songwriters
Kieron Tyler
The death of lyricist Hal David at 91 is a sad reminder that the golden age of a uniquely American approach to songwriting is getting further and further away. The Bacharach and David brand will last, as will classic songs like “Anyone Who Had a Heart”, “Don’t Make Me Over”, “Magic Moments”, “Raindrops Keep Fallin’ on my Head, “The Look of Love” and “Walk On By”. Yet David’s passing emphasises that although these compositions have a life of their own, they remain rooted in an era that becomes less and less tangible as the years pass.Of course, for David and his partner Burt Bacharach Read more ...
Thomas H. Green
Nik Kershaw (b 1958) is best known for a run of hits in the mid-Eighties, songs such as “Wouldn’t It Be Good”, “I Won’t Let The Sun Go Down on Me”, “The Riddle” and “Wide Boy”. He achieved international success and played Live Aid in 1985. Raised in Ipswich, he had a background in local bands before his breakthrough came with 1984’s Human Racing album. His look from the era, all mullet, snood and casual suit, has become definitive Eighties imagery.Kershaw spent much of the Nineties working with and writing for others. As well as playing with Elton John, he wrote hits including Chesney Hawkes Read more ...
Adam Sweeting
When he joined up with John Oates, Daryl Hall became half of one of the most successful duos in pop history, which has sold upwards of 60 million albums. From the mid-Seventies to the late Eighties, the pair notched six platinum albums and posted a remarkable streak of hit singles. Six of them were American chart-toppers, including "Kiss On My List", "Rich Girl", "Private Eyes" and "Out of Touch", while even the ones which didn't reach Number One became pop standards anyway, including "Sara Smile" and "Family Man".Born in Pottstown, Pennsylvania in October 1946, Hall majored in music at Read more ...
howard.male
It’s a song which hangs in the air like pollen or reefer smoke, before gradually rising like a never-to-be-answered prayer. It began life as a lullaby but grew up to be a protest song, a scream of existential angst and even a purred invitation to sex. It’s a song like no other song, in that it has been covered more than any other song (its nearest competitors being “My Way” and “Yesterday”), and it was written by three Jewish immigrants before eventually being adopted by African-Americans as their own. A friend of Gershwin’s said, when reminiscing about hearing it for the first time Read more ...
Kieron Tyler
“It’s very deep, very private and full of love,” said Art Garfunkel of his relationship with Paul Simon. So private that for this examination of their swansong 1970 album Bridge Over Troubled Water the pair were interviewed apart, despite both being credited as executive producers. Whatever the nature of the love, 40-plus years on, bridges weren’t being built.Paul Simon didn’t seem too enthusiastic about revisiting his past. One of the few times a smile flashed across his face was when he recalled the journey he used to make to buy records by The Everly Brothers. Discussing the Read more ...
hilary.whitney
Justin Adams is considered to be one of the UK’s most original guitarists and record producers and is an extremely versatile collaborator. He was brought up in the Middle East - his father was a British diplomat in Jordan and Egypt - and his music is very strongly influenced by his early exposure to Arab culture, in addition to African music, blues, dub and psychedelia. After eight fruitful years working with Jah Wobble’s band Invaders of the Heart, touring and co-writing three albums, including the Mercury Prize-nominated Rising Above Bedlam, Adams worked with various musicians Read more ...
Kieron Tyler
The weekend of 29 to 31 July will see London's Festival Hall transformed into what the venue describes as a “multi–venue vintage playground”. Vintage, founded by Wayne and Gerardine Hemingway, comes to London for the first time to celebrate the popular culture of Britain’s past. The Festival Hall is a fitting host, as it was constructed for 1951’s Festival of Britain and is, itself, a piece of living history.Vintage is a bulk-buy experience. The decades celebrated are the 1920s, Thirties, Forties, Fifties, Sixties, Seventies and Eighties. There will be eight nightclubs, each dedicated to one Read more ...
Adam Sweeting
This hugely entertaining first instalment of a three-part investigation into what makes pop songs tick took as its theme "The Ballad", perhaps the most bomb-proof of pop's traditional forms. Mind you, the programme's definition of a ballad was pretty loose. For instance, I would say Sting's "Every Breath You Take" is merely medium-paced rather than a ballad. I'd just file Culture Club's "Do You Really Want to Hurt Me" under "Pop Song".No arguments about "Candle in the Wind" or "Everybody Hurts" though, while Jennifer Rush's "The Power of Love" is the epitome of the so-called "Power Ballad", a Read more ...
Adam Sweeting
The story goes that Eddie Vedder first picked up a ukulele in Hawaii in the mid-Nineties, since when the instrument has become his constant travelling companion and a handy songwriting tool. A whole album's worth of songs written on the funny little stringed thing might sound like he's pushing his luck, but in the event it's an effective way of presenting a simpler, more introspective side of Vedder, a million miles from the roar and bluster of Pearl Jam. Though having said that, it arrives in a sumptuously tooled hardback book package decorated with arty portraits and landscapes, which Read more ...
graeme.thomson
Last week Villager-in-Chief Conor J O’Brien was awarded an Ivor Novello award (Best Song Musically and Lyrically, in case you’re curious) for the title track of his Mercury Prize-nominated debut album Becoming a Jackal. Several questions arise from this fact (one of them being: do they have an award for Best Song Musically but not Lyrically?), but the most pressing is this: just how many more gongs will O'Brien win before the decade is out?This man is a very exciting songwriter. The great thing about his compositions is that they rarely go where you expect them to. This sense of Read more ...
Kieron Tyler
The former Bee Gee Robin Gibb unveiled a plaque at the London home of Dusty Springfield a couple of weeks ago. At the ceremony he commented, “There’s been no one to match her. This includes the United States as well – they can’t come close to her. Today they just pose as singers.” Last October, Sir Elton John was at it too: “Songwriters today are pretty awful, which is why everything sounds the same. Contemporary pop isn’t very inspiring." Come off it, you two, great new music is out there. It’s constantly coming into view.It’s not just Gibb and John. Stick the words “why music isn't good Read more ...
Adam Sweeting
This is Earle's first collection of new material since 2007's Washington Square Serenade, since when he has made a disappointing tribute album to Townes van Zandt, taken a role as a street musician in HBO's New Orleans series Treme, and written a novel, also called I'll Never Get Out of This World Alive. Signs are he may be spreading himself too thin, because this new disc is best described as patchy, and is unlikely to end up as anybody's favourite-ever Earle album.Washington Square Serenade succeeded because it had some gripping songs, a unifying theme (Earle's move from Tennessee to New Read more ...