Reviews
Adam Sweeting
The benefits system is feared for its resemblance to a vast poisonous swamp, from whose clutches many travellers fail to return. Universal Credit began to be rolled out in 2013, having been announced in 2010 by Conservative work and pensions secretary Iain Duncan Smith, and was supposed to bulldoze a path through the welfare jungle. However, it remains mired in controversy.Critics claim the system is complicated to navigate, and causes delays in payment which can drive claimants into homelessness or force them to rely on food banks. Only this week it was announced that the full implementation Read more ...
Adam Sweeting
Inspector Muhsin al-Khafaji of the Iraqi police may be set to become one of those classically dog-eared, depressed and down-at-heel detectives who have proliferated in crime fiction. He could join a lineage that includes Martin Cruz Smith’s battered Russian sleuth Arkady Renko, or Bernie Gunther, anti-hero of Philip Kerr’s Berlin Noir trilogy. Or he may create his own category of one.Like the aforementioned, Khafaji finds himself battling for survival against a hostile regime (or at least the chaotic and combustible remains of one, as the heavy-handed Americans impose themselves on a Read more ...
Peter Quantrill
Where to begin with the most appropriated musician in history? The Barbican’s Beethoven 250 celebrations got off to an auspicious start with a weekend of events, styled like a pop festival, which nonetheless put the composer back where he belonged – in Vienna, at the turn of the 18th century – and set fire to some tenacious myths.Struggle, transcendence and humour – music that laughs, often through gritted teeth – are the hallmarks of Beethoven’s work. Forget the Ninth’s appropriation as a crutch to prop up manifestos of every stripe: young and not-so-young listeners were entranced at the Read more ...
Kieron Tyler
U-Bahn’s second-ever live show outside their home country Australia took place in Aalborg, in Jutland, in the north of Denmark. They were in this congenial, routinely rain-sodden city last weekend for Northern Winter Beat, the annual festival of established, offbeat and up-and-coming musical adventurers.The Melbourne oddballs’ (pictured above) debut album attracted attention for its seeming determination to borrow much of the early Devo’s shtick. Live, however, they are something else. The herk-jerk, tick-tock patterns are present and correct but what’s apparent a minute into “Beta Boyz”, Read more ...
Sarah Kent
“I forgive you,” he said. “I forgive you… for the bombs.” Spoken by a young Muslim in measured tones that can’t hide his fear, these chilling words recall a random encounter with a stranger. Written and directed by Imran Perretta and based on his own experiences of growing up in London, the destructors provides harrowing insights into what it’s like to be seen by society as a potential threat, a terrorist in the making. Not long after 9/11, the attack on the Twin Towers has created an atmosphere of suspicion and distrust, which registers on the stranger’s face in an “obscene gaze, full Read more ...
Marina Vaizey
Are you a fan of oysters or Marmite? Mary Beard is not to everybody’s taste, but love her or loathe her she is not only a distinguished academic but a ubiquitous writer and presenter of classical histories, connected travels, and ruminations on societal problems. She is enthusiastic, staggeringly energetic, erudite, profoundly knowledgable, the antithesis of fashionable in both opinion and appearance.Surprisingly, this survey (on BBC Two) of representations of the nude in Western art was unusually bland, at times banal, even though our presenter obviously set out to be provoking. There are a Read more ...
Lisa-Marie Ferla
While there’s usually something for everybody on the Celtic Connections festival programme, where Glasgow’s midwinter festival tends to shine is in its collaborations and special events. Over the past 18 days the city has hosted folk icon Peggy Seeger on a cross-generational bill with her songs Calum and Neill MacColll; Glasgow singer-songwriter Beerjacket performing with the Cairn String Quartet; a new orchestral symphony inspired by the Declaration of Arbroath in its 700th anniversary year; and the annual Transatlantic Sessions shows, featuring lovingly curated lineups of musicians from Read more ...
Sebastian Scotney
Wigmore Hall audiences don’t usually roar. But when a star soprano who has already made her mark at the world’s major opera houses pays a visit, they do. This was the Albanian-born and now New York-based soprano Ermonela Jaho’s debut at the hall, an event which also marked the opening of the 50th anniversary year of Opera Rara, with whom Jaho has an extremely fruitful collaboration. The concert had been fitted into the Wigmore Hall’s programme at relatively short notice and sold out quickly.The moments that brought on the most vociferous baying from the packed house were opera extracts, Read more ...
mark.kidel
Anaïs Mitchell should be a star: she sings like a dream, oozes presence and charisma, and writes songs of classic simplicity, poetry and depth. Her other outstanding quality is a natural modesty and a delight in just being herself on stage, and sharing the joys of music-making with her fellow-musicians and the audience.Throughout the scintillating evening of her Roundhouse show, she never posed, sought attention or relied on well-rehearsed patter. She acted as if she were in her own front-room: relaxed, at times endearingly hesitant, and at others fiercely engaged with the emotions of her Read more ...
graham.rickson
French orchestras haven’t sounded distinctively Gallic for decades; François-Xavier Roth’s brilliant period band Les Siécles does use idiosyncratic French instruments but their polish and sheen is very modern. Still, close your eyes while Alexandre Bloch’s Orchestre National de Lille are playing Ravel and you’re struck by the polish, the elegance of the playing. Open them and marvel at how Bloch’s dance-like podium manner is matched by the musicians’ fluid movements. Even a castanet and tambourine exchange during Debussy’s Ibéria was a visual treat. The relationship between conductor and Read more ...
Veronica Lee
No more glitzy and glam musical shows for Jayde Adams, the comic tells us at the top of the hour. Now, after a few years in the business, she wants to be taken seriously (or seriously enough to host Crazy Delicious on Channel 4), so the sequinned Spandex has gone into storage – “no more camel toes” – and she's popped on jeans and a black turtleneck. In The Ballad of Kylie Jenner's Old Face she has something serious to say, and people will listen because of that black jumper, as previously modelled by Angelina Jolie. It screams earnestness. Actually, Adams does have something serious to Read more ...
David Nice
Of Wagner's four Ring operas, Siegfried poses the biggest casting problem. Most heroic tenors with the lungs to last the evening are not going to be ideal incarnations of the stroppy adolescent who learns and fights his way through an often nightmarish fairy-tale landscape. Torsten Kerl, not an agile mover to say the least, certainly wasn't. But complemented by similarly strong vocal performances of varying degrees of dramatic expressivity, and above all perfectly supported by the iridescent safety net of the London Philharmonic Orchestra conducted by Vladimir Jurowski, who show clarity of Read more ...