police
Nick Hasted
Mel Gibson’s vile drunken rants a decade ago, his 63 years and the price of both inform his role as cop Brett Ridgeman. Writer-director S. Craig Zahler won’t comment. But as Ridgeman and patrol partner Anthony (fellow Hollywood right-wing rarity Vince Vaughn) discuss the “hypocrisy” of news channels “treating every perceived intolerance with complete intolerance”, and media exploitation of “a private phone-call”, the script clearly lets Gibson vent. This doesn’t stop the pair’s suspension for brutalising suspects, much as Gibson was thrown into exile.When we follow Ridgeman home to his sick Read more ...
Adam Sweeting
Congratulations to Stephen Graham, guest-starring in this fifth season of BBC One’s Line of Duty, for still being alive at the end of episode one, a favour not routinely granted to headline names in Jed Mercurio’s diabolical labyrinth of deception. Then again, death needn’t necessarily be the end, as we were reminded when the late and exceptionally unlamented ACC Derek Hilton, the sleazy string-puller from series four, repeated on us here like a bad oyster.Mercurio isn’t just telling a story, he’s spinning a kind of Game of Villains epic that stretches out to unknowable horizons. Just as the Read more ...
Adam Sweeting
Thing is, a lot of this unpleasantness could have been avoided if DI Jimmy Perez had just watched the second series of The Missing. From this he could have deduced that there was every chance that Derek Riddell (who plays Chris Brooks in Shetland (BBC One), and was sinister kidnapper Adam Gettrick in The Missing) was a thoroughly bad egg, and cut to the chase a good deal sooner than he eventually did.However, Perez’s sleuthing instincts had been severely blunted by his growing entanglement with Brooks’s wife Alice (Catherine Walker), and as a couple they seemed potentially to have quite a lot Read more ...
Saskia Baron
This might just be the most challenging film review I’ve had to write in decades. The best thing would be to go and see Border knowing nothing more than that it won the prize for most innovative film at Cannes. Don't watch the trailer, and definitely don’t read those lazy reviewers who complete their word count by writing a detailed synopsis ruining every reveal and plot twist. Border is simply brilliant and best seen clean, although a duty of care means that viewers of a delicate disposition are warned that there’s a significant amount of body horror on screen. Fans of David Cronenberg, Read more ...
Saskia Baron
It’s another night in an emergency services dispatch room in Copenhagen. Policeman Asger Holm has been taken off active patrol pending a conduct investigation and is stuck on the phones. Drunks, druggies, posh blokes complaining of being mugged in the red light district, he’s pretty brutal with these time-wasters. Then a call comes in from a desperate woman. She's pretending she’s phoned her child but has been kidnapped by a man who’s driving her to an unknown destination. Can Asger work out where she is, keep her on the line, and get the patrol car to her in time?The Guilty is a Read more ...
Steve O'Rourke
Did you play videogames back in 2010? If you did, there’s a reasonable chance you played Crackdown 2. Only a reasonable chance as the game was just on Xbox 360 – this was back in the days when there was a lot more console-exclusive titles. But if you did play, you would know just how much fun this sprawling open world run, gun and mega jump game could be.Crackdown 2 was a vertigo-inducing urban romp, where as a super powered law enforcement agent you traverse the city with giant, gravity-defying leaps. Your abilities increase as you explore and complete objectives, bringing you new powers, Read more ...
Adam Sweeting
The end of series five of Endeavour found PC George Fancy shot dead, Cowley police station closed and the old crew dispersed. With Led Zeppelin on the soundtrack (it’s 1969), the sixth series opened minus WPC Trewlove, but with Fred Thursday demoted and shunted off to Castle Gate police station. As for Sgt Morse, they’d put him in uniform, given him a dinky little blue-and-white Austin 1100 and parked him in the leafy wilderness of Woodstock.However, screenwriter Russell Lewis cheered us up with a comical little skit starring Chief Super Bright (Anton Lesser), now the star of a TV commercial Read more ...
Owen Richards
Destroyer. It’s an apt name. Like the film, it's grandiose and blunt. Nicole Kidman is almost unrecognisable (a requirement when aiming for nominations) as Detective Erin Bell, a damaged survivor of an undercover heist gone wrong. When her target resurfaces after 17 years, she must pull her life together to hunt him down and finally close the case, whatever it takes.When we first see Detective Bell, she’s barely holding it together. Approaching a crime scene, she looks like an old punk star that stopped enjoying the drugs long before she stopped taking them. Limping, eyes barely open, and a Read more ...
Saskia Baron
This well-crafted addition to the films inspired by the Black Lives Matter movement is subtler and less commercial than last year’s The Hate U Give but covers similar terrain. Writer-director Reinaldo Marcus Green sets Monsters and Men in Brooklyn and structures his narrative into a triptych, following three young men’s different reactions to the same police killing. In the process he sets the audience questions about complicity and loyalty. Drawing on the death of Eric Garner, choked by police officers when they caught him selling loose cigarettes in 2014, Green’s approach is Read more ...
Saskia Baron
“Can you breathe?’ “Yeah.” “Shame, that”. Another ne’er-do-well is being banged to rights after a chase through container stacks in the dark. Luther is back, and he hasn’t upgraded his Volvo or changed his tweed coat – but we don’t really mind, do we? It’s a bit like Columbo, Miss Marple or Christmas dinner, the familiar ingredients are what we crave. Before the title sequence rolls, two distinct storylines have been set up and we’ll doubtless spend the four episodes working out how they intertwine (or not); but mostly, we’re waiting for Ruth Wilson to appear.There’s a perverted serial killer Read more ...
Marina Vaizey
It is 1914 – a fateful year for assassinations, war and revolution. The fictional Erast Petrovich Fandorin, the protagonist of Boris Akunin’s series of historical thrillers, is an elegant, eccentric sometime government servant, spy and diplomat, as well as engineer, independent detective and free spirit. He is a completely assured personality, who nevertheless stammers in ordinary conversation. And he is very fond of risk.This well-travelled Muscovite is visiting Yalta to pay homage to the memory of his hero, Chekhov, thus already utilising the mix of real history and fiction that is Read more ...
Marina Vaizey
The master of the Southern California police procedural is back. In Dark Sacred Night Michael Connelly puts centre stage his oldest creation, the Vietnam veteran turned original, ethical policeman who marches to his own moralities, Hieronymous – aka known, natch, as Harry – Bosch, paired for the first time with his newest one, the resourceful Renée Ballard. Billed as the new “Bosch & Ballard tale”, it is the first novel in which they meet and work together, chapters alternating between the two.The pairing of loners is typical. Bosch’s overwhelming need, now that he is retired but working Read more ...