TV
Helen Hawkins
Back in 2003, when Mick Herron was a humble sub-editor, his debut novel was published, the first of what became a four-volume series, the Zoë Boehm thrillers. Inevitably, after the success of his later Slow Horses series, television has snaffled this character up too. Morwenna Banks works on both series as a writer-producer. And it shows.Part of the fun of Down Cemetery Road is that it’s almost a distaff version of Slow Horses, with an atmospheric theme song with pertinent lyrics over the credits, Michelle Gurevich’s “Woman’s Touch”, great dialogue and a top-flight cast who know how to Read more ...
Helen Hawkins
This five-parter by Rebecca Miller is essential viewing for any Martin Scorsese fan – and for anybody who wants to understand the process of movie-making, full stop. Miller has interviewed all the key figures from the director’s life, not just film luminaries but his family, his childhood friends, an ex-wife, the priest who inspired him.With no trace of sycophancy (her husband of 30 years is Scorsese collaborator Daniel Day-Lewis, who contributes astute insights to the mix), Miller moves through the phases of his career chronologically, with a keen eye for using exactly the right footage to Read more ...
Pamela Jahn
In his celebrated TV-series Gomorrah (based on the bestseller of the same name by author Roberto Saviano) Italian director Stefano Sollima depicted the mafia ridden neighbourhoods of Naples in its rawest form – without myth, without any gloomy underworld charm or even the slightest hint of supposed gangster morality. The message Sollima wanted to get across was clear: there are no role models, no heroes. No one is happy here. Now Sollima has taken on another real-life story without redemption. The new Netflix true crime series The Monster of Florence revisits one of Italy’s most haunting Read more ...
Adam Sweeting
The problem with making TV dramas about unsolved real-life murder mysteries is that they’re still unsolved, unless the film-makers decide to invent a fictional denouement. This might well trigger an avalanche of legal and ethical objections.Thus, director Stefano Sollima’s four-part examination of Italy’s notorious “Mostro di Firenze” murders, which left a trail of 16 dead bodies between 1968 and 1985, can only hint strongly at the identity of the perpetrator (the individual in question vanished in 1988, and no further murders subsequently took place). But Sollima’s ambitions reach beyond the Read more ...
Adam Sweeting
The return of this entertaining political drama is always welcome, though its soap-tinged mix of transatlantic politics and volatile personal relationships is beginning to look a little too genteel for our current age of ever-worsening crises.In the real world we have Trump on the rampage, the Middle East liable to blow at any moment and China surreptitiously taking over the world, but somehow The Diplomat is still fussing over the terrorist attack on a British aircraft carrier, HMS Courageous, that happened way back at the beginning of Season One. Delightfully, the show never stops believing Read more ...
Justine Elias
Another day, another shooting: this is Florida, USA, where the "Stand Your Ground" self-defence law allows people to use lethal force when they perceive a threat to their lives. The idea may be shocking to Britons, but such laws have become prevalent in America, even though they may be providing cover for straight-up murder.In The Perfect Neighbor, which won the top documentary prize for director Geeta Gandhir at the Sundance Film Festival this year, a minor dispute turns deadly. The film unfolds through found footage, mostly through police body cam video and courtroom coverage, but this isn' Read more ...
Adam Sweeting
Rockin’ vicar the Rev Richard Coles is not only a C of E priest and former member of Bronski Beat and The Communards, but also a purveyor of crime fiction in the shape of his Canon Clement mysteries. The first of these was Murder Before Evensong, and now it has arrived on Acorn TV, where they do a lot of this sort of thing.As its title might suggest, Murder… is rich in echoes of classic British crime-and-detection stories from way back when. There’s plenty of Agatha Christie in the mix, some Midsomer Murders, maybe a bit of Morse and perhaps a shaving or two of M R James’s celebrated ghost Read more ...
Adam Sweeting
They say no good deed goes unpunished, so when New York restaurateur Jake Friedken (Jude Law) allowed his wayward and star-crossed brother Vince (Jason Bateman) back into his life, he might have expected to experience a little turbulence. Instead, he finds himself engulfed in a hair-raising struggle to save his career and even his life.While Vince has high-tailed it across country from Reno, where his encounter with a couple of con-artists found him running one of them over (twice) in a parking lot, Jake has been gee-ing up his staff for a visit by the New York Times restaurant critic. A Read more ...
Helen Hawkins
The latest instalment of the ITV drama department’s attempts at trial by television is another anatomy of a scandal, but with little of the emotive power of Mr Bates vs The Post Office. It’s an odd, ungainly construct that attempts to meld two separate plotlines, almost as if two dramas were prepared independently and then belatedly welded together. Jack Thorne is credited as the writer of both, the able author of, among many other TV hits, Adolescence and National Treasure. But even he can’t stitch this unwieldy material Into a coherent, impactful whole.The point of contact between the Read more ...
Adam Sweeting
Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (Gary Oldman) and his peculiar little band of secret service misfits have come to exert a fierce stranglehold on the viewing public. Horses must be perilously close to being officially declared a cult.Anyway, this fifth series is derived from Mick Herron’s novel London Rules, and the specific London-ness of the show continues to be an indispensable component in its success. Where TV drama often fakes up a fictional not-quite-anywhereland, Horses remains Read more ...
Adam Sweeting
Scripted by Belfast-born playwright David Ireland, Coldwater is a smart and addictive thriller, which manages to squeeze some fresh twists out of its murderous narrative. It also benefits hugely from an excellent cast firing on all cylinders, while also reaping the benefits of its Scottish rural locations.But our story begins in London, where the anti-hero, John (Andrew Lincoln), suffers a traumatic event at the local school playground. He watches a woman being violently assaulted by a raging maniac, but can’t bring himself to rush to her rescue. Instead he freezes, panics, and then runs away Read more ...
graham.rickson
You’ll have absorbed key strands of The Sweeney‘s DNA even if you’ve never watched an episode, ITV’s groundbreaking police drama having had an impact and influence far bigger than its creators could ever have imagined. Writer Ian Kennedy Martin had met the young John Thaw in the 1960s and was keen to work with him again, penning a 90-minute script about a maverick detective inspector for Thames Television’s Armchair Cinema slot in 1974.Production company Euston Films saw the idea’s potential, and production on a 13-part Sweeney series began before Regan was even broadcast. That 90-minute Read more ...