Reviews
Thomas H. Green
Given the times, theartsdesk’s New Music section is starting weekly round-ups of new streaming fare to liven the spirits and entertainingly pass the time during this lockdown. Here are our first five suggestions. Dive in!Light In The Attic ShowcaseThe archival/reissue label Light In The Attic put together an impressive continent-hopping set of live-from-home performances, running the gamut from veteran Brazilian musician Marcos Valle to Alex Mass of Texan fuzz-rockers The Black Angels. Mostly cover versions, the biggest name is probably Jarvis Cocker who, psychedelically shadowed, offers a Read more ...
Joseph Walsh
The world might have changed drastically in the wake of Covid-19, but thankfully those hyperactive, candy-coloured Trolls haven’t. Anna Kendrick and Justin Timberlake are back as the delightful odd-couple, Poppy and Branch, for round two of pop-infused peppy animated adventure in the land of felt and feelings, where music can solve a myriad of problems. The first movie was a gleeful delight. Yes, it was slight on plot, but it possessed an infectious optimism and a message of love and acceptance. It wasn’t going to have the bosses at Pixar quaking in their boots, but it was an undeniable Read more ...
Bernard Hughes
When I saw that the Berlin Philharmonic had thrown open the doors to its virtual concert hall the thing that most interested me was to see some Karajan. When I was a child in the mid-1980s I lived for a while in Berlin and my father took me to the Philharmonie several times. I remember seeing Karajan, then in the final years of his long Berlin reign. His conducting was minimal – helped onto the stage, seated on the podium and conducting with sometimes barely perceptible gestures – but there was an aura that was palpable.Although by the mid-1980s Karajan was physically diminished, in the Read more ...
Adam Sweeting
Creating the opening episode of a new comedy series is like flipping pancakes with one hand while playing the Moonlight Sonata with the other. You have to introduce your characters and invent the world they live in, while squeezing in enough plot to keep the action moving.So high-fives to Sophie Willan, the first recipient of the BBC's Caroline Aherne writing bursary, for getting Alma’s Not Normal (BBC Two) off to a flyer. It’s a story of grungy, low-life Bolton, peopled with characters teetering between tragedy and farce. Willan plays Alma, the unemployed and barely educated daughter of drug Read more ...
Nick Hasted
“They say we all have a beast locked up inside of us,” a character observes early in this Korean crime movie. Monsters are certainly chewing at the moral fibre of police captains Jung (Lee Sung-min) and Han (Yoo Jae-myung) as they corruptly pursue promotion. The serial killer they race to capture, like the schoolgirl he’s torn to pieces, become incidental to ambition, and the tendrils of vengeance which turn jungle-thick in its wake.Jung-ho Lee’s remake of the French thriller 36th Precinct, which starred Gerard Depardieu and Daniel Auteuil as romantic as well as career rivals, throws elements Read more ...
aleks.sierz
She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are way out of control. She knows that the natural world is pretty fucked, and that nothing grows in the earth any more — well, at least not on her patch. She knows that the gators, the semi-aquatic reptiles that used to live in swamps, have now taken to strolling through cities. And that they fall in love with humans, and serenade them, and feel bad when they are rejected. She also knows that there are codes of behaviour — ways of doing things in everyday life that are right, and those that are wrong Read more ...
Thomas H. Green
ZZ Top always seemed like a Texan version of Status Quo. It turns out, from watching this entertaining but hardly revelatory documentary, that is kind of what they are. Directed by Canadian Sam Dunn, best known for his 2005 documentary, Metal: A Headbanger’s Journey, the film follows Dusty Hill, Billy Gibbons and Frank Beard as they go from Hicksville also-rans to global megastars, while hardly changing their bar room blues boogie a jot.The hour-and-a-half documentary is good on their convoluted beginnings, clearly laying out their stints in various wannabe-Beatles/Stones 1960s outfits, with Read more ...
Matt Wolf
The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily apposite remarks to be found in Wonderland, the Beth Steel drama set in the early 1980s that marks the second in the Hampstead Theatre’s sequence of three productions streamed across as many weeks: Howard Brenton’s Drawing the Line comes next, and last.And what a pleasure it is to be reacquainted with the muscular drama – the author’s second-ever play – that brought Steel a 2014 Evening Standard Theatre Award for Most Promising Playwright. The Read more ...
David Nice
One way to look at Stravinsky's celebrated collaboration with W H Auden and Chester Kallman is as a numbers opera in nine pictures, four of them indebted to Hogarth's series of paintings/prints. So it's not surprising that visual flair has marked out three significant productions: John Cox’s for Glyndebourne, “starring” David Hockney’s cross-hatched homage to Hogarth in 1975 and still going strong; Robert Lepage’s 1940s Hollywood tale in 2007; and, a decade later, this, Simon McBurney’s contemporary version first seen in Aix-en-Provence (but not so far in the UK, hence our gratitude to Read more ...
Sarah Collins
When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to get in touch with him. She wanted to inform Amer, an intelligent and creative 18-year-old who had once harboured journalistic ambitions, that his pitch to develop a project about identity in his hometown had been successful. The Heritage Lottery fund had decided to award him £50,000.The news of his success came too late. On route to another life as a jihadi fighting for Jabhat al-Nusra, an Al Qaeda affiliated rebel group in Syria, Amer Deghayes had Read more ...
Adam Sweeting
When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April 1945, the BBC’s reporter Richard Dimbleby was there to record the occasion. It was Dimbleby’s report for BBC radio, describing how he’d been plunged “into the world of a nightmare”, that alerted the wider world to the scale of the horrors which the Nazis had been perpetrating in the camps. The BBC producers in London were so appalled by Dimbleby’s account that they were proposing not to broadcast it, until he threatened to resign if they didn’t.There were Read more ...
Adam Sweeting
Director Oleg Stepchenko’s follow-up to his 2014 yarn Forbidden Kingdom swaps the latter’s Transylvania for a fantastical computer-generated frolic round 18th century Russia and China, as pioneering cartographer Jonathan Green (Jason Flemyng) sets out to map the extremities of the known world. However, the plot grows increasingly incomprehensible as layers of lunatic action scenes and fairy-tale fantasy are piled on top of it.At its core is a Chinese fable about a magic dragon chained up by a wicked princess and the Black Wizards. In a process perhaps only students of Chinese folklore would Read more ...