pop music
Kieron Tyler
Original UK pressings of Slade’s Seventies mega-hit singles like “Coz I Luv You”, “Everyday”, “Gudbuy T’Jane” and “Mama Weer all Crazee Now” sell for between £1 and £5 if they’re in decent shape. If a copy is needed to listen to, there’s little need to fork out more than £2. On seven-inch, the real Slade rarities are their pre-hit singles and what they issued earlier as Ambrose Slade and The 'N Betweens.Slade, though, weren’t all about the UK. They were, for example, popular in the Netherlands where “Coz I Luv You”, “Everyday”, “Gudbuy T’Jane”, “Merry X-mas Everybody” and “Take me Bak ’Ome” Read more ...
joe.muggs
There's no knowing what to expect from Natasha Khan. Her most recent output has been furiously intense Thai and Persian psyche rock covers (as SEXWITCH in 2015) followed by torch songs full of shadow and eeriness (Bat For Lashes' 2016 The Bride). It rather felt from these two releases that she was happy cosmically dreaming on the margins – certainly in contrast to the strange pop promise of her early work, which prefigured the likes of Grimes and Lana Del Rey in many ways, and suggested someone with an eye on grandiose visions materially as well as mystically. But it turns out she Read more ...
Thomas H. Green
Parisian outfit Caravan Palace have now had a career that’s lasted over a decade. They’ve not busted the British charts open (although they have had hit albums in France), but they’ve long been festival favourites with multi-millions of YouTube plays, and their UK profile has never been higher. Their new album dials back the manic dancefloor energy they sometimes emanate, yet succeeds as a wittily constructed, summery, electronic dance-pop concoction.Caravan Palace have long been associated with the dance music sub-genre electro-swing (a mash-up of swing jazz and club beats), an easily Read more ...
Kieron Tyler
Apparently, Creedence Clearwater Revival drummer Doug Clifford’s snare drum broke during the first song of their set at Woodstock Festival. On the new double album Live at Woodstock, it’s impossible to detect this happening. As “Born on the Bayou” progresses, the band’s forward motion is relentless and their dedication to the groove is undiminished during this and the remainder of a blistering, paint-peeling set. This percussion hiccup and an allied perception that it was a sub-standard show prevented the band’s leader John Fogerty from allowing CCR to be included in the subsequent live album Read more ...
Lisa-Marie Ferla
If there's a central motif to the sprawling, 18-track opus that is Taylor Swift’s seventh release - and it’s an album that references both Drake and Springsteen, so it's hard to pin down - it first emerges in track three, the title track. Stripped of pop theatrics, “Lover” trades in what Swift does best: hyper-specific details made universal enough for every first dance, delivered with enough earnestness to rehabilitate a word pulled straight from the headlines of a tabloid magazine. And then, the bridge, delivered with the cadence of a wedding toast: “swear to be overdramatic and true”.While Read more ...
Kieron Tyler
The timing seemed odd. Sigrid is internationally successful. She’s Norway’s highest-profile musical ambassador since a-ha. Yet instead of headlining at 2019’s Øya Festival, she hits the stage at 6.45. Has she been demoted in favour of Tame Impala, who are given the final slot at 9.30?Then, as the crowd begins gathering in the natural amphitheatre before the Amfiet stage in the Tøyen park in Norway’s capital, it becomes clear. The timing recognises that some of her younger fans might not usually be up at 10 or later. Sigrid’s fan base is multi-generational, with her youngest admirers around Read more ...
Kieron Tyler
The core paradox with powerpop is that most of those who sought to create the perfect guitar driven, hook-laden pop song failed to score hits. Come On Let's Go! – Power Pop Gems From the 70s & 80s is stuffed with the classy and memorable, but under a third of its 24 participants had any sort of chart profile. And, for 20/20 and Wire Train, it was fleeting and ultimately inconspicuous.Focussing on America, Come On Let's Go! covers the period 1972 to 1987 with one outlier from 1995 (The Rooks’ archly titled “Glitter Best”). The earliest track is The Raspberries’ hit “I Wanna be With You”. Read more ...
Lisa-Marie Ferla
The perfect primer to The Regrettes comes towards the end of the colourful video for “I Dare You”, the bubblegum update to “Last Nite” by The Strokes that is the lead single from their second album. Teenage frontwoman Lydia Night delivers the title lyric for the first time in the song with a cheeky wink to the camera, but it’s so subtle - and her face is but one of four, off-centre on screen - that you’ll convince yourself you dreamt it. Besides, you’re but two beats away from the drums coming in again, kicking off another fizzy chorus about the all-consuming madness of first love.Now you, an Read more ...
Kieron Tyler
After 15 seconds, it’s obvious who The New Adventures Of… is by. PP Arnold’s instantly recognisable, slightly cracked yet melodic, gospel-informed voice weaves through “Baby Blue” like a bird navigating thermal air currents. The song itself is no slouch too. Moody soul-pop with a baroque arrangement, rolling rhythm and swirling strings in keeping with her first two albums, the opener of her third is lovely. It’s followed by the similarly arresting, equally swoon-some “Though it Hurts me Badly”.While The New Adventures Of… is Arnold’s third album, both its predecessors were issued in 1968. Read more ...
Thomas H. Green
If you are between 13 and 17 years old, Mabel is pop royalty because she’s maintained a playlist/daytime radio presence for the last two years, culminating in her over-my-ex smash “Don’t Call Me Up” at the start of this year. With six Top 20 hits under her belt, two Brit Award nominations and a billion streams, she’s doing well. If you’re upwards of 35, Mabel is pop royalty because her mother is singer Neneh Cherry, her father is trip hop producer Cameron McVey, and her grandfather is jazz trumpet pioneer Don Cherry. If you’re in the former category, her debut album may satisfy. If you’re in Read more ...
Barney Harsent
Music can rile in a way that other artistic forms tend not to. It’s perfectly possible for people to take a dislike to someone they’ve never met based on no more than a Spotify playlist. Take any successful band and you’re guaranteed to find people who despise them for the heinous crime of making pop music that they don’t much care for. Kaiser Chiefs are one such band and the ire they draw from some quarters intensified after frontman Ricky Wilson’s tenure on TV talent show The Voice. All of a sudden indie credibility – whatever that is – was out of the window and he was Read more ...
Thomas H. Green
As this month’s edition of theartsdesk on Vinyl appears the sun is blazing outside, a heatwave hits, and our record collections must hide in the shadows or warp. Yet still we want more to join them in their sheltered rows and where better to seek the greatest new releases than the longest, most complete monthly round-up of new vinyl releases. As ever, we run the gamut. This time there’s everything from grunge to soul to trap to Qawwali and a whole lot more most of us never imagined could exist. Dive in!VINYL OF THE MONTHQasim Naqvi Teenages (Erased Tapes)Teenages, latest album from New York Read more ...