Reviews
Adam Sweeting
The Billie Eilish story is a paradigm of pop music and marketing, 2020s-style. Eilish’s instinctive talent became evident when she was barely into her teens, and she flourished with the support of a close-knit and musical family. But the club-gigs-and-radio-play model is long gone, and Eilish’s high-speed ride was boosted by a deal with Apple Music, releases of individual tracks on SoundCloud and YouTube and hefty promotional support from Spotify. The pitch had been rolled for the arrival of her debut album When We All Fall Asleep, Where Do We Go? in 2019, which became a monster seller and Read more ...
Kieron Tyler
On 31 December 1966, the Daily Mail's Virginia Ironside got to grips with a new trend in pop music. Under the heading “The bleeps take over”, Jimmy Hendrix (sic) The Move and The Pink Floyd were gathered together as purveyors of something The Who had started with “feedback, violence, ripping strings from their guitars.” “New groups,” it was said “are taking it farther and farther out. Tra-la-la has been ousted by bleep, squeak pee-oing and whee.” Ironside acknowledged that her article’s hyperbolic description of The Pink Floyd came across as “trendy psychedelic nonsense.” But whatever the Read more ...
Sebastian Scotney
The clever programming of the “Unwrapped” series has been transformational for the reputation of Kings Place. Ever since the Bach series in 2013 these year-long sequences of concerts and other events have succeeded in silencing the crustier commentators, and in putting the London arts venue properly on the map. This 13th series, “London Unwrapped”, got under way last night under restrictions, but it was so well done: the best of possible starts, it bodes well for a series that will go right through to New Year’s Eve.It wasn’t just the thinking behind the concert programme which was so smart Read more ...
Kieron Tyler
Flock ends with “Solarised”, a glorious five-plus minutes excursion into retro-futurist pop with the artistic smarts of Saint Etienne and Stereolab. Snappy, toe-tapping drums and bubbly, funky bass guitar move it along. “Stages of Phases” is another winner. Built around a stomping glam-rock chassis, it's sense of otherness is shared by “Solarised”.Jane Weaver’s sixth album proper (there are also collaborations, soundtracks and live/remix sets) and the follow-up to 2017’s Modern Kosmology isn’t a full-on lunge towards conventionality, but it’s her first brush with dance-pop – albeit on the art Read more ...
Saskia Baron
One of the sadnesses of covid is that films like Judas and the Black Messiah have been held over for release in the hope that cinemas will reopen. Immersive, intense features like this deserve to be seen in a darkened theatre with no distractions. But as the pandemic drags on in the UK, distributors are forced to debut big films on the small screen and it’s a real shame in this instance. Writer-director Shaka King tells the true story of two young men whose fates intertwined in the civil rights movement in Chicago in 1969. Daniel Kaluuya plays Fred Hampton, the charismatic Read more ...
Veronica Lee
Everyone (well, almost everyone) can tell a joke. But being a comic – holding an audience rapt, getting a roomful of strangers to like you and laugh at your material – takes real talent. So this is an interesting wheeze, in aid of Stand Up to Cancer, where five comedians mentored five celebrity beginners for two weeks so they could perform five minutes of material before a live audience.The producers delivered the first laugh as they paired up the celebrities and comics – famously anarchic comic Nick Helm was mentor to Tory Baroness Sayeeda Warsi (pictured below), while agnostic David Baddiel Read more ...
aleks.sierz
As the events of last year made clear, the police have a problem with race on both sides of the Atlantic. In the UK, BAME people are more than twice as likely to die in police custody while being forcibly restrained than people from other social groups. Written by award-winning actor and writer Ryan Calais Cameron, Typical is a powerful and inspiring example of how theatre tackles institutional racism. First performed in 2019 at the Edinburgh Festival Fringe, the play then transferred to the Soho Theatre for a sell-out run. Now, during the pandemic, this piece has been filmed on location at Read more ...
Daniel Lewis
Joseph Andras wastes no time. “Not a proud and forthright rain, no. A stingy rain. Mean. Playing dirty.” This is how his debut novel kicks off, and it’s a fitting start for his retelling of the arrest, torture, one-day trial and subsequent execution of Fernand Iveton, the only Algerian-born European (or “pied-noir”) to have been subject to the death penalty during the conflict. It remains one of the most ignominious episodes of the Algerian War of Independence. Ignominious but largely forgotten. Iveton’s case received attention from the likes of Simone Beauvoir, Sartre and Camus, a “pied Read more ...
Laura de Lisle
I’ll admit, I’ve never been a fan of murder mysteries. Patience is not one of my virtues; if I can’t work something out in 30 seconds, I’m liable to give up, and whodunnits tend to need a bit longer than that. Sherlock Holmes: The Case of the Hung Parliament was, therefore, a lovely surprise: well-paced and earnest without taking itself too seriously, it’s a new interactive experience from Les Enfants Terribles, the company known for madcap, immersive work like their 2016 Olivier-nominated Alice’s Adventures Underground (which returned the following year). Don’t be fooled by Read more ...
Veronica Lee
Lockdown has been mostly pants for live performers, comics included. There was that brief foray into open-air performances last summer, made even more fun by some lovely weather (although not always) – and I sincerely hope that promoters and comics will venture outdoors again this spring and summer.But it was social media that created some breakout stars – whether on TikTok, Twitter, YouTube or elsewhere. Comedy couple Rachel Parris (The Mash Report) and actor-comic Marcus Brigstocke, an Edinburgh Fringe stalwart, were hardly unknown before Covid hit but they have become an internet sensation Read more ...
Miranda Heggie
Returning to the Wigmore Hall for another socially distanced concert, Edinburgh-born guitarist Sean Shibe brought a programme of moving, often melancholy music, apt for these still locked-down times. He opened with a trio of works by John Dowland written originally for lute. "Preludium" was delightfully intimate, Shibe expertly teasing out the subtleties of its emotion, while the descending chromaticism of "Forlorn Hope Fancy" was played with an almost jazzy sense; here Shibe toyed with the rhythm as he exposed the music’s crunchy discords. "Fantasia" began with a simply played melody which Read more ...
Kieron Tyler
Frànçois Marry’s sixth album as Frànçois & The Atlas Mountains evokes warm days spent lounging in fields of clover reflecting on friendship, places visited and journeys which could be undertaken. Banane Bleue’s 10 tracks are unhurried and delivered as if Marry had just woken up. Relatively, the chugging “Holly Go Lightly” is uptempo – but it’s still reserved.Musically, Banane Bleue is more Eighties sounding than previous Frànçois & The Atlas Mountains albums and comes across as a family friend of Belgium’s Antena, the early Elli Medeiros and él Records mainstay Louis Philippe. Marry’s Read more ...