Reviews
Gavin Dixon
#Beethoven250 is in full swing at the Barbican. Like most venues, they are keen to show a different side to the composer in his jubilee year. And the oratorio Christ on the Mount of Olives ticks all sorts of anniversary boxes. The work is utterly obscure - not a single one of the musicians this evening had performed it before - but it’s large-scale and ambitious, with plenty of opportunities to shine, especially for the chorus and soloists. It was paired with Berg’s Violin Concerto, played by Lisa Batiashvili, an equally virtuosic performance, though of a more subdued work. An ideal balance. Read more ...
Nadine Meisner
It’s no surprise that audiences love John Cranko’s Onegin, with its vividly economical narrative (close to Tchaikovsky’s opera), attractive decors by Jürgen Rose, and intelligent drama. True, it feels a tad old-fashioned – although that, as my neighbour observed, is part of the charm. Performers love it too, for the meaty roles it gives to its principals and the emotional swoop of their dances. You just have to make sure that you are absolutely right for the task, as the otherwise irreproachable Vadim Muntagirov found out at the eleventh hour, causing him to be replaced in the title role by Read more ...
Marianka Swain
“Take our country back!” is the rallying cry of the self-identified “real” Americans gathered to protest the arrival of immigrants. It could be a contemporary Trump rally – or, indeed, the nastier side of current British political discourse – but in fact this scene is from a 1986 musical, set in 1910, from an all-star creative team: book by Joseph Stein (Fiddler on the Roof), score by Charles Strouse (Annie) and lyrics by Stephen Schwartz (Wicked). Despite that pedigree, it bombed on Broadway, but this opportune revival, transferred from Manchester’s Hope Mill Theatre, gains potency by Read more ...
Richard Bratby
“Try to imagine the whole universe beginning to ring and resound” wrote Gustav Mahler of his Eighth Symphony. “There are no longer human voices, but planets and suns revolving.” It’s an image that captures the impossible scale and mind-boggling ambition of this so called “Symphony of a Thousand”. But it doesn’t begin to do justice to the freshness, clarity and sheer headlong energy of this performance by the City of Birmingham Symphony Orchestra and no fewer than five choruses under the direction of Mirga Gražinytė-Tyla. Doesn’t the Earth alone move at 67,000 miles per hour? With around 600 Read more ...
Veronica Lee
Musical comedy siblings Nicola and Rosie Dempsey (Flo and Joan were their grandmother and great-aunt's names) get along very well – even being mistaken for lovers by one Paris hotel who gave them a double bed – and certainly their chat between songs, where they politely interrupt each other and finish each other's sentences, is testimony to that. So the inspiration for their new show, Before the Screaming Starts – in which they consider the possibility that their professional partnership might end in personal bitterness – was, they say, the now infamous Bros documentary After the Screaming Read more ...
Jessica Payn
"The deaf don’t believe in silence. Silence is the invention of the hearing." This is one of two author’s "Notes" to Ilya Kaminsky’s latest collection, Deaf Republic, which was nominated for this year’s T. S. Eliot Prize. As an afterword, the note acts as a cautionary gloss on the silences within the preceding poems: do not take these at face-value, as absences of sound. Instead, they seem to ask us to think of silence as a shorthand for ideas of courage, fortitude – silence as "a soul’s noise".By turns joyous and calamitous, aching and prescient, the collection follows more than ten years on Read more ...
Kieron Tyler
Commercially, The Beloved’s peak years kicked off in autumn 1989 when their electro house-pop began its chart run. The band called it a day in 1996 after the X album and its attendant singles. Throughout the period, they dealt in a form of house music – indeed, their final hit single “Ease the Pressure” was built around an acid house pulse and the sort of gospel-inclined chorus that was de rigueur for white, British dance-inclined outfits to show they had soul.There was a back story. Like Primal Scream, The Soup Dragons and all the others, The Beloved were an Eighties indie-circuit staple Read more ...
Daniel Lewis
Like many writers, Jeet Thayil is a bit of an outsider. And, if his track record is anything to go by, he has been happy to keep it that way. The poet, novelist, editor, performer and former addict spent a couple of decades rubbing shoulders with the writers, artists and eccentrics of bohemian Mumbai before putting pen to paper in the late 90s and, eventually, offering a glimpse of that underworld in his kaleidoscopic first novel, Narcopolis.After courting one literary prize (the 2012 Man Booker) and picking up another (the 2013 DSC Prize for South Asian Literature), his sophomore effort, The Read more ...
Nick Hasted
Terrence Malick returns to his former greatness following three features of unscripted, all-star poesy, with this sombre biopic of sainted Austrian conscientious objector Franz Jägerstätter (August Diehl). A farmer who refused to swear the Hitler Oath when called up, Franz remains beatifically strong in Nazi jails, rejecting the compromises that could save him. His wife Franziska (Valerie Pachner), the initial source of his profound Christian faith, is ostracised alongside their young daughters for his pains, in scenes of sullen mob cruelty worse than his physical torture.Malick’s inveterate Read more ...
Adam Sweeting
If nothing else, you’d want to tune in to Cobra (Sky 1) for its cast. Robert Carlyle is steely and decisive as Prime Minister Robert Sutherland, his indispensable fixer Anna Marshall is played by Victoria “Queen Mother” Hamilton, and David Haig oozes bullying malevolence as Home Secretary Archie Glover-Morgan. Solid support from Lucy Cohu and Richard Dormer adds up to a substantial thespathon.Whether the story, penned by Spooks and The Tunnel writer Ben Richards, will carry us convincingly to the finishing tape remains to be seen, but this opener was an amusing blend of political knife- Read more ...
Robert Beale
Finding one piece for marimba soloist and string orchestra would tax the powers of many concert planners, never mind coming up with two, so the Northern Chamber Orchestra is to be congratulated on its first Manchester performance of 2020 – especially since they found two concerto-style works from almost the same point in recent time: 2009 and 2010. Qualify that by adding that one has a second soloist, a clarinet, but impressive nonetheless.Colin Currie was the star marimba soloist for both Stephen Barlow’s Nocturne for clarinet, marimba and strings and Kurt Schwertsik’s marimba concerto Read more ...
India Lewis
Published in the year following Orr’s death at the age of 57, Motherwell is an analysis of the author’s childhood in Motherwell, on the outskirts of Glasgow, and her first steps into adulthood. However, while this book is ostensibly about Deborah Orr the child, it is as much about her parents, John and Win, and about Deborah Orr the adult. Everything seeps into everything else, just as Win seeped into Orr’s life, claiming her daughter’s whole being as her own. As Orr recognises in retrospect, “I realise now that my mother’s main trouble was her pathological inability to understand at all that Read more ...