pop
joe.muggs
The career of Raf Rundell has had one of the most satisfying trajectories of any in UK music – a steady process of self-realisation, from record label staff via DJing and artist management, through being a serial studio collaborator, to becoming a fully fledged artist in his own right. For a musician to only now, in his late 40s, be releasing his second full album might seem odd, but there’s something very natural about the way it’s all happened, which is expressed in the confidence of his sound which only continues to mature like fine wine.At the heart of this record sits the single “Always Read more ...
Owen Richards
Writing something people want to stream one billion times is inconceivable for most of us. But then, most of us aren't Rock and Roll Hall of Famer Daryl Hall. Alongside John Oates, he is behind some of the greatest pop songs of all time: "Maneater"; "She's Gone; "Out of Touch"; "Rich Girl"; "I Can't Go For That (No Can Do)"; and of course, the billion-stream masterpiece that is "You Make My Dreams".Over 50 years after forming, the band are still finding new audiences. They've become a favourite for film soundtrackers and samplers. But they don't rest on former glories - Live from Daryl's Read more ...
Thomas H. Green
The debut album by Australian-Ghanaian artist Genesis Owusu is so musically restless it’s exhilarating. What’s clear is this guy doesn’t want to be placed in a box, marked hip hop or anything else. Over a wild variety of music, he adopts multiple vocal styles, reminding of beatbox genius Reggie Watts (most especially his recent Wajatta project with John Tejada). The album cover encapsulates the cinematic, occasionally garish persona that comes across during the 15 tracks. What’s clear is that Genesis Owusu is no wall flower.Running through Smiling With No Teeth is the theme of a “black dog”. Read more ...
Katie Colombus
Best known for winning Sweden's version of Got Talent, at the tender age of 10, Zara Larsson is a shining example of a prodigious young female talent being groomed by the music industry into the perfect pop icon.Her third album Poster Girl is exactly what it says on the tin. Here is a place of dance floor beats and snappy sass for your average teenage girls’ bedroom karaoke session. Perhaps, it’s what the title alludes to, although I was expecting more irony on that front.For the most part, the album is very generic pop. The “touch me the way you do’s” of “Love Me Land”, “Make your jaw drop, Read more ...
Barney Harsent
Over the course of seven albums and nearly two decades, Kings of Leon have gone from spiky, short bursts of adrenaline-fuelled garage rock to swollen stadium pomp, full of big builds and grandiose gestures. Following on from 2016’s WALLS (We Are All Like Love Songs) the band’s eighth collection, When You See Yourself, doesn’t suggest a complete volte face in this regard, but there are definitely more elements jostling for attention.Like analogue synthesisers for instance. While the Followill family aren’t swapping guitar picks for patch cables in the way that Kevin Parker’s Tame Impala have, Read more ...
joe.muggs
Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. One thing in particular that drew me into the collective when it was founded, and has kept me going throughout, was the understanding that artistic forms would be treated with equal respect and Read more ...
Tim Cumming
Mathieu Boogaerts has been recording since the mid 1990s, emerging from the nouvelle chanson scene in Paris, a chansonnier who’s performed at the likes of Cafe Oto over here, while establishing himself as a star turn on the Tôt ou Tard label in France, mixing Afro-pop and reggae as well as indie electronica and folk into his chanson. He’s previously based himself in Paris, Brussels and Nairobi, and now, London, where he’s spent the past five years living in the hinterland between Clapham and Brixton. Out of that sterling cultural exchange experience comes his first English-language album, Read more ...
Lisa-Marie Ferla
It’s difficult to know where to start with Sia’s Music. The album is billed as a collection of songs “from and inspired by” the film of the same name – so not a soundtrack, except for when it is. It tracks range from candy coated to overly earnest; liberated to sexless; pop fun to cinematic; oblique storytelling to big-name co-writes – and yet, as delivered in the Australian singer’s distinctive, powerful voice, have a tendency to blur into one.The album starts strongly with “Together”. Co-written with star producer Jack Antonoff, it’s a huge pop number that taps into both artists’ Read more ...
Katie Colombus
Dropped a month into the year’s first lockdown, Laura Marling’s seventh album landed like a soothing tonic to an odd and chaotic time. The stripped back production had an air of loneliness, yet the vocals were effervescent and soothing. The profoundly insightful lyrics of Songs For Our Daughter and Marling’s confident solitude was like a foreboding of how 2020 was to unfold.The daughter to which the title of the album speaks, is made up and it’s this facet of storytelling that makes the album so dreamy. It lifts you out of reality and allows for escapism into the folky rasp and narratives Read more ...
Barney Harsent
It’s become something of an end-of-year list cliché to say that 2020 has been a great year for music despite being a catastrophic shitstorm when judged by any other metric you care to mention.“Ah!” says 2020, “but clichés are clichés because they’re true,” and sits back smugly, arms folded, conveniently forgetting that this is a cliché in itself and so leading us into a whirlwind of circular reasoning. That’s just so 2020, right?Whatever, the sheer volume of staggeringly good albums released means that honourable mentions go to records that would have walked it in years gone by. Untitled ( Read more ...
Barney Harsent
Gary Barlow’s Music Played By Humans is, in all but name, a Christmas album. Mixing big-band jazz, Latin and pop, it’s an assortment box of bubbly, broad-based business bangers deployed by the Take That veteran with help from a host of showbiz pals. Michael Bublé, Barry Manilow, Chilly Gonzales, Alesha Dixon, Beverley Knight, James Corden… these are big boots to put on the ground.It’s got “Secret Santa” written all over it – and not just because it’s a precision-built, one-size-fits-all, weapons-grade gifting opportunity for work acquaintances and pissed aunties alike. No. It’s Read more ...
Katie Colombus
For her fifth studio album, Paloma Faith decided to boldly ctrl-alt-delete the first version, and re-do it in lockdown.The new-new one is a little bath bomb of an album – it fizzes with funky pop, 80s sheen and emotional nuance than speaks of her long term relationship and being a mother to teenies (she’s currently pregnant with no. 2).If you need any further explanation about her headspace in re-versioning Infinite Things and generally how it’s been going in lockdown, fast forward to “Me Time” which practically yells about “I need some me time, figuring out who I want to be time, saying what Read more ...