pop music
Lisa-Marie Ferla
In “Look What You Made Me Do”, the tabloid-level diss track that heralded the arrival of Taylor Swift’s sixth album, the one-time darling of Nashville declares the "old" Taylor “dead”. That song, and its follow-up procession of lukewarm singles in desperate need of a chorus, raised a gloomy prospect: had contemporary pop’s cleverest, wittiest, most sensitive lyricist been killed off in favour of score-setting and clumsy Bonnie and Clyde comparisons?Turns out the "new" Taylor is pretty much the same as the old one, albeit with cut-glass EDM hooks in place of teardrops on her guitar. Reputation Read more ...
joe.muggs
In a sense, the air of tedium that surrounds Sam Smith is a wonderful thing. This is a person who can talk about having fluid gender identity and make it sound as if he's simply unsure whether he prefers boiled or mashed potatoes: that is, he's somehow able to dip into one of the spiciest political topics of the age without scaring your gran. It doesn't, though, make him a great pop star.One imagines he'd like to be seen alongside the modern indie/soul likes of Sampha – both came through featuring on early 2010s bass/dance tracks, then emerged as obliquely emoting frontmen. But there's Read more ...
Barney Harsent
When the songwriting partnership of Glenn Tilbrook and Chris Difford returned two years ago, it was with a renewed sense of vim and vitality following nearly two decades away. The Knowledge continues that revival with a collection of songs that often read like short stories, bursting with detail, smart insight and, occasionally, sharp invective.“Every Story” and “Rough Ride” are two such songs. The former feels like classic Squeeze; two voices, one taking the low road, the other the high, both describing a world of scratch cards and big dreams in which “Kids think they’re adults and adults Read more ...
Owen Richards
Who is the real Grace Jones? This is the central question that drives Sophie Fiennes’s documentary, Grace Jones: Bloodlight and Bami. After 115 minutes, you might be less sure of the answer than when you go in. The title is Jamaican for a recording booth’s red light and bread, the substance of life. It’s appropriate for a film which juxtaposes the abstract visual feast of Jones’s live show with her modest upbringing in Jamaica. One minute we’re witnessing green lasers dance off her sparkled bowler hat, next she’s playing jacks in the small farmhouse next to where she grew up. The two Read more ...
Barney Harsent
Singer Jessie Ware has long been considered a bastion of grown-up pop. A natural heir to the estate once tended by Sade; a scenic artist providing the background to relaxed conversations with good company; the eventual recipient of a recurring spot on Jools' Hootenanny in perpetuity.Glasshouse, Ware’s third album, has been preceded by two singles. “Midnight” came dressed in a breathy, wispy outer layer that was soon whipped away to reveal a slow soul stomper, while “Selfish Love” sounded like Amy Winehouse being covered by a bossa nova Portishead covers band. While that might not sound like Read more ...
Thomas H. Green
P!nk is a likably gobby superstar who has consistently maintained her position at the top of the pop tree for an impressive 17 years. Amping up her feisty one-of-the-boys persona, she’s been a template for a generation of girl-pop stars who followed. Her live shows are eye-wowing circus events, setting the bar high for stadium gigs of any type.Unfortunately, though, her seventh album is a fizzle, rather than a firework. In a year when both Katy Perry and Kesha have put out albums containing a decent share of gems – not to mention the extraordinary Lemonade from Beyoncé last year – Read more ...
Thomas H. Green
Before they even step on stage The Pretenders win me to their side. An announcement prior to their appearance tells the audience, “The Pretenders request you keep your phone in your pocket.” Brilliantly, these aren’t idle words. As the gig progresses security quietly but firmly approach anyone with their phone out and asks them to desist. A few songs into the set, Chrissie Hynde has just begun a stripped-down take on her 1986 hit “Hymn to Her”, accompanied only by Welsh keyboard-player Carwyn Ellis, when she stops short. “Would everyone rather watch you take pictures than me sing?” she asks Read more ...
Russ Coffey
Colors, the follow-up to Beck's meditative masterpiece Morning Phase, couldn't come as more of a contrast. It's a glossy, high-energy LP designed to make you dance, not think. The inspiration came partly from Pharrell Williams's mega-hit "Happy". When Beck heard it, in 2013, he was blown away by how exuberant it sounded. It made him wonder if he could write something with the same feel-good factor.For four long years, Beck has been working on the formula. The result is not merely a cheery album, it's a studiously cheery album, full of choppy guitars, smooth synths and complex drums. All Read more ...
Thomas H. Green
High hopes are riding on Dua Lipa. Tonight is the first date of her Self-Titled Tour, but it ends next April. In between, it will travel all over the world, culminating in a series of British stadium dates, the last one at the Alexandra Palace. Such confidence is born of a string of hits across Europe, culminating in this summer’s UK chart-topper, “New Rules”. When she kicks off her show at the Brighton Dome, the near-capacity audience is buzzing, and sing along to one of her bigger successes, “Hotter Than Hell”. This crowd really are onside. They’ve been chanting her name, on and off, for Read more ...
Barney Harsent
When Liam Gallagher turns up with an album in tow, no one is expecting "Jazz Odyssey". You wouldn’t call a plumber to turf your lawn, and you wouldn’t ask ISIS to explain the dynamics of intersectionality. Similarly, you wouldn’t expect the former Oasis and Beady Eye frontman to deliver anything other than Beatles-inflected rock stompers. For the most part that’s exactly what you get. I stopped counting Fab Four references when I ran out of digits, but lyrically, there are nods to “Helter Skelter”, “All Things Must Pass”, “Happiness is a Warm Gun” and “Run For Your Life” among many Read more ...
mark.kidel
Carla Bruni delivers smooth and sophisticated pop. She undoubtedly has plenty of talent, and this latest collection of songs – all of them covers, and sung in impressive English – reeks of good taste, careful artistic choices and a wide knowledge of popular music, from which she has drawn material, as she has said, that "blew her away".She is a wide-ranging pop connoisseur, and the tracks run from the Stones’ “I Miss You” to Abba’s “Winner Takes All”, and from Lou Reed’s “A Perfect Day” to Willie Nelson’s “Crazy”. The production by hit-maker David Foster is flawless, well suited to the Read more ...
joe.muggs
When Miley Cyrus released the deliriously patchy Bangerz in 2013 she was as over-exposed as any pop star has ever been, as I subtly pointed out at the time. Far less so now. Her only album in the interim has been a slightly tedious, flung-out drug folly of a Flaming Lips collaboration in 2015. Other than that, she's steadily edged away from the limelight, meaning this record arrives with less fuss and kerfuffle than more or less anything she's done since her very beginnings as the child star of Disney's Hannah Montana.And it's all the better for it. My first reaction on seeing the title was “ Read more ...