Reviews
Nick Hasted
Kano’s lyrics often sound like a wake, mixing mournfulness and anger as they raise a toast to fallen friends on abandoned estates, casualties of crushing pressures alien to the authorities who pronounce on them in the tabloids and parliament. Hoodies All Summer is the sixth of his increasingly ambitious albums mixing snapshots and panoramas of East London life, making notebook observations and cogent protest calls, during a fifteen-year career which has earned Kano his crown as a grime king. His musical sophistication, both slick and urgent, is a far cry from early hip-hop and grime gigs Read more ...
Jessica Duchen
Maybe some British opera houses just don’t get operetta. Without wit, lightness and snappy pace, cudgelling us with desperate relevance, the frothiest works crash to earth stone cold dead. There have been disasters elsewhere, too, though ENO is the chief culprit, and (after a miserable Merry Widow and a fearful Fledermaus) this one is the nail in the coffenbach. If you think that’s a bad joke, wait til you hear the ones on stage.In the myth of Orpheus, the demigod’s bride, Eurydice, dies of a snakebite; he goes to Hades to persuade the god of the underworld, through Read more ...
David Nice
From the epic-lyric heaven storming of Beethoven's last three piano sonatas to the lyric-epic dances on the volcano of Schubert's two late piano trios isn't so big a leap, especially when you have the clairvoyant poise between colossal and intimate of the great Elisabeth Leonskaja. After her late-night solo turn at the Wigmore three Sundays ago, she was joined last night by two other superb instrumentalists who seem to have a direct and unshowy line to genius, violinist Liza Ferschtman and cellist István Várdai.It isn't clear which of the two trios was composed first, though both appeared on Read more ...
Jonathan Geddes
The onstage arrival of Two Door Cinema Club was heralded by a tongue-in-cheek video countdown that reached zero and then flashed up an error message, before asking the crowd to “try again”. In truth, the band’s own performance was never likely to hit any hitches, being the sort of well-honed and slick display that you would expect from a group who have been touring steadily for the past several months. That is both a positive and a negative.The trio, augmented by synths man Jacob Berry and drummer Benjamin Thompson, started fast, though. They write songs well suited to the weekend, to Read more ...
Boyd Tonkin
Almost exactly a century after the Weimar Republic’s constitution took effect, English Touring Opera presents a show whose birth coincided with the Republic's untimely death. His third collaboration with the prolific, maverick playwright Georg Kaiser, Kurt Weill’s The Silver Lake (Der Silbersee) opened in three German cities (Leipzig, Magdeburg and Erfurt) just 19 days after Hitler had come to power in 1933. Although it lacks much of the acid topicality and mischief that marks Weill’s partnerships with Bertolt Brecht, that did not stop the newly-empowered Nazis from swiftly closing the Read more ...
Sarah Collins
“Adorable cock, nothing too dramatic, suitable for many situations,” remarks Monica on the penis of her university boyfriend. She is the candid protagonist of ‘Sentimental Education’, the second of 19 short stories that form Grand Union, an eclectic, wide-ranging collection that is both joyful and unsettling in its exploration of philosophical, existential and political themes. ‘Sentimental Education’ showcases the Smith we know and love, who creates characters both exquisitely observed and impossibly eccentric. Monica, who sees men as muses, is just one among many. She cherishes the feeling Read more ...
Saskia Baron
There used to be this myth that we knew nothing about the concentration camps until the victors opened their gates in 1945, and that the survivors were then nursed back to health. The Russians put out newsreels filmed weeks later of nurses tending to the children of Auschwitz, but the reality was that many had already been marched by the Nazis in the final stages of the war to camps like Gross-Rosen in south western Poland. And often when they were liberated, those children became just more human flotsam in the displaced persons camps that scarred Poland and Germany for years after the war Read more ...
Marina Vaizey
Joanna Cannon was a wild card. She left school at 15 with one O-level and after various jobs, including working as a barmaid, she was given a place at medical school. The admissions professor accepted a wild card a year, someone whose path had been unconventional. She trained through her 30s and qualified in her 40s. She subsequently practiced as an NHS psychiatrist — but only for a few years. After her first novel become a best-seller, she left. Her experiences indicate that the emotional toll was too much, but she has now published this series of tightly argued glimpses into her Read more ...
Kieron Tyler
The Hollywood Stars were not shy. In 1976, in keeping with their assertive handle, they sang “some last a year, then disappear as if they were magicians, but while I’m here no need to fear at the top I’m a pop musician, they call me the Houdini of rock 'n' roll because I’m number one on the radio...what is the secret they want to know.” The song, a crunchy riff-laden glam-indebted pop-rocker, was titled “Houdini of Rock 'n' Roll”. Instead of getting to number one on the radio, it wasn’t heard.“Houdini of Rock 'n' Roll” is one of ten tracks The Hollywood Stars recorded in 1976 for what’s Read more ...
Stephanie Sy-Quia
The Topeka School begins with a female listener getting bored of hearing her boyfriend talk. Which did not bode well, as the perspective’s was the boyfriend, and I am a female reader. Such a self-effacing move is typically Lerneresque: he excels at agonising over the politics of the body he inhabits (a white straight American man), only to then let his agonising become bigger and baggier. Adam and Amber are sitting in a boat in a manmade lake of an evening in Topeka, Kansas. Adam has been talking declaring their hope that they will keep seeing each other after he leaves for college. “ Read more ...
Gavin Dixon
No great innovations in this Seraglio – as ETO are styling Mozart’s early Singspiel (its full title in translation is The Abduction from the Seraglio – but a traditional staging that makes the most of all the work’s characters and quirks. Mozart’s evocation of an exotic, and unknown, Oriental world is perfectly rendered by director Stephen Medcalf, who finds an ideal balance between the various love interests and the regular invitations to slapstick comedy. He does it all with a light touch, and with a real focus on the characters – all well cast. Sets are modest – it’s a touring show – but Read more ...
Katie Colombus
Rodrigo y Gabriela are no longer the youthful metalheads that once spawned an organic fan movement from the muso grapevine, via rigorous gig schedules and world tours.They are grown up now, having been in the game for 20 years – something Rodrigo references, saying that it was natural to follow fun when they were young, but that they now have a more important message. The Mettavolution tour is not only full of their usual unassumingly intense and brilliant flamenco-rock aesthetic, but also food for thought that glimmers around Buddhist principles and a connection to something greater than the Read more ...