rock
Lisa-Marie Ferla
By the time I reached “Coming Home” - the second track on Kaiser Chiefs’ fifth album, and the band’s "comeback" single - I was predicting not a riot exactly, but certainly a few snide comments below re: my knowledge of the Leeds lads’ back catalogue. While not wholly unpleasant, its drivetime radio-friendly smoothness seemed an odd choice for a band best known for anthemic, stadium-filling indie swagger - particularly as it was always going to be seen as something of a mission statement for their first album without chief songwriter and drummer Nick Hodgson.But then Education, Education, Read more ...
Guy Oddy
Anyone who came across Band of Skulls' sophomore album, Sweet Sour, in 2012 would have heard the sound of a band that was more than conversant with the Led Zeppelin songbook but who had no intention of staying put in the early Seventies. The chugging guitar was there alright, but there was plenty more than that going on in the likes of “Bruises” and “You’re Not Pretty but You’ve Got It Going On”. Follow-up, Himalayan, breaks still further from the strict blues-rock template with the introduction of a bucketful of other textures. That said, the echo of Jimmy Page’s crunching riffs and Robert Read more ...
Lisa-Marie Ferla
Thinking back, it was with 2010’s Heaven is Whenever that I stopped recommending my favourite band to the people who didn’t already get it. It wasn’t that it was a bad album – in capturing the world-weariness of the party band once the world moves on it was almost exactly the one that they needed to make – but by that stage you probably knew yourself whether you were the type of hopeless barroom romantic likely to learn lessons from the one who’d seen it all in the corner. On first listen Teeth Dreams comes across as more of the same, but there are so many moments of magic here I’m half Read more ...
Kieron Tyler
Tyrannosaurus Rex: A Beard of Stars/T.Rex: T.Rex, Tanx/Marc Bolan & T. Rex: Zinc Alloy and the Hidden Riders of TomorrowReactions to these reissues are going be determined by what level of fandom the band's acolytes subscribe to. These are not for the casual purchaser. Each is stuffed with masses of bonus tracks, many previously unreleased. The primary content is overwhelmed by the bonuses. Whether it's good or bad to put original albums in the shade is a matter of taste. The volume of extra material makes it hard to appreciate what Bolan intended each album to be in the first place.With Read more ...
Lisa-Marie Ferla
If English Oceans is the Drive-By Truckers finest album since 2004’s The Dirty South - and I’d argue that it is - I doubt it was intentional. A little time away; more of a partnership of equals between founder members and songwriters Patterson Hood and Mike Cooley; and inspirations rooted as much in real life (“Grand Canyon”, dedicated to the memory of crew member and friend Craig Leiske) as in fiction (“Pauline Hawkins”, named for a character in a Willy Vlautin novel) find the southern-fried country rock veterans in a creative place that sounds both vibrant and effortless.What probably helps Read more ...
Lisa-Marie Ferla
For almost 20 years, Drive-By Truckers have been one of Americana's most consistent and enduring voices – and, since 2001’s breakthrough double album Southern Rock Opera, probably the quintessential southern roots rockers too. Formed in Athens, Georgia in 1996 by Alabama natives Patterson Hood and Mike Cooley, the five piece specialises in catchy melodies with more than a hint of the southern gothic, vivid characters and wickedly witty lyrics.The band are perhaps best known for a trio of concept albums: Southern Rock Opera, 2003’s Decoration Day and The Dirty South, released in 2004. Read more ...
joe.muggs
If you're looking for good vibes, you could do worse than watch people who've queued up for a surprise show by a megastar finally getting through the doors, having paid only a tenner. The buzz on the way into the Shepherds Bush Empire last night, in fact, was a real tonic – people whooping, spontaneously singing, grinning inanely. A quite peculiar mix of celebrities – Nick Grimshaw, Cara Delevingne, Alan Yentob and George Clinton – all took to their seats looking as excited as the 3,000-odd standard punters. This was what fandom should be about, and it couldn't have started off the evening Read more ...
Russ Coffey
Last night Lloyd Cole arrived on stage with a similar suede-and-corduroy air to that of his Eighties college-rock hits. Yet something was different. Over the last few years he has developed a real gravitas. It showed in the lines on his face and gunmetal hair; and it's this depth that critics have perceived on his recent album, Standards. Yet despite the critical acclaim the old troubadour is still not happy with how he’s “ disappearing into a niche”. In fact, he says, if this tour is a flop, he might give up music altogether.Whatever concerns Cole might have about his career, he didn’t bring Read more ...
Josiah Howard
Cher was the multi-platform performer of her day, a singer, TV personality, cabaret artist, and Oscar-winning actress. She came up as the initially teenage half of pop duo Sonny & Cher (pictured below left) in the mid-Sixties with her partner (and later husband) Sonny Bono, hitting the charts with megahit "I Got You, Babe". The pair went on to helm a successful TV show in the early Seventies but when they split up Cher was given her own self-titled variety show in 1975. New York journalist and writer Josiah Howard has focused on this in his new book Cher: Strong Enough. Below Howard tells Read more ...
Thomas H. Green
This debut album came out a couple of years ago in New War’s native Australia but is now receiving a full international release courtesy of All Tomorrow's Parties. It deserves it. The quartet from Melbourne give rock, indie, punk - and a whole lot else - a dramatic shake-up, notably boasting lyrics by frontman Chris Pugmire that are intriguing, literate and sometimes poetic. The band also add weight to their driven sound with keyboards and effects utilised in a way that recalls the explosion of millennial New York bands such as Interpol and Out Hud.Try these lyrics - from "Revealer" - for Read more ...
Russ Coffey
As fans of Dylan’s Bootleg series will testify, “odds and ends” albums may require a small modification of expectations. High Hopes falls into a similar category: it’s a collection of 12 re-recordings, outtakes and covers of material that the Boss couldn’t find a home for in his previous 17 albums. Listeners may not find the experience especially consistent, but, still, there are some real nuggets here.Much of this is down to guitarist Tom Morello. Last year, Morello toured with the E Street Band whilst Steve Van Zant was off acting. Chemistry developed between the Rage Against The Machine Read more ...
joe.muggs
Country music in the 21st century is the weirdest thing, and not much of it seems to have to do with the country any more. At its commercial end, it sells billions of records by men with tight T-shirts and women with very white teeth who all drive gigantic 4x4s, making gigastars (in the US at least) of the likes of Tim McGraw and Taylor Swift. Elsewhere there is rootsy bluegrass for urban hipsters, avant-garde classical-electronica-folk, and a vast swathe of “alt.country” and Americana acts that blur the lines between indie rock and retro country.It's in this last category that Shonna Tucker Read more ...