cello
David Nice
Two years after its first festive spree of 100 events, Kings Place has become the most congenial of all London's concert-hall zones in which to hang loose. On Friday afternoon I could have trotted happily between Russian piano classics, youth jazz and storytellers. I stayed with pianist Mikhail Rudy and cellist Alexander Ivashkin because I was intrigued to know how Rudy's stamina would hold out from a monument of the Russian repertoire in the first concert to a punishing transcription in the third.The answer was that he simply got better as the challenges accumulated. Must be honest and say I Read more ...
graham.rickson
This month’s new releases include a skilled orchestral re-imagining of Debussy piano music, some unfairly neglected late romanticism and a box of late Haydn symphonies. There’s a sublime Brahms chamber work, and three contrasting interpretations of Bach. A little-known Swiss contemporary composer gets an airing, a young cellist plays a nice set of transcriptions and a young Spanish group tackle three Hungarian string quartets. There’s also a timely reissue of a classic 20th-century opera. CD of the Month
Trio! Horn Trios by Brahms, Mozart and Duvernoy Sarah Willis, horn; Cordelia Höfer, Read more ...
Ismene Brown
Chamber music is a highly motivational experience - here is a group of instruments of quite different qualities parading, fighting, ganging up, inviting each other’s new ideas, dialoguing, and all this variety heightening the build-up to the moment when all instruments proclaim unanimity in a grand finish, or (even better) huddle up in mutual creative conspiracy and conjure a mysterious little spell that makes the outsider long to be part of it. All of which was present last night in both the performance and the music of Robert Schumann’s third Piano Trio, played by the Tetzlaff siblings, Read more ...
joe.muggs
It's an admirable project: to recast the interiors of stately homes as immersive artworks, a musical recital combined with sound installations designed to make the viewer look anew at their surroundings. Certainly as I entered the hallway of Hertford House in Marylebone, where the Wallace Collection is housed, the rich, shifting tones of Simon Fisher Turner's electronic sound manipulations filled the air like perfume, amplifying the opulence of the surroundings and making me – and others – linger on the grand staircase. This was ambient music in the truest sense, deep subliminal bass notes Read more ...
David Nice
"Madness! Madness! Everywhere madness!" The unsung words of cobbler-philosopher Hans Sachs in the third-act prelude to Wagner's Die Meistersinger might seem like an odd opening manifesto for the Berlin Philharmonic Orchestra's annual May Day ceremonial concert this morning, hosted this year by Oxford in the gorgeous venue where the Berliners had last played under Karajan a very long time ago. But there was method in it. Whether or not Oxford's traditional May Day eve revels last night had any drunken brawl as threatening as the one which set Sachs meditating on human folly there was certainly Read more ...
David Nice
For many of us, this was bound to be an emotional evening. Noëlle Mann, doyenne of all things Prokofievian on the editorial, archival, teaching and performing fronts, died peacefully at home last Friday, and it was to her that Vladimir Jurowski dedicated a typically bold programme of Prokofiev's late epic for cello and orchestra, the Symphony-Concerto, and a big but rather less focused symphony by his closest composer-friend Nikolay Myaskovsky. Perhaps it's presumptuous to speak for the departed; but I could hear Noëlle responding vitally to her master's voice, applauding Jurowski for Read more ...
igor.toronyilalic
It's hard to miss German composer Wolfgang Rihm. He has an enormous head. There it is, bulging from his giant frame, a big, friendly grin slapped onto it while he wanders around the Barbican on his celebratory day, none of it going to waste. Listen to his prolifically combustible music, the million and one ideas hurtling about with the energy of a school playground and the intensity of a burning sun, and you soon realise that all that cranial space is probably quite necessary.
But for composition you need more than just head space for musical ideas to smash into one another. You need form. Read more ...
Ismene Brown
In every partnership there is a leader, and it’s not always the featured name. While the hall was packed with Ma followers for this rare cello-and-piano recital, what emerged was a richly sensitising foretaste of what the Emanuel Ax residency is going to offer over the next fortnight. This is one marvellous pianist.But then Yo-Yo Ma is an excellent cellist too, and their programme of Schumann and Chopin either side of a new commission for them by Peter Lieberson displayed Ma's very amiable personality and light touch, and indeed what appears to be an uncommonly warm and smiling relationship Read more ...
graham.rickson
This month's classical music releases include mighty new recordings of Bach, Brahms, Rachmaninov and Prokofiev by major orchestras. Other recordings shine new light on Nielsen and Dallapiccola and make a case for the genius of Bernard Herrmann. From the quirkier end of the spectrum there is choral music from the Baltic, Stravinsky's compositions for piano and violin, a trio of new and older recordings from Joanna MacGregor and Amy Dickson's playing Taverner and Glass on soprano saxophone. As ever, click on the links to buy these recordings on Amazon.Rachmaninov: Symphony No 2, Vocalise, Read more ...
hilary.whitney
"What is it about Schubert’s music that has such power 180 years on? It has nothing to do with who he slept with or what he had for breakfast – it’s the work," insists filmmaker Christopher Nupen, whose series of films about composers is currently showing on BBC Four. "If you’re dragged towards the quotidian and the sensational, you’ll be pulled away from that elusive essence in the work that nobody has ever succeeded in explaining, but which remains one of the highest expressions of the human mind.”Nupen is also emphatic that the films, which feature Read more ...
theartsdesk
Heading up this month's classical selection is a 16-CD budget box set of the complete works of Frédéric Chopin, issued to celebrate the 200th anniversary of the consumptive Pole's birth. Plus we review a rare piano concerto by Ralph Vaughan Williams, a disc of even rarer string orchestra works by the post-war Polish composer Grażyna Bacewicz, a fresh coupling of the Debussy and Ravel string quartets, a new version of Bruckner's mighty Eighth from the French-Canadian wunderkind Yannick Nézet-Séguin and two sets of historic recordings conducted by "Glorious John" Barbirolli. Our reviewers this Read more ...
Peter Culshaw
A series celebrating musicians' birthdays. 30 December 1910: Enough of all the seasonal jollity. With any luck, yours was more real than forced. The other side of New Years is, for many of us, a certain existential panic. What happened to the last year? How did we do? How the hell did it go so fast? And, more scarily, though hopefully invigoratingly, how many more do we have left? Paul Bowles, best known as author of The Sheltering Sky, wasn’t a musician exactly, but was a musicologist (the peerless collections of the Moroccan music he recorded are in the Smithsonian). In 45 seconds, Read more ...