Scotland
Sarah Kent
Mark Cousins, the multi-award winning director of this strange film, is lying in bed watching Ray Charles speaking on the Dick Cavett Show in 1972. The singer went blind in childhood; how would he respond if offered the chance to see again? “I might turn it down,” says Charles. “I’m not all that hung up about seeing things … and with some of the news I hear about today, I mean there are some things I absolutely don’t wanna see, man !”“For somebody like me who has always loved looking,” remarks Cousins, “what he says is unbelievable… Looking has been my joy, my world.” He is trying to decide Read more ...
Adam Sweeting
Submarines have delivered some memorable on-screen performances, from Run Silent, Run Deep to The Hunt for Red October. On the other hand, we must not overlook the treasurably idiotic BBC series The Deep, which featured a submarine with a “moon pool” in it (this was a big vent permanently open to the ocean). Handy for reaching the sea-bed in a hurry perhaps, but not helpful for getting back up again.Vigil isn’t quite as absurd as that, and in fact takes itself extremely seriously, even though the underwater shots look distinctly creaky. It's made by World Productions, home of Line of Duty and Read more ...
Graham Fuller
It’s often the company one keeps that makes a journey worthwhile, not the destination. That’s as true for the five ebullient Fort William schoolgirls making their first trip to Edinburgh in Our Ladies as it is for the film’s audience. These Highland hoydens are so much fun, it’s a pity when our brief time with them ends.Choir members at a Catholic all-girls’ school, they descend on Edinburgh, after some unnecessarily beautiful shots of braes and glens, with high hopes of getting laid and zero interest in winning the singing competition the choir’s been enrolled in by its optimistic organiser Read more ...
David Kettle
The popcorn on offer as you enter the Pleasance’s performing space at the Edinburgh International Conference Centre quickly fills the air with its rich, sugary scent. It’s a smell that sets the scene nicely for a show set in a cinema, but also an aroma that takes on increasingly heavy, cloying, sickly – and inescapable – connotations as Screen 9 progresses.Twelve people were killed and 70 injured in July 2012 at a mass shooting in Aurora, Colorado, at the midnight premiere of the Batman movie The Dark Knight Rises. For its debut production, London-based Piccolo Theatre has devised a verbatim Read more ...
David Kettle
Ageing Mick wakes up on Portobello beach with two gold rings in his pocket, and embarks on the bender to end all benders in order to work out what or who they’re for. Young Gilly has a poorly pug named Mr Immanuel Kant, but can’t face having it put down. Gaynor has suffered from fibromyalgia for decades, but must put it aside if she’s to see her newborn granddaughter. Dougie and Ciara are preparing for their life-changing arrival with one last hedonistic night on the dance floor.On the face of it, Frances Poet seems to be following a well-worn path as the five Edinburgh lives in her quietly Read more ...
David Kettle
Fear of Roses Assembly Roxy ★★★One of the more disconcerting aspects to this year’s Fringe is different venues’ contrasting reactions to the easing of Covid restrictions. Some – like Army @ The Fringe and the Traverse Theatre – maintain limited audience numbers and careful distancing, as well as insisting on mask wearing. The Stand at the Corn Exchange even requires a negative lateral flow test for entry. Others, like Assembly, have performing spaces packed with audience members sitting shoulder to shoulder, and mask wearing apparently voluntary (though there are bars within the Read more ...
David Kettle
There’s always a tricky balance to be struck with site-specific theatre. What’s more important: the show itself, or its unusual setting? And to what extent does its location enrich or even impact on the essence of the text? Edinburgh-based site-specific specialists Grid Iron have been staging shows in parks, pubs and plenty of other unconventional settings for decades. Doppler, however, must surely rank as one of their simplest and most effective marriages of content and location.Doppler is a husband and father, and he lives alone in a forest near Oslo. He’s not sure why: it’s something Read more ...
David Kettle
Tunnels Army @ The Fringe ★★★ As has already been noted, it’s a funny old Fringe this year: only a fraction of its normal size; with audiences that seem either Covid-wary or disconcertingly enthusiastic; with some venues taking advantage of restriction relaxations to open up to jam-packed houses (and infuriating many who’d booked on the basis of social distancing), and others maintaining Covid measures, with outdoor performing spaces and careful hygiene. In short, it’s a bit of a mess, but hey, isn’t that in the spirit of the Fringe? If anything, the smaller programmes in what Read more ...
Matt Wolf
Displacement looms large over every quietly impressive frame of Limbo, writer-director Ben Sharrock's magnetic film about a young Syrian man called Omar (Amir El-Masry) who finds himself biding his time in the remotest reaches of Scotland on the way to some unknown new life. Adrift from his family, who have made their way to Turkey, and thrown into the company of a motley array of fellow asylum-seekers, Omar spends his days thinking back on the glorious music he once made on his beloved oud and dealing with locals who are happy enough to provide a lift. If only they didn't pepper their Read more ...
joe.muggs
Scottish singer-songwriter Dorothy Allison pretty much defines cool. Her band One Dove was the first to snare Andrew Weatherall as producer after his success with Screamadelica, and together they created Morning Dove White: an extraordinary album that fused country and western melancholy with deep dub and electronica. It brought extraordinarily grown up emotion to the rave generation and creating the archetypal comedown soundtrack to the devoted few who loved it.Since then she’s worked with everyone from Massive Attack to Paul Weller, Death In Vegas to Pete Doherty (he used to be talented and Read more ...
David Nice
The heading may be a bit misleading. There were no vocalists at this year’s ingeniously adapted East Neuk Festival – live events held exclusively in the big space of the Bowhouse, St Monans, to a compulsorily limited audience – and the only rain was that which pelted down on the roof of the venue during the most intimate moments of Beethoven’s D major Quartet, Op.18 No.3, with the Castalian Quartet valiantly persisting. But all the players in the six concerts I heard sang from the heart, as any good instrumentalist should, and the weather was wildly varied, with four seasons in rapid Read more ...
Nick Hasted
Glasvegas deal in hyper-emotion, personal dramas playing out in Spectoresque caverns of sound. Their signature songs, “Daddy’s Gone” and “I’m Gonna Get Stabbed”, wrung wrenching feeling from singer Jamie Allan, melodramatic blood and heat pulsing through his Glasgow tragedies, which pierced the sky and hearts from a root of dour realism. It was a place Springsteen and Strummer had been before, dirtied by the fuzz of The Jesus and Mary Chain, and elevated by worship of early Elvis.Making this fourth album was, though, more prosaically wearing. Godspeed’s studio was Allan’s spare room, making Read more ...