2000s
Thomas H. Green
Demi Lovato is impressive on many fronts. She’s a Noughties Disney tween star who’s become an outspoken activist in an America where it’s increasingly dangerous to be one. She’s lived a rollercoaster ride of a life, rampantly exploring sexuality, drink and drugs amid chaos, abuse and serious mental health calamities, and she’s overcome the worst of it.Alongside all that, unlike most of her Disney child star peers, she’s maintained a successful career, both as a film and TV actor, and as a singer who, for well over a decade-and-a-half, has consistently taken her albums Top 10 in the UK and US Read more ...
Kieron Tyler
The reappearance of These Were The Earlies for its 21st-anniversary is a surprise. Although The Earlies' debut LP received a maximum-marks review from NME on its 2004 release – and widespread praise in general – it is not an album instantly shouting “cult item.” Nonetheless, as the reissue and a tie-in reformation of the band show, there is a residual affection.Playing These Were The Earlies confirms why. From its opening seconds, it sets itself up as top-notch modern psychedelia, with references – some overt, some subtle – to The Beach Boys, Love and, more contemporaneously, Mercury Rev. A Read more ...
Sarah Kent
This must be the first time a black artist has been honoured with a retrospective that fills the main galleries of the Royal Academy. Celebrating Kerry James Marshall’s 70th birthday, The Histories occupies these grand rooms with such joyous ease and aplomb that it makes one forget how rare it is for blackness to be given centre stage.“I’m trying to establish a phenomenal presence that is unequivocally black and beautiful,” explains Marshall. “What I’m trying to do in my work is establish presence with a capital P.” And boy does he succeed! Gallery after gallery is filled with pictures that Read more ...
Sarah Kent
When in the 1990s, Jenny Saville’s peers shunned painting in favour of alternative media such as photography, video and installations, the artist stuck to her guns and, unapologetically, worked on canvases as large as seven feet tall. While still a student at Glasgow School of Art, she painted Propped, 1992, one of the most challenging and memorable female nudes in the history of art (pictured below right). This enormous painting confronts you on entry to her retrospective at the National Portrait Gallery, and it is still a knock out. Perching awkwardly on a tiny pedestal is a Read more ...
Sarah Kent
I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the beauty of her huge oil pastels; rivulets of bright colour shimmied round one another in what seemed like a joyous celebration of pure abstraction.Yet hidden within this glorious maelstrom of marks were brick-like shapes representing teeth; Jones is fascinated by mouths and the dentures that, literally and metaphorically, guard these entry points to our interior being.The 34-year-old is the first living artist to show in the main exhibition space at the Dulwich Read more ...
Sarah Kent
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the Japanese artist Yoshitomo Nara and the combination of turquoise walls and oversized paintings of cute kids turned my stomach over. Kitsch has that kind of power.It can also command high prices on the international market and Nara’s pictures sell for vast sums. In 2019 Knife Behind Back, a slick rendition of a grumpy girl in a red dress, sold at auction for £20 million. Since then, his prices have shrunk to a mere £9 million – still not bad for a product that Read more ...
Kathryn Reilly
While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more dignified experience is on offer from Sheffield. More is Pulp’s first album for 24 years, which is a sobering fact for those of us who still remember the first time. Thankfully, this isn’t a reprisal of past glories but a vibrant and moving work of some significance. They’ve ripened delightfully and are living proof that age does not diminish creativity or relevance.The title of the first single had me worried. While slightly dreading a return to having left an important part of Read more ...
Hugh Barnes
The reporting of Anna Politkovskaya, the journalist who was shot dead in her Moscow apartment building in 2006 – on Vladimir Putin’s birthday, a deranged gift from his loyal security services – is perhaps the nearest thing we have to a full diagnosis of the horrifying corruption and brutality of Russia under his governance.Some of the events depicted in Words of War happened over a quarter of century ago when, as Yeltsin’s Prime Minister, Putin started a war in Chechnya on the same false pretext of anti-terrrorism that now masks his real intentions in Ukraine. However, as Politkovskaya, who Read more ...
Thomas H. Green
20 years on from their first appearance on record, the seventh long-player from Canadian indie-art-rock behemoths Arcade Fire comes off the back of four consecutive UK album chart-toppers.Also lurking in the background are the 2022 sexual misconduct allegations against mainstay Win Butler. He seems to have weathered them better than most, supported by his wife and bandmate Régine Chassagne. This review is not the place for an investigative deep-dive. Make your own mind up. But Pink Elephant, especially its first half, contains some impressive songs.Working with Daniel Lanois, Butler and Read more ...
Thomas H. Green
For fans of The Horrors, the headline here is that, 20 years into the career, for their sixth album, the band have lost two of their founding members. Original keyboard player Tom Furse has gone, as has drummer “Coffin” Joe Spurgeon, to be replaced, respectively, by Amelia Kidd of Scottish synthy post-punkers The Ninth Wave and Jordan Cook of alt-indie Welsh outfit Telegram. Happily, these changes have not scuppered their overall dynamic. Indeed, the five-piece is now imbued with an encompassing darkness that harks back to their beginnings.This is not to say the The Horrors have reanimated Read more ...
David Gray
Occasionally, when I pass my own reflection, out of the corner of my eye I catch a glimpse of the likeness of my father, shining out through the bones in my face. In this way his ghost walks with me. Sometimes the making process can feel like that, a matter of training our peripheral vision to retrieve the images and ideas that are flickering at the edge of our field of view, existing in the same dimly lit space as dreams, primal impulses and hazy memories. It’s obvious that a lot of songs are written in response to events, either in our own lives or in the lives of those around us Read more ...
Gary Naylor
Your response to Barney Norris’s one-man play, based on David Foenkinos’s bestselling novel as translated by Megan Jones, probably depends on which of the Gens is yours. The Gen Zs might turn a nose up, Joanne Rowling something of a discredited figure in their eyes. Millennials will identify straight away with Martin, the protagonist, whose life is "stalked" by Harry Potter. Gen Xs will catch the peculiar and unexpected impact of parenthood on a complicated, if hitherto stable, middle-class life. And, Okay Boomers, what about us? I was reminded of Kenneth Williams, Bernard Cribbins and, Read more ...