Florida every four years, when intrepid reporters take to their golf carts in the retirement community to test the water in presidential elections among its 132,000 residents. Their views provide a useful guide as to where the silver-haired vote stands.And on first sight, this “Disneyland for retirees” may seem like Nirvana, especially as one of the first people featured in Lance Oppenheim's quietly poetic and touching film says: “You come here to live, not to die” and another posits: “It's like going to college. Everybody can be who Read more ...
Adam Sweeting
The issue of public inquiries into the conduct of the military is in the headlines again, with a current focus on Northern Ireland, but at the centre of screenwriter Robert Jones’s Danny Boy was the attempt to find British soldiers guilty of war crimes in Iraq. The Battle of Danny Boy (it was the name of an Army checkpoint) took place on 14 May 2004, when a British patrol was ambushed by fighters of the so-called Mahdi Army.After allegations were made that British troops had murdered 20 Iraqi prisoners and tortured others, the Al-Sweady Public Inquiry was set up to investigate. One of the Read more ...
Florence Hallett
When Turner’s Modern World opened at Tate Britain last autumn only to close again days later, we might have felt then an echo of sensations and sentiments powerfully expressed in the exhibition itself. Its subject is the dirty cacophony of newly industrial Britain, the startling modernity of which is often neglected in discussions of Turner that focus instead on the visionary aspects of his style. Conceived as a counterpart to 2014's Late Turner: Painting Set Free, also at Tate Britain, this exhibition, by the same curatorial team, considers Turner as a creature of his age, when the Read more ...