Turkey
Graham Fuller
The English-language drama Holiday, Danish filmmaker Isabella Eklöf’s feature debut, is an anthropological study of the corrosive effects of absolute male power and calcified misogyny. Inspired by a book written by Eklöf’s co-writer Johanne Algren and drawing on their experiences, as well as those of their gifted lead actor Victoria Carmen Sonne, it’s a harrowing movie – one of the most urgent of the #MeToo era.After deplaning at an airport that serves the Turkish Riviera and coaching into the port town of Bodrum, the protagonist Sascha (Sonne), a fragile woman of about 22, crouches on Read more ...
Tom Birchenough
Turkish director Nuri Bilge Ceylan has been a Cannes regular for almost two decades now, and one of the festival’s more frequent prize-winners: over his career he has come away with two Grand Prix (for 2003’s Distant and 2011’s Once Upon a Time in Anatolia), the Best Director award in 2008 (Three Monkeys), and the Palme d’Or for his previous film, Winter Sleep, in 2014.Which made the fact that The Wild Pear Tree came away without a gong last year something of a surprise in itself, and indeed Ceylan seems to be rather treading water with his new film. It charts territory familiar from his Read more ...
mark.kidel
When, as an artist, you live under the power of a quasi-dictatorship, you choose to stay rather than go into exile, and you want to avoid being thrown into prison, one of the best strategies for opposition is poetry. Turkish rock diva Gaye Su Akyol hasn’t chosen the confrontational path of Pussy Riot, but works instead a rich vein of musical surrealism that questions the power of Erdoğan in a language that the leader and his entourage wouldn’t understand.The rich and operatic mix on this, her second album with Glitterbeat and co-authored by her partner and co-producer the guitarist Ali Güçlü Read more ...
graham.rickson
 Shostakovich: Symphonies 4 &11 Boston Symphony Orchestra/Andris Nelsons (DG)Shostakovich's 4th Symphony was famously withdrawn before its 1936 premiere, the composer wisely recognising that this violent, sprawling work might not do his reputation much good. Eventually performed eight years after Stalin’s death, it's a fabulous listening experience but not something you feel like returning to very often. Andris Nelsons’ new live version is brilliant, but you might need a few Poulenc CDs on hand to cheer yourself up afterwards. Shostakovich's opening march has terrifying energy here, Read more ...
Boyd Tonkin
On new year’s day in 2013, Guy Stagg set out to walk alone from Canterbury to Jerusalem. He planned this journey, which would take ten months, cross 11 countries and cover 5500km, in the wake of severe depression, a suicide attempt and the powerful urge “to leave oneself behind”. Although he trekked from shrine to shrine, monastery to monastery, cathedral to cathedral, along the ancient routes of Christian pilgrimage, Stagg did not at the start – nor at the end – share the faith of the footsore wanderers who had trudged these paths before him. Instead, he was “a nonbeliever hoping a ritual Read more ...
Katherine Waters
Part travelogue and part broad analysis of the current and future challenges facing the EU, the premise of Bruno Maçães’s new book The Dawn of Eurasia is to “use travel to provide an injection of reality of political, economic and historical analyses.”The central plank of Maçães’s argument is that China and Russia will in the near future be recognised as playing pivotal roles in the way “people, goods, energy, money and knowledge” flow. These flows cross a space he terms “Eurasia” characterised less as a geographic entity than a conceptual space governed by political, economic, and to a far Read more ...
Boyd Tonkin
Along with Balzac’s Paris and Dickens’s London, Orhan Pamuk’s Istanbul now ranks as one of the most illustrious author-trademarked cities in literary history. Yet, as Turkey’s Nobel laureate told me during a Southbank Centre interview last month, he never set out to appropriate his home town as a sort of personal brand: it was simply the beloved backdrop of his childhood and youth. These days, he sometimes feels annoyed when critics harp on about the ineffable melancholy and nostalgia (hüzün is the Turkish word) that haunts his depictions of the picturesque old imperial capital that has Read more ...
Sarah Kent
I can’t pretend to like the work of Fahrelnissa Zeid, but she was clearly an exceptional woman and deserves to be honoured with a retrospective. She led a privileged life that spanned most of the 20th century; born in Istanbul in 1901 into a prominent Ottoman family, many of whom were involved in the arts, she died in 1991. Tate Modern's exhibition opens with a portrait of her grandmother painted by Zeid when she was only 14, which with its delicate touch and finely observed detail, reveals a precocious talent.She studied at the Academy of Fine Arts for Women but, when she was 19, Read more ...
David Nice
The time is out of joint for Turkey at the moment, but it’s still a country equally split between those looking to the west for the culture of ideas and the more conservative element which at least needs its voice respected. They co-exist peacefully in a great cosmopolitan city like Istanbul, which recently joined Ankara and Izmir in rejecting increased powers for its leader. Facing difficult challenges and late cancellations, the vivacious Yeşim Gurer, director of the 45th Istanbul Music Festival, held a fine balance between the urban intelligentsia's hunger for fine western ensembles and Read more ...
Marina Vaizey
University, anyone? Student days? If you were ever an undergraduate, who does not remember the simultaneous sense of dislocation and excitement, the feeling of the familiar combined with a heady awareness that we might fall off a cliff, metaphorically speaking, at any moment?University life in various guises is at the centre of The Idiot. Elif Batuman is an autobiographical writer whose subject is her own intellectual and geographical adventures, imbued with a sense of discovery and emotional involvement that does not seem to depend on amatory alliances, unless you count the books and authors Read more ...
Adam Sweeting
The Armenian genocide by the Ottomans during and after World War One killed 1.5 million people and is a wound that won’t heal for Armenians, though modern-day Turkey continues to insist that no genocide occurred. It’s only through the efforts of Armenian-American billionaire Kirk Kerkorian, whose family fled the killings, that The Promise came to be made, thanks to him putting up most of the $100 million production costs. But he died in 2015, so never saw the finished product.He would probably have been pleased that it was made at all, but for all its noble intentions and the horrors it Read more ...
Filiz Ali
I was 11 years old when my father was killed. A body was found near the border between Turkey and Bulgaria. According to authorities it belonged to my father even though the corpse was decomposed beyond recognition. My mother and his mother were not summoned to identify the body. This tragedy happened in 1948. We still don’t know where he was buried. Therefore he does not have a grave. My mother and I waited for him for years hoping that he might appear one day. My mother died in 1999.Sabahattin Ali was a well-known writer who had already published a volume of poetry, four volumes of short Read more ...