Reviews
Adam Sweeting
According to one interviewee here, a young Mancunian woman festooned with eyeliner, tattoos, pumped-up lips and huge hoop earrings, a major motivation for having cosmetic treatments is to make yourself look like Kylie Jenner and the Kardashians. “Big lips, square jaw, tiny waist, big bum, big boobs – now it’s become commercial enough that we can get it,” she explained.This may not be an aspiration shared by everyone – and what happens if the Kardashians switch to a gamine, Twiggy-style new look? – but you might at least expect that the people who provide such easily-available appearance- Read more ...
Adam Sweeting
The story of the malignant fantasist Carl Beech is one of the more iniquitous episodes in British legal history, a stomach-turning swamp of lies, gullibility and heinous incompetence. It shook faith in some of our supposedly most robust institutions to the core, and Beech’s lies tainted the reputations of some innocent victims who went to their graves with a shadow still hanging over them.Vanessa Engle’s documentary (BBC Two) told Beech's story with a sardonic eye, though the repeated jokey images of a Pinocchio figure tended to undermine the gravity of the tale. In 2012 Beech had cashed in Read more ...
David Nice
In seach of Orpheus, and following a route from the Hades of (thankfully) masked beings on the underground to Archway, then up to a windy, grassy plateau just below Highgate village, this wandering critic encountered another myth about the power of life over death. Holst fashioned his Sāvitri, the only successful early (1907-8) fruit of the Sanskrit-translating composer’s quest to compose an Indian opera, as a short, bittersweet shoot from the riches of the epic Mahabhrata, remarkably concise (under half an hour) for its pre-war time. The composer thought it would be best performed in the Read more ...
David Nice
The protagonist is a Neapolitan teenage girl; the settings move between the upper and lower parts, from the Vomero area on the hill to the industrial zone, of a city which has long been the main territory of the writer who calls herself Elena Ferrante. We know her through her “writer’s journey” Frantumaglia as irrefutably a woman from Naples - “an extension of the body,” as she describes it there, “a matrix of perception, the term of comparison of every experience”. So it is that, as with all great fiction, the local touches on the universal, surely striking chords with everyone, male or Read more ...
India Lewis
Vesper Flights, Helen Macdonald’s first book following her incredibly successful memoir H is for Hawk in 2014, is an excellent collection of short pieces focused on the natural world. It’s wonderful to read a book on this subject, especially one by a woman writer, in a genre which (with notable exceptions like Kathleen Jamie) dominated by men. Macdonald has an anecdotal style, dense with information and delicately poetic. She also writes with great humour: I snorted with laughter at her chapter “Goats”. Vesper Flights is perhaps not as engaging as H is for Hawk, especially for those readers Read more ...
Kieron Tyler
A skim though the track listing confirms that this is no typical soul compilation. Actress and some-time pop singer Connie Stevens crops up. So does Johnny Mathis. Such seeming quirks are fitting as Thom Bell was never a typical arranger, producer or songwriter. There’s much more to the story than the timeless O’Jays and Stylistics hits he created for Gamble and Huff’s label Philadelphia International Records.Ready Or Not – Thom Bell's Philly Soul Arrangements & Productions 1965–1978 collects 23 tracks which Bell arranged, produced or wrote, or any combination first two and the last. The Read more ...
Matt Wolf
Musings on the agonies of adolescent love fall like dead weight in this wearying if well-acted adaptation by writer-director Richard Tanne of the 2016 Young Adult novel Our Chemical Hearts by Krystal Sutherland. 17-year-old Henry Page (Austin Abrams) falls hard for Grace Torn (Lili Reinhart, from TV's Riverdale), the indrawn new transfer student at his New Jersey high school who walks with a cane and speaks of needing her sins erased.Henry craves experience and gets rather more than he bargained for from the anguished Grace, with whom he bonds over Pablo Neruda sonnets and shared work on the Read more ...
Joseph Walsh
Canadian-Iranian director Sadaf Foroughi offers up a gut-wrenching tale of adolescent rebellion set against the strictures of an oppressive Middle Eastern society. It rivals the work of Asghar Farhadi in quality, telling the story of a 17-year-old student whose strong-willed ways lead her into conflict with her watchful parents and teachers. To Western eyes, Ava’s (Mahour Jabbari) acts of adolescent rebellion seem slight – wanting to study music wouldn’t often be met with disapproval by parents. At school she chats innocently with her best friend Melody (Shayesteh Sajadi), talking Read more ...
Richard Bratby
Birmingham emerged from musical lockdown with Stockhausen. It couldn’t have been anyone else, really. There’s something about Stockhausen’s fusion of modernity and goofy intergalactic romanticism that clearly strikes a chord in the Second City, where the last three decades of music have been measured out in landmark Stockhausen performances: Rattle’s CBSO performances of Gruppen, Birmingham Opera Company’s astonishing 2012 world premiere of Mittwoch aus Licht, and, in 1992, a massive open-air performance of Sternklang in Cannon Hill Park, under the direction of Stockhausen himself.In Read more ...
Joseph Walsh
The debate about whether violent films cause violent acts has been around for decades. From Mary Whitehouse’s puritanical crusade against films such as The Exorcist, to recent movies like Joker, pundits, columnists and even psychiatrists have wrangled over whether what we watch adversely influences our behaviour. And it’s often the horror genre that takes the brunt of the debate. Now actor-turned-director/screenwriter, Jay Baruchel wades in with his highly stylised slasher that seeks to unpick this complex problem. You might not expect the man who voiced Hiccup in the How Read more ...
David Nice
If it all comes across as vividly as this on screen, imagine what it would have been like to witness in person. Which quite a few of us very nearly did, until we had to be disinvited owing to changed government guidelines. Hopefully the move back to reopening of concert halls will admit us in limited numbers to the Wigmore Hall in September, and what a feast it is from this pioneering set-up: 100 events planned up to 22 December, all to be livestreamed (the qualification being that they really ought to charge a small amount for viewing; everything for free makes it hard on smaller outfits Read more ...
Adam Sweeting
“Manctopia” sounds like a blissed-out buzzword from the golden years of New Order and Happy Mondays, but in this four-part series (BBC Two) it’s used to describe the explosive redevelopment of Manchester. One of the fastest growing cities in Europe, it has been experiencing a sci-fi-like eruption of skyscrapers and upscale residential properties, and with London prices at astronomical levels, Manchester has been delighting property investors with its lucrative returns. Salford's burgeoning MediaCityUK, now the second home of the BBC, has been a further signifier of the city’s rising prestige. Read more ...