Reviews
Boyd Tonkin
Alina Ibragimova’s solo journey (in 2015) through the peaks and abysses of Bach’s Sonatas and Partitas gave me vivid Proms memories to treasure for a lifetime. The Russian-born violinist’s Bach abounds in both majesty and tenderness, as well as a consuming fire of intensity when the music so demands. She brought something of the same quality to her performance last night of Mendelssohn’s E minor concerto at the Barbican. Nathalie Stutzmann conducted the London Symphony Orchestra in a menu of well-seasoned 19th-century favourites that began with generous chunks of Wagner’s Tannhäuser and Read more ...
Saskia Baron
The Safdie brothers, Josh and Benny, once programmed a season of films entitled Emotional Sloppy Manic Cinema, and if sloppy is subtracted from that description, it’s a pretty accurate summation of their work here in Uncut Gems. This is edge-of-the-seat filmmaking, with vertiginous camerawork by Darius Khondji and a relentless, immersive soundscape of electronica and layered dialogue.Adam Sandler, transformed with false teeth and a dazzling selection of designer shirts and shades, plays Howard Ratner. He’s a compulsive gambler and jewellery dealer who sells diamond encrusted Furbies and dodgy Read more ...
Jenny Gilbert
It’s unlikely that Lord Byron would recognise much about Le Corsaire. Beyond the characters’ names and the Ottoman location, there is little trace of the 1814 bestselling verse-novel on whose fame the ballet hitched a ride. Its plot is very silly indeed – a tale of abducted slave girls and piratical derring-do with added 19th-century ballet tropes of poisoned flowers and opium-induced dreams, not to mention a shipwreck in the final three minutes. It’s the kind of hokum it normally takes a big Russian company to bring off, but in this revival of Anna-Marie Holmes’s 2013 production English Read more ...
David Nice
Assuming the world holds together that long, there will be something we can rely on annually all the way to 2041, the 250th anniversary of Mozart's death: among the celebrations each year, a Wigmore Hall concert like this one, placing Amadeus among the other composers of his time, great and small(er). For very occasion we'll trust the brilliant Ian Page to assemble a crack team of players and to introduce us to new voices of outstanding quality.Last night it was the turn of soprano Samantha Clarke, not long graduated from the Guildhall School, taking its 2019 gold medal, and flagged up here Read more ...
Joseph Walsh
It’s 1968, and Seberg leaves her husband, Romain Gary (Yvan Attal) and son, Alexandre (Gabriel Sky) for an audition in Hollywood. She seems happy to be going. Touching down in LAX she joins a group of black activists, led by Hakim Jamal (Anthony Mackie), and offers up a black power salute. Her intentions are unclear. Is this an act of solidarity in the fight for racial equality or a publicity stunt? It’s hard to tell, but it’s caught the attention of the FBI, and there are far reaching consequences.Rachel Morrison’s crisp, elegant camera work and Jahmin Assa’s lavish production design, add an Read more ...
Veronica Lee
Mischief Theatre's “Goes Wrong” oeuvre is now well established: broad humour combined with physical comedy and slapstick mishaps. Magic Goes Wrong, though, is the company's first outside collaboration – with American magicians Penn & Teller, themselves purveyors of fine spoof comedy of the ta-da! kind.The set-up here is that we are at a fundraiser for Disasters in Magic charity, prompted by our host, Sophisticato (Henry Shields, main picture) recently losing his magician dad in a freak accident involving an attic stuffed with his props. As you might expect, the evening is on a steady Read more ...
Demetrios Matheou
The greatest war films are those which capture the terrifying physical and psychological ordeal that soldiers face, along with the sheer folly and waste of it all – Paths of Glory, Come and See, Apocalypse Now, Saving Private Ryan, most recently Dunkirk. Sam Mendes’ 1917, which has just won two Golden Globes and could well triumph at the Oscars, joins their ranks.Inspired by the stories of his late grandfather, who fought in the First World War, Mendes has forged a film that combines the contrivance of a race-against-time thriller with the verisimilitude of documentary, astonishing Read more ...
David Nice
The devil wore all manner of outlandish attire in last night's chameleonic programme devised by Peter Ash, the London Schools Symphony Orchestra's challenging artistic director. There was searing verse from Marlowe, Milton and Goethe; music from Berlioz, Mendelssohn and Liszt to Penderecki and Schnittke featuring waltzes, marches, a galop and a Hammer-horror tango; and performers aged from 13 to 80.Holding it all magnificently together were the encouraging, unfussy guidance of master orchestral and conducting trainer Sian Edwards and the supreme authority of Janet Suzman, viscerally exciting Read more ...
Owen Richards
Oh how British indies love a road trip. Trekking across the rugged landscape, meeting a colourful cast of characters, realising it’s not the destination but the journey. It takes something special to stand out from the pack. The Runaways, debut feature from Richard Heap, has that something special.Reith (Mark Addy, pictured below with Molly Windsor) and his three kids Angie, Ben and Polly run the donkey rides at Whitby beach. It’s a hardy life, cramped into a hut with a pittance to their name, but they have each other. This existence is turned on its head when Reith’s brother Bryce returns Read more ...
Veronica Lee
It's the smallest lies that can bring you down. When he is asked by a detective how he got on with his family, who have just been murdered in a mass shooting at their Essex farm, Jeremy Bamber (Freddie Fox) says: “Really well. We were friends.” A quizzical look briefly scutters across the face of his cousin Ann Eaton (Gemma Whelan) who overhears. As this six-part series unfolds, we will see that it was pointless mistruths like that that would help bring about Bamber's eventual undoing.It was one of many subtle moments of doubt dropped into ITV's White House Farm, which tells the story of how Read more ...
Jonestown: Terror in the Jungle, BBC Four review - meticulous account of a haunting American tragedy
Adam Sweeting
It happened 42 years ago, but the mass suicide of 900 people at the Jonestown settlement in Guyana is still an event that freezes the blood. They were members of the Peoples Temple, the semi-totalitarian cult founded by Jim Jones, who began as a mere egomaniac but morphed into a bullying dictator convinced of his own God-like powers.This was the first of two 80-minute Storyville films (on BBC Four) but the length paid off, allowing director Shan Nicholson to assemble a meticulously detailed portrait of the way Jones built up his “Temple” and persuaded ostensibly rational people to follow him Read more ...
Laura de Lisle
The Tyler sisters start as they mean to go on: bickering. Middle sister Gail (Bryony Hannah) has come home from uni to find that youngest Katrina (Angela Griffin) has stolen her room. “What about Maddy’s? Why didn’t you take that?” Gail snaps. “She’s in it,” Katrina points out. “I am in it, to be fair,” confirms eldest Maddy (Caroline Faber), trying her best not to take sides. “I am actually in it.”A traditional family drama might have maintained this dynamic throughout – so often in plays and television series, we see the same feuds arising between the same siblings in later life – even as Read more ...