Reviews
Adam Sweeting
James Graham’s play Quiz was a hit in Chichester in 2017 and then made a much-admired transfer to the West End. Considering its subject matter – the fabled “Coughing Major”, Charles Ingram, who allegedly cheated his way to the titular seven-figure sum on Who Wants to Be a Millionaire? – it was a natural for TV.Under the suave directorial hand of Stephen Frears, Graham’s three-part adaptation of his play told the Ingram story with wit and sparkle, though sadly viewers weren't able to vote in the way theatre-goers were. It didn't just focus on the supposed crime and its aftermath, but also Read more ...
Veronica Lee
A camel is a horse designed by committee, they say; perhaps that explains why The Host, with several writing credits – adapted by Zachary Weckstein from a story by Laurence Lamers, screenplay by Finola Geraghty, Brendan Bishop and Lamers – doesn't really know what it is. Part suspense thriller, part crime caper, but mostly a Hitchcock rip-off (although I'm sure the creators would call it “homage”).It starts so promisingly, with Saul Bass-esque opening titles, but then we get into tale that becomes bogged down with trivial details. After being dumped by the married colleague with whom he has Read more ...
Kieron Tyler
Open-mouthed incredulity is a reasonable reaction to this 2012 documentary on one of the UK’s prime punk-spawned bands, available on catch-up via streaming service Now TV’s tie-in with Sky Arts. There’s not much “rise” but there’s an awful lot of “fall” in The Rise and Fall of The Clash.After coalescing between April and June 1976 in the slipstream of the Sex Pistols, The Clash fell apart in November 1985. The end came at the same time as the release of what became their final album, Cut The Crap. Reviewing it for the music weekly Melody Maker, Adam Sweeting said “Guess what? It’s CRAP! And Read more ...
Florence Hallett
One year on the world is drastically altered, but footage of Notre Dame’s stricken spire collapsing in flames is no less shocking. That this event, endlessly replayed, has not paled against the new reality of daily death tolls is testament to the scale of the loss. As the rector of Notre Dame, Patrick Chauvet put it: “Notre Dame is not just Paris, it’s France and beyond France, it’s the world.”By the time a fire was discovered at 6.43pm, more than 30 minutes had elapsed since a sensor had detected smoke in the attic, and Notre Dame, one of the great monuments of Gothic architecture, was Read more ...
Adam Sweeting
The case of the British teenager allegedly raped by a group of young Israeli men in Ayia Napa in Cyprus last year, only to find herself convicted of “public mischief”, has built up a head of steam in the international press and has provoked outrage among women’s movements and rights campaigners. Reactions were triggered not just by the nature of the act itself, but also by the way the case was handled by the Cypriot authorities.This ITV investigation, presented by a concerned-looking Julie Etchingham, did a thorough job of laying out the known facts, sifting through the legal arguments Read more ...
Adam Sweeting
Days before the Cambodian capital Phnom Penh fell to the Khmer Rouge in 1975, orphaned baby Li-Da was flown out of the country, and was eventually adopted by Prue Leith and her husband Rayne. Leith’s culinary star was rising rapidly, and her husband was a successful writer and businessman. Their Cotswolds home became a fairytale setting in which their adopted daughter could make a fresh start.In this fascinating film (for Channel 4) about her trip back to Cambodia with her daughter, Leith admitted that she never felt much curiosity about Li-Da’s family and her Cambodian background, and never Read more ...
Matt Wolf
Twelfth Night is rarely long-absent from the British stage and nor is it in our current climate of streaming aplenty. This 2017 production for the RSC from the director Christopher Luscombe will soon be followed online by the National Theatre’s gender-flipped version, with Tamsin Greig as Malvolia, which actually preceded this Stratford production at the time.What kind of Twelfth Night is this? Conceptually busy and ingenious, to be sure, and arguably too much so: one feels on occasion that the inventive Luscombe has thrown every possible idea into the mix while stinting at times on the Read more ...
Jill Chuah Masters
Watching Run, HBO’s newest seven-part series, feels like off-the-rails escapism: it’s a fast-paced thriller about dropping everything, chasing intimacy and courting danger. It’s a vicarious adventure centred on a woman who has spent too long stuck at home. Run has hit our screens at the best possible time.The series starts in a parking lot. Ruby Richardson (Merritt Wever) — the thriller’s presumed heroine — is a yoga-going, 4WD-driving suburban mum. Might not sound thrilling, but the atmosphere is there: from the opening shot the air is thick with tension. Ruby ends a call with her husband Read more ...
aleks.sierz
Reviewing theatre now means reviewing film. Knowing that Emma Rice’s Old Vic 2018 production of Wise Children, her typically rambunctious version of Angela Carter’s last novel, published in 1991, has been recorded by The Space immediately raises expectations of high quality. After all, this company specializes in digitally bringing good art to wider audiences. As you’d expect for a show that is now streaming on BBC iplayer, and will be broadcast on BBC Four in due course, the filming is well directed and edited. But what about the play?The plot tells the story of Brixton-born twins Dora and Read more ...
Veronica Lee
Who knew in the early days of his career, when Simon Amstell was taking the mick out of celebrities on Popworld and then Never Mind the Buzzcocks, that he would turn into one of the cleverest comics of his generation, with a special talent for making existential angst funny?And now the latest of his amusing navel-gazing stand-up shows is Set Free (recorded late last year). In it he turns his soul-searching – for which read his search for his father's approval – into a form of group therapy with a barrel of laughs thrown in.The comic sets out by saying: “The problem with humanity at the Read more ...
Marianka Swain
This week’s gem from the Hampstead’s vaults is Howard Brenton’s political drama from 2013, telling the extraordinary, stranger-than-fiction story of Cyril Radcliffe and his 1947 mission: to arrange the Partition of India in just five weeks. A tale of battling ideologies, gross colonial arrogance and disregard, and the unlikely significance of an extramarital affair, this history lesson makes for surprisingly gripping theatre – and, to Brenton’s great credit, he manages a lucid account of this complex, seismic undertaking in less than two hours.Lawyer-turned-bureaucrat Cyril Radcliffe (Tom Read more ...
Markie Robson-Scott
Instant spoiler alert: she’s not dead. But do we care? Prepare for the plumbing of new psychological depths from showrunner Suzanne Heathcote, previously story editor, appropriately enough, on Fear the Walking Dead, but that may not be enough to keep series 3 from veering into slightly dull and serviceable territory, judging by the first three episodes. Murderous clowns at a kids’ party, for example, have surely been done to death.At the end of series 2, Eve Polastri (Sandra Oh) was, if you remember, shot and apparently killed by Villanelle (Jodie Comer) in a Roman ruin after Eve rejected her Read more ...